⁣Kambon mma adesua awieeɛ (Final presentations)

⁣When a teenage orphan girl, Iyanu, unknowingly triggers her Divine Powers, she escapes Elu, the last standing city in the known world, and embarks on a journey to discover the truth about the evil lurking in the realm of Yorubaland.

⁣Direct Arene nationale Grand Combat Thianta bou Yoff vs Zinga bou Malika

⁣"Africans Sold Africans into Slavery" and Other Fairy Tales that Keep 'white' People Safe Live Presentation – April 26, 2025 @ 7:00 PM GMT Online via Abibitumi Platform Cut through the lies. Rebuild the truth. This isn’t just a presentation—it’s a precise dismantling of the deliberately crafted myth that “Africans sold Africans into slavery.” A myth designed to protect ‘white’ people from retribution, obscure historical fact, and divide Black people through confusion and misdirection so that we stay in the fragment vs. fragment state that got us in this situation in the first place. Join Ɔbenfo (Professor) Ọbádélé Kambon for a rigorous, documented, and unapologetic exposé that reframes the conversation using primary sources, linguistic insight, historical documentation, and cultural logic. What You’ll Learn: Why the phrase “Africans sold Africans” is historically false and anachronistic—no one called themselves “African” at the time, and even the name Africa is a Latin exonym, not an indigenous term (The Latin suffix -ica (as in Africa, America, Corsica, Antarctica) attests to the foreignness of the word) How the transatlantic Maangamizi began in 1441 with direct raids and kidnappings by "whites"—not buying and selling Why resistance sites like Gwollu, Nzulenzu, and Ganvié give material proof that people who didn't see themselves as "Africans" were building to defend themselves against "white" kidnappers and others who didn't see themselves as "Africans" The full extent of "white" involvement: raiders, financiers, sellers, insurers, shipbuilders, religious justifiers, legal architects, arms suppliers, and more - If one can't return home because "Africans" sold them, how can they stay in places like amerikkka where "whites" sold them, bought them, developed religious and pseudoscientific justifications, lynched them, and committed and continue to commit every other imaginable atrocity? Why the narrative persists: because it keeps ‘white’ people safe from retribution, while encouraging Abibifoɔ 'Black People' to turn on each other -- just as we did during internecine kidnapping and raiding Registration Includes: Live access to the presentation on April 26, 2025 @ 7:00 PM GMT Private access link via Abibitumi Live Q&A session with Professor Ọbádélé Kambon Ability to connect with others serious about Abibifahodie (Black Liberation) This is not a sanitized history lesson. It’s a weaponized presentation for those who are ready to throw off confusion and deal with truth at the highest level. Register now. Reject the fairy tale. Prepare for retribution.

⁣RE-BROADCAST APRIL 25th!!!! ABIBITUMI AS THE OFFICIAL UNIA EMBASSY: THE HISTORIC MOU AND MEMBERSHIP EXCHANGE - FREE!!!!

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Date: 3-23-2023
Time: 9:00pm est
Topic: Coon Patrol/Slave Patrol
Topic: How to Identify a Coon
Topic: Trans-Atlantic Slave Trade Syndrome
Topic: Selected Speech from Malcolm X:
Guest Speakers: David d. Miles- Texas
Will Justice-Boston and Kushite Selassie-South Carolina

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⁣⁣A intenção é aproximar e estimular o pensamento Afrikano aos que ainda não conseguem acessar conteúdos em inglês.
Para educar um povo - Baba Baruti Análise (Review)

⁣ABIBITUMI EXCLUSIVE SEMINAR_ Sankɔfa Journey Family Reunion – 27 Years of Reconnecting & Reclaiming

⁣The N'ko Script: the Mandingo Language

⁣This film follows 42 singers, dancers, and musicians from the Republic of Mali during their tour of over fifty American cities, with a focus on the group's performance for faculty and students at Western Michigan University (WMU) in Kalamazoo, Michigan. Also shown are stage settings, backstage activities, and rehearsals. The film was produced and directed by Frederick H. Stein and narrated by Peter Thomas.
Credits
Produced and directed by Frederick H. Stein
Photography by Urs B. Furrer
Edited by Karen Erlebach
Written by William Lundgren
Sound Fred Bosch
Associate Producer Peggy Chane
Assistant Cameraman Ronald Lautore
Electrician Howard Meyer
Narrated by Peter Thomas