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A powerful call to move Pan-Afrikanism beyond identity and emotion into real economic and institutional power. In this address, Ọnuọra Abụah argues that liberation requires structure — ownership of capital, logistics, production, and narrative. A direct challenge to Afrikans at home and abroad to build what our ancestors began.
Hi! I am Janii, an economics major at Spelman College. Enjoy my review of the Abibitumi Film Festival and how it connects to my ADW course.
Produced by: Jahmal Dee / Papo Productions
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PLAYLIST
Patrice Roberts - Sweet Spot
Problem Child - Not Normal
Shal Marshall - Hot Foot
Imani Ray - Recipe
Giovanni - Under Your Pot
ASCAC Midwest 2025 Presentation "Black to Ma'at: The State of Waset (ca. 206-186 BCE)" focuses on a Kmtyw Restoration movement that occured in the isfet period of greek occupation of Kmt.
Machel Montano x Tempa x Travis World - Tempa Wine
Buy/Stream - https://monkmusic.link/tempawine
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Song Credits:
Song Title - Tempa Wine
Artist - Machel Montano x Tempa
Producer - Travis World
Composers/Writers - Machel Montano, Travis Hosein, Rebecca Alexander, Shane Howell, Emmanuel Rudder, Kernal Roberts, Dwain Antrobus, Patrice Roberts
Machel Montano recorded by - 1st Klase at Baby Monster Studio Trinidad
Tempa recorded by - I.Y.K.Y.K Ent at Studio Impact
Mixed & Mastered by - Travis World
Contains a sample of “Tempa Wine” by Patrice Roberts x Machel Montano
Record label - Monk Music / Travis World Music
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https://www.instagram.com/machelmontano/
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OLATUNJI - "SHE TEMPO" (Official Visualizer)
Produced by Shot Master J
Following the heartfelt patriotism of his first release for the season, "TLY (Trinidad Loves You)", Olatunji Yearwood returns with his second offering "She Tempo", a vibrant, soulful ode to the heartbeat of his career: soca music.
Inspired by the smooth charm of the late Baron, "She Tempo" fuses vintage calypso sweetness with modern Carnival power.
Olatunji personifies soca as a woman, seductive, playful, and powerful taking listeners on a rhythmic love affair full of passion and truth.
With lines like "She hit me front, I hit she back and we whining low", Olatunji captures the essence of the dance floor and the deeper
connection between an artist and his art form.
The song reflects the highs and lows of his journey in the soca industry, celebrating resilience, creativity, and devotion to the culture that raised him.
Music Credits :
Produced by Nine Mind Entertainment
Recorded by Millbeatz Entertainment
Mixed and Mastered by Precision Productions
Back To Another Legendary Video!
(Soca Music) (KMRSounds)
Looking for Soca Untags Email:
kerwin.george83@gmail.com
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#carnival2026 #soca2026 #carnival #soca
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Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favours of fair use.
Abibitumi Conference Tickets at https://www.abibitumi.com
Abibifahodie Festival is FREE! Free shuttle info and schedule at https://www.abibitumi.com
Register here: https://www.abibitumi.com/register
Find out more about D.O.O.R. here: https://www.decadeofourrepatriation.com and https://www.door.events
