Kwaku
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Kwaku
17 Views · 2 days ago

Richard Pryor discovers Kmtyw (Black People) originated civilization, and the aAmw (eurasians) being aAmw.

Kwaku
9 Views · 15 days ago

⁣Daily Toast- Imani 29204 "Elder Bonotchi" Per-Ankh sponsored by The Tawi Family Village

Kwaku
9 Views · 15 days ago

⁣An Examination Of Ra Emerging from Nu "Brother Bonotchi"

Kwaku
2 Views · 18 days ago

Nas - Nas Is Good (Official Audio)
King's Disease II Available Now 👑2⃣

Download/Stream King's Disease II
http://Nas.lnk.to/KD2

--------------Tracklist-------------
1. The Pressure
2. Death Row East
3. 40 Side
4. EPMD 2 feat. Eminem & EPMD
5. Rare
6. YKTV feat. A Boogie Wit da Hoodie & YG
7. Store Run
8. Moments
9. Nobody feat. Ms. Lauryn Hill
10. No Phony Love feat. Charlie Wilson
11. Brunch on Sundays feat. Blxst
12. Count Me In
13. Composure feat. Hit-Boy
14. My Bible
15. Nas Is Good

-----------------Nas-----------------
http://instagram.com/nas
http://twitter.com/nas
http://facebook.com/nas

-----------------Lyrics----------------
INTRO
Escobar season begins

VERSE 1
Touch up the game like a photo edit
Camera roll like Oscar Michaeux they gotta roll the credits
Like Rome came into Kemet and they stole the essence
Before they watered it down and taught us bogus lessons
Written in stone write whatever in your history books
Me and ancient Egyptian skin tone had similar looks
On my trip out to Cairo I found home on arrival
I swam in the Red Sea
Took a boat on the Nile
It’s in my blood to drive these cars and live this large
Escobar Cigars avoidin’ the prison bars
Nas
I deserve the threads in my closet big boy deposits
Nike shares and stock tips
Catching up with those who had a head start
Used to get eviction notices that had a red mark
The lights was out that’s why we sip dark
Actin’ a fool at the pool in Queensbridge Park
n*ggas would not survive in my hood
Pull up with all of my jewels on and Nas is good
Nas is good my n*gga Nas is good

BREAK
I love my hood so much I go out in a blazing shootout
You see I can’t come out there I’ll throw it all away f*ck it
Big shout out to DU
Forever
His brother Herb
R.I.P.

VERSE 2
Now y’all woke I’m laughin’ at n*ggas
Y’all used to say Nas talkin’ that anti-establishment business
Look at my settlement cases gave they asses some stitches
Used to put bottles to faces all we ask is forgiveness
My past story full of sins somehow
I gotta cleanse
Back in 2010 Department of Justice wrote me lookin’ for one of my friends
I didn’t know where he was at
Didn’t even have a hint
And even if I did a n*gga’ll never snitch
Cheat code I walked into my greatness
Freak hoes throw their p*ssy a party ok then
Raised by a Queen that’s the only reason I made it
Kings Disease the recurrence that sh*t reinstated
Death to the pessimistic mind state
Lack of hope, low spirit muthaf*ckas
Life to Kings gettin’ a King’s ransom livin’ handsome
Ha
Yo Hit we did it
King’s Disease… 2

#nas #nasisgood #kingsdiseaseii

Kwaku
15 Views · 19 days ago

Lecture: The Problem With Using Euro-Asian Ways of Knowing to Translate Medu Netcher

Lecture Details
Date: Sat. Jan. 11, 2025
Time: 3:00pm CST (4:00pm EST)

A brief introduction from SbA Bonotchi:
Metaphysics, esoterica, and spirituality represent the "aAmu," the Euro-Asian, cultural descriptions of the nature of reality, and unfortunately, too many African scholars have adopted them as research paradigms to understand the meaning of mdu nTr ideas and concepts.

In this presentation, I examine many ideas promoted by some researchers of Kemetic Metaphysics and spirituality. I introduce the “tip-heseb,” The Correct Method, as a vital technical skill and tool for the study of mdu nTr by Afrikan-centered researchers. Afrikan-centered scholars Nana Cheikh Anta Diop Maat Khrew, Akh iqr n Ra, Nana Mut, Rkhty Amen, and Nana Baba, Theophile Obenga introduced the “tip-heseb,” The Correct Method, and its value to Afrikan researchers.

Nana Obenga states the value of the study of Kemett, by way of the voice, and language of the people: “Egyptian language (medu netjer) must be learned technically, because this language is the only key to understanding KMT from an intrinsic paradigm. Positive discussion about KMT is no longer sufficient if our aim is to advance the discipline with sound scholarship. In order for us to have a deep and exciting dialogue with KMT it is necessary for us to master the Egyptian language. This requirement is imperative, for without it we have no beginning.”

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