THE BLACK MALE IS CRITICAL TO THE BUILDING OF A BLACK NATION.

MASTER KEYS TO STUDY ANCIENT KEMET.
DR. ASA G. HILLIARD.
© 1990
WASET EDUCATIONAL PRODUCTIONS.

THE BLACK MALE
( ENDANGERED SPECIES)
© APRIL 1991

BABA KAMAU KAMBON ON THE MURIAL J. LOVE SHOW.
© 1994

Ɔbenfo Obadele Kambon's Graduation from Morehouse College.
MAY, 2002.

"Jews, Movies, Hollywood, and the American Dream" is a documentary that explores the significant contributions of Jewish filmmakers to the American film industry and how their experiences intersect with the broader American Dream narrative. It delves into the stories of Jewish immigrants who found success in Hollywood and examines how their cultural background influenced their work and shaped the film industry. The documentary provides insights into the influence of Jewish filmmakers on American cinema and their impact on shaping the cultural landscape of the United States.

Obenfo Baba Kamau Kambon's Life Achievement Tribute.

"Dark Girls" is a documentary film that explores the deep-seated biases and prejudices surrounding skin color, particularly within the African American community. It delves into the experiences of dark-skinned women, shedding light on issues like colorism, self-esteem, and societal beauty standards. The film features interviews with women of various backgrounds sharing their personal stories and perspectives on how skin tone affects their lives. "Dark Girls" sparked important conversations about race, identity, and beauty standards when it was released in 2011.

Professor Theophile Obenga is a Congolese historian, Egyptologist, and linguist known for his significant contributions to the study of ancient African civilizations, particularly ancient Egypt. He has authored numerous books and articles on topics ranging from linguistics to African history, with a focus on challenging Eurocentric narratives and highlighting the achievements of African civilizations. Obenga has been influential in redefining the understanding of ancient African cultures and their contributions to world history.

BEAH RICHARDS - A BLACK WOMAN SPEAKS :

Beah Richards was an American actress, poet, and playwright. She was known for her powerful performances on stage and screen, including her role in the film "Guess Who's Coming to Dinner" for which she received an Academy Award nomination. Richards was also an activist, advocating for civil rights and social justice throughout her life. She passed away in 2000, leaving behind a legacy of artistic excellence and activism.
© 2003

PIZZA GATE 3 :

THE NEW SLAVE TRADE

PIZZAGATE IS A MAJOR INTERNATIONAL SCANDAL PROVING THAT HIGH-RANKING U.S. GOVERNMENT OFFICIALS ARE HEAVILY INVOLVED IN SEVERE RACISM, PEDOPHILIA, AND CHILD SEX TRAFFICKING. WATCH AND LEARN HOW THIS AFFECTS BLACK PEOPLE WORLDWIDE.

Sex and organ trafficking are the (2) most profitable illegal businesses in the world. Both focus on children as their primary targets. And these (2) businesses are currently in the process of merging into (1) international sex/organ industry. Right now, both markets include children of all races.

However, through the #pizzagate scandal, white anglosaxons are discovering the wickedness their elected officials are currently involved in and are demanding that white children be protected from this scourge. whites around the world are organizing to save themselves from this demonic globalist, child-raping, zionist empire.

With Afrikan people having the most desired body organs and the least organized communities in the world, our children are primed to become the primary subjects of this 21st Century sex/organ trade that threatens to make the arab Slave Trade, the Atlantic Slave Trade, and european Colonialism pale in comparison.

PIZZA GATE 2:

THE NEW SLAVE TRADE

PIZZAGATE IS A MAJOR INTERNATIONAL SCANDAL PROVING THAT HIGH-RANKING U.S. GOVERNMENT OFFICIALS ARE HEAVILY INVOLVED IN SEVERE RACISM, PEDOPHILIA, AND CHILD SEX TRAFFICKING. WATCH AND LEARN HOW THIS AFFECTS BLACK PEOPLE WORLDWIDE.

Sex and organ trafficking are the (2) most profitable illegal businesses in the world. Both focus on children as their primary targets. And these (2) businesses are currently in the process of merging into (1) international sex/organ industry. Right now, both markets include children of all races.

