⁣This docuseries delves into the untold stories and unsung heroes that
paved Nigeria's road to independence. Based on the books by host
Olasupo Shasore

⁣This docuseries delves into the untold stories and unsung heroes that paved Nigeria's road to independence. Based on the books by host Olasupo Shasore.

⁣This docuseries delves into the untold stories and unsung heroes that paved Nigeria's road to independence. Based on the books by host Olasupo Shasore.

Kinshasa is the capital of the Democratic Republic of the Congo. It faces Brazzaville, the capital of the neighbouring Republic of Congo, which can be seen in the distance across the wide Congo River.
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Kinshasa has the largest population of any city in Africa with a population of 14 million within the City limits, and is also the 2nd largest French-speaking city in the world behind Paris. After decades of armed conflicts imposed by neighbouring countries, the infrastructures of the once leading modern African city are now being remarkably restored. Chinese companies are involved in numerous projects of reconstruction throughout the city.


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Algeria, Angola, Benin, Botswana, Burkina Faso, Burundi, Cape Verde, Cabo Verde, Cameroon, Central African Republic (CAR), Chad, Comoros, Democratic Republic of the Congo, Republic of the Congo, Cote d'Ivoire, Djibouti, Egypt, Equatorial Guinea, Eritrea, Eswatini (formerly Swaziland), Ethiopia, Gabon, Gambia, Ghana, Guinea, Guinea-Bissau, Kenya, Lesotho, Liberia, Libya, Madagascar, Malawi, Mali, Mauritania, Mauritius, Morocco, Mozambique, Namibia, Niger, Nigeria, Rwanda, Sao Tome and Principe, Senegal, Seychelles, Sierra Leon, Somalia, South Africa, South Sudan, Sudan, Tanzania, Togo, Tunisia, Uganda, Zambia, Zimbabwe

La ” Nkoumba ” appelée plus tard à Cuba Rumba est une danse de nombril qui prend sa source en l’Afrique Centrale, plus précisément dans le Royaume Kongo et en République Centrafricaine chez ” Mbati “, un groupe ethnique du sud ouest du pays. En ” Mbati “, tout comme en ” Moukongo “, ” Nkoumba ” désigne le nombril. Chez les “Bakongo” groupe ethnique situé au sud du Congo Démocratique de l’Angola et chez les ” Mbati ” de Centrafrique, la danse de nombril est une expression folklorique charnelle permettant à un couple de danseurs de se produire nombril contre nombril.

Lorsque les esclaves noirs Africains débarquent à Cuba il y a 5 siècles avec la danse ” Nkoumba “, le colonisateur Espagnol supprime l’Africanité de cette expression culturelle, populaire et la baptise Rumba pour l’approprier. Du point de vue linguistique, Cuba conserve à ce jour plusieurs mots d’origine Africaine, et ce en dépit de nombreuses transformations constatées dans l’héritage culturel des anciens esclaves. La Rumba conserve à ce jour quelques mots bantou et yoruba dont on entend dans certaines chansons Cubaines. Lorsque la Rumba est revenue en Afrique entre les années 40 et 50, après avoir été longtemps un moyen d’expression artistique et de revendication des noirs qui dénoncent l’injustice dont ils sont victimes à Cuba, elle a été réappropriée par les Africains. Avec l’évolution du temps, les musiciens Africains intègrent leur folklore dans ce riche patrimoine culturel et l’enrichissent d’autres courants musicaux.

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Afrikan Identity

⁣SCETV "DR. CHANCELLOR WILLIAMS" 1978

The Destruction of Black Civilization took Chancellor Williams sixteen years of research and field study to compile. The book, which was to serve as a reinterpretation of the history of the African race, was intended to be ""a general rebellion against the subtle message from even the most 'liberal' white authors (and their Negro disciples): 'You belong to a race of nobodies. You have no worthwhile history to point to with pride.'"" The book was written at a time when many black students, educators, and scholars were starting to piece together the connection between the way their history was taught and the way they were perceived by others and by themselves. They began to question assumptions made about their history and took it upon themselves to create a new body of historical research. The book is premised on the question: ""If the Blacks were among the very first builders of civilization and their land the birthplace of civilization, what has happened to them that has left them since then, at the bottom of world society, precisely what happened? The Caucasian answer is simple and well-known: The Blacks have always been at the bottom."" Williams instead contends that many elements—nature, imperialism, and stolen legacies— have aided in the destruction of the black civilization. The Destruction of Black Civilization is revelatory and revolutionary because it offers a new approach to the research, teaching, and study of African history by shifting the main focus from the history of Arabs and Europeans in Africa to the Africans themselves, offering instead ""a history of blacks that is a history of blacks. Because only from history can we learn what our strengths were and, especially, in what particular aspect we are weak and vulnerable. Our history can then become at once the foundation and guiding light for united efforts in serious[ly] planning what we should be about now."" It was part of the evolution of the black revolution that took place in the 1970s, as the focus shifted from politics to matters of the mind.

Chinweizu's Reply to "Skip" Gates: What Slave Trade?!?