#jamaica #jamaicaculture #kumina #jamaicahistory #maroons
Kumina is one of Jamaica's most powerful and least understood African-derived traditions — a religion, a music form, and a way of speaking to the ancestors that has survived nearly 200 years. In this video, we trace Kumina's true origin story, break down the music and movement behind the ceremony, and take you inside the annual Rebirthday ceremony held in Fairy Hill, Portland — an all-night ritual of drumming, dance, and ancestral connection that most Jamaicans have never witnessed firsthand.
Unlike many Afro-Jamaican traditions, Kumina was not brought to Jamaica through slavery. It arrived after emancipation, carried by free Kongo people from Central Africa who came to Jamaica as indentured laborers in the 1840s–1860s. What they brought with them — the drumming, the language, the belief system — remains almost entirely intact today, still practiced in communities across St. Thomas, Portland, St. Mary, and St. Catherine.
In this video you'll learn:
🥁 The real origin of Kumina and its connection to the Kongo Kingdom
🥁 How the bandu and playing kyas drums carry Kumina's rhythm and history
🥁 Why one of Kumina's drums was disguised as a rum cask
🥁 What "myal" possession means within the ceremony
🥁 What happens during the Rebirthday ceremony in Fairy Hill, Portland
🥁 How Kumina shaped Nyabinghi drumming and modern reggae and dancehall


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One Love Jamaica

#jamaica #accompongmaroonfestival #maroonhistory #jamaicanmaroons #jamaicahistory today, we carry you inside the celebrations of the 288th staging of the Accompong Maroon Festival, held in the historic Maroon community of Accompong— a place where history, culture, and resistance continue to live side by side.

Celebrated every year on January 6th, the Accompong Maroon Festival commemorates the historic Peace Treaty signed in the 18th century between the Maroons and the British, following years of sustained resistance in Jamaica’s interior. It was a defining moment when Maroon ancestors forced the British to recognise them, marking a powerful chapter in Jamaica’s struggle for freedom.

Today, Maroon Fest is more than a commemoration — it is a living classroom. Through traditional drumming, the sounding of the abeng, ritual, storytelling, and communal gathering, the festival preserves a heritage rooted in survival, resilience, and identity. Each element carries forward the memory of a people who refused to disappear.

As Jamaica continues to move forward, the legacy of the Maroons invites reflection on unity in the present day. While history has not always been smooth, moments like these remind us of the importance of dialogue, understanding, and shared purpose. The warrior spirit that once defended these hills now carries a wider meaning — helping to safeguard culture, identity, and national cohesion.

Whether you are discovering Maroon history for the first time or reconnecting with ancestral roots, this story remains timeless. It speaks to recognition, resilience, and the ongoing journey of a people whose past continues to shape Jamaica’s future.

One people. One nation. One Jamaica.
#jamaicadocumentary

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One Love Jamaica

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The official music video for Tobe Nwigwe, Flavour “PERFECTION (feat. C.S. Armstrong)”.

MUSIC:
Stream "PERFECTION (feat. C.S. Armstrong)" with Flavour: https://orcd.co/tobenwigwe-perfection
Show love to my album "THE BRIDGE" coming soon: https://orcd.co/thebridge-listen

CREDITS:
A Good Stewards Production

Directed By:
Tobe Nwigwe

Creative Director:
Tobe Nwigwe

Song Produced By:
Kizzo & Tobe Nwigwe

Executive Producer:
Jeffrey Idehen

Director of Photography:
Shaider Divina

Creative Assistant:
Donta Nelson

Editor:
John Conway

Colorist:
Mcauley Teters

Choreographer:
Tobe Nwigwe & Sarah Olaniran

Styling:
Tobe Nwigwe & Ugo Mozie

Wardrobe Assistant:
Julie James

1st AC:
Jeovany Villatoro

Production:
Randy Wrosiv & Derek Wallace

Special Thanks to:
Wazobia African Market
Moyle Ranch
Dynasty Apartments
The Real Deal Riding Club
Laniya Goodson
Masquerade: Mandela
Tank Humes

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LYRICS:
Ndum ezuro oke mana Chukwu ji nwanyi’m wer mer ka ndum wer zuo oke

My sweetie my sugar my love

Ndum ezuro oke mana Chukwu ji nwanyi’m wer mer ka ndum wer zuo oke

Fine fine see see fine fine baby ooooo

my aura come with real nigga decorum I’m on yo head like fedoras when I enter (enter)

..a g word to Warren, I leave em milky like Borden, if ever I touch a portion of they fender

Beep beep I’m on ya bumper lady

Hope my hands can make you talk like a muppet baby

I’m feeling so Kermit, all I need is a permit
If I leap promise me you’ll return it and..

Meet me mid air see what I did there..
Can’t no regular nigga do dat

It shouldn’t be hard (for you to conclude dat)
U wanna proceed to leave w/ me and get ya blew back

oops I meant back blew out no domestic
Flows perfected, ain’t hard to connect with,
A nigga who’s projecting, the essence of everything you wish that you was blessed with re- spect-ful-ly

Oh lord I know ain’t nobody perfect
But I see perfection in you
I see it in you…

Ndum ezuro oke mana Chukwu ji nwanyi’m wer mer ka ndum wer zuo oke

My sweetie my sugar my love

Ndum ezuro oke mana Chukwu ji nwanyi’m wer mer ka ndum wer zuo oke

Fine fine see see fine fine baby ooooo

Beautiful mama Odugwuo says you’re the one (you are the one)
My fine fine baby ooooooooo u shine like the sun

But would u back it up and dance w/ me
Not harsh baby amicably
Would you leap and take a chance w/ me
No triple k baby build a clan with me

Take my hand romantically then prance w/ me deny every man you see, every night clad yaself in something scantily & if you ever do me wrong I’ll grant ya amnesty cause

Oh lord I know ain’t nobody perfect
But I see perfection in you
I see it in you…

Ndum ezuro oke mana Chukwu ji nwanyi’m wer mer ka ndum wer zuo oke

My sweetie my sugar my love

Ndum ezuro oke mana Chukwu ji nwanyi’m wer mer ka ndum wer zuo oke

Fine fine see see fine fine baby ooooo