However, through the #pizzagate scandal, white anglosaxons are discovering the wickedness their elected officials are currently involved in and are demanding that white children be protected from this scourge. whites around the world are organizing to save themselves from this demonic globalist, child-raping, zionist empire.

With Afrikan people having the most desired body organs and the least organized communities in the world, our children are primed to become the primary subjects of this 21st Century sex/organ trade that threatens to make the arab Slave Trade, the Atlantic Slave Trade, and european Colonialism pale in comparison.

PIZZA GATE :

THE NEW SLAVE TRADE

PIZZAGATE IS A MAJOR INTERNATIONAL SCANDAL PROVING THAT HIGH-RANKING U.S. GOVERNMENT OFFICIALS ARE HEAVILY INVOLVED IN SEVERE RACISM, PEDOPHILIA, AND CHILD SEX TRAFFICKING. WATCH AND LEARN HOW THIS AFFECTS BLACK PEOPLE WORLDWIDE.

The magnificence of melanin as it relates to Black supremacy and the effects of the sun on Black spirituality. The sun of God and Not the son of God.

Dr. John Henrik Clarke's talk on "Are We Ready for the Twenty-First Century" explore various aspects of global readiness for the challenges and opportunities of the 21st century. Clarke, a prominent African-American historian and scholar, was known for his insights into African and African-American history and culture. In this talk, he discussed topics such as social justice, education, economic empowerment, and cultural identity, examining how these factors impact the readiness of individuals and communities to navigate the complexities of the modern world. Clarke's perspective emphasized the importance of historical understanding, self-awareness, and collective action in preparing for the future. His lectures often encouraged critical thinking and reflection on the past to inform present actions and shape a more equitable and inclusive future.

Ɔbenfo Obadele Kwame Kambon demonstrates Capoeira Combat Sciences on Sunrise @ TV3 Studios.
...................................................................
⁣Abibifahodie History
Capoeira is an Afrikan=Black combat science.
“Capoeira veio da África; Africano quem a trouxe.”
Capoeira originated as an artform of the Macupe people of Angola where it was known as N’golo due to its similarity to the movements of the Zebras when they fought. It was associated with the male rites of passage whereby a young man who was able to best other youths of his age grade was afforded the opportunity to marry without having to pay the bridewealth. According to pre-eminent scholar of Bantu culture, Dr. Kibwandende kia Bunseki Fu-Kiau the word Capoeira itself is Afrikan and comes from the Kikongo word Kipura – to flutter around like roosters in cockfights.
With the coming of the portuguese and their mandate from the pope to reduce all non-catholics to enslavement, many of the Macupe, Bakôngo, Ovimbundu and other Bantu people were enslaved where they were taken to the then portuguese colony of Brasil. During this time on the continent, during the Maafa (“Middle Passage”) and once in Brasil, the artform took shape as an instrument of liberation as Afrikans relentlessly fought off the portuguese enslavers and established some of the first free (non-slave) republics in the western hemisphere, known in Kikôngo as Kilombos (portuguese Quilombo). One of the best known Kilombos was Palmares led by its legendary leader Zumbi. Here, Afrikans were dreaded by portuguese for using razor blades stuck in between their toes and hopping from trees slashing their enemies as the fell. Much of the malícia, or trickery, associated with Capoeira was deployed in the guerrila warfare struggles waged against an often better-equipped enemy.

In the war of the triple alliance against Paraguay in 1865, Brasil offered Afrikans who would fight in the war their freedom upon returning. Due to the reliance on hand-to-hand combat in trenches, Capoeiristas such as Cezario Alvaro da Costa, Antonio Francisco de Mello and the battallion “Zuavos Bahianos” were able to distinguish themselves. This is enshrined in the Capoeira song Paraná ê.





Despite the heroism of the Capoeiristas on the battle field, capoeira began to get a bad reputation in urban centers. With the abolishment of chattel enslavement, Capoeira flourished as an urban phenomenon in Bahia, Rio de Janeiro, Pernambuco etc., up until its ban due to association with malandros (thugs) in 1890. Oftentimes, politicians would hire capoeiristas to beat up supporters of political rivals. Capoeiristas were also known to use straight razors to slash the throats or enemies and victims. This led Capoeiristas to wear red silk scarves (so that an attacker’s razor blade would not cut through) to protect their own necks. With the state repression of capoeira, many practitioners had to practice underground leading to such toques as “Cavalaria” which would alert Capoeiristas that the police were approaching. Due to repression, Capoeira became almost extinct except for in Bahia in general and Salvador da Bahia in particular. It is worth noting that some practitioners were able to survive repression in other cities and regions.




With the fall of the expansion and decline of the Ọ̀yọ́ empire and the last major wave of enslaved Afrikans coming from the so-called “Slave Coast”, modern-day Nigeria, Capoeira came to be associated with Candomble, a syncretistic spiritual system founded on Yorùbá spirituality which incorporated various aspects of the vestiges of Bantu spirituality (such as Macumba). As such, capoeristas developed a symbiotic relationship where they would go to the practitioners of Candomble for spiritual protection and in turn offer physical protection for the Candomble houses.
In the past Capoeira was practiced with 3 drums rather than the 3 berimbau (also of Afrikan origin) configuration used in Capoeira Angola today. Those drums were known as rum, rumpi, and iê due to the different pitches of sounds they produced. Iê is still the distinctive call announcing the beginning of the opening ladainha and the close of the final corrido songs sung in the capoeira roda.
As Capoeira developed, many other changes were introduced such as those introduced by Mestre Bimba to change the image of Capoeira and also to get it legalized. In a performance for the governor of the state of Bahia, Juracy Magalhães, Mestre Bimba succeeded in convincing authorities of the cultural value of Capoeira and went on to establish the first official capoeira school, Academia-escola de Cultura Regional, in 1932. This is where the Capoeira style known collectively as Regional gets its name and distinctive styles attributed to Mestre Bimba’s introduction of techniques from Batuque, another Afrikan=Black combat science. The legalization led to other schools being established, most notably Mestre Pastinha’s Centro Esportivo de Capoeira Angola, the first school of Capoeira Angola, in 1942 in Pelourinho. A third strand of Capoeira, Capoeira da Rua (Capoeira of the streets) also continued to develop and is still practiced most notably at Mercado Modelo in Bahia.
Capoeira has now spread across the world and Abibifahodie Capoeira marks a milestone in the return of Capoeira to its native land, Afrika, bringing things full-circle. In our capoeira indigenization and re-Afrikanization program, we are working on translating the songs and lessons found in portuguese into one of the primary indigenous languages of Ghana, Twi. Additionally we are incorporating songs from other Afrikan languages such as Yorùbá and Kikongo.
Abibifahodie upholds the tradition of Capoeira as an instrument of Afrikan Liberation and is open to all Afrikan people of the continent and the diaspora. If you live in Ghana or plan on being in Ghana and are interested in training in Capoeira, contact us today!
Dr. Ọbádélé Kwame “Africano” Kambon
+233249195150
info@abibifahodie.com

Fannie Lou Hamer was a prominent figure in the Civil Rights Movement in the United States. She was born in 1917 in Mississippi and became involved in activism in the 1960s, particularly in voter registration efforts. Hamer co-founded the Mississippi Freedom Democratic Party and famously spoke at the 1964 Democratic National Convention, where she passionately advocated for the party to recognize and include African American voices. She dedicated her life to fighting for civil rights and social justice until her death in 1977.
© 1999

Malik Zulu Shabazz and Dr. Khalid Muhammad had a close relationship characterized by their shared activism in the African-American community. Shabazz served as Muhammad's personal attorney and was also a prominent member of the Nation of Islam, where both men were involved in advocating for social justice and empowerment of African-Americans.

Shabazz became widely known for his involvement in civil rights issues and his leadership roles within organizations such as the New Black Panther Party. While their specific roles and approaches differed at times, they both shared a commitment to addressing systemic inequalities and advocating for the rights of African-Americans.
© 2001

The Khalid Muhammad interview with Phil Donahue took place in 1994 on "The Phil Donahue Show." Khalid Muhammad was a controversial figure known for his radical views on race relations and black empowerment. During the interview, Muhammad expressed his views on topics such as white supremacy, black liberation, and the state of African Americans in society. The interview sparked a considerable amount of debate and controversy due to Muhammad's provocative statements and Donahue's challenging questions. It remains a significant moment in television history for its candid discussion of race and politics.
© 1994

Speech by Nana Kamau Kambon.