⁣Guy walked into gym and challenge ex-boxer

We follow the young men coming to South Africa and risking their lives in the abandoned gold mines of Durban Deep. The gold mine is an hour outside Johannesburg and was closed down 12 years ago, after commercial mining companies moved on. Now illegal miners descend half a kilometre underground, through make-shift tunnels, and use explosives to blow apart the rock in search of gold. There are dangers both inside and outside the mines, local gangs control the area, and rapes and murders are now commonplace.

Tigrigna Classical (Instrumental) Music non stop 2020Credited to: Beyene Haileslassie and Birhane Kidane

For the first time in 60 years, Cuba will not have a Castro at the helm.
89-year-old Raul Castro is relinquishing his position as head of the Communist Party.
He says he wants to pass the baton to a younger generation.
Raul and his late brother Fidel began their leadership of Cuba after the Communist Revolution in 1959.
As he now heads into retirement Raul leaves a country wracked by the economic effects of coronavirus and U.S. sanctions and with growing signs of dissent.
So will this bring political change?
And what about relations with the United States?
- Subscribe to our channel: http://aje.io/AJSubscribe
- Follow us on Twitter: https://twitter.com/AJEnglish
- Find us on Facebook: https://www.facebook.com/aljazeera
- Check our website: https://www.aljazeera.com/
#AlJazeeraEnglish #InsideStory #Cuba

⁣All records are original/master pressings with the exception of Kamikaze Dub (1996 1st re-issue) and Beware Dub (1991 1st re-issue)

Playlist:

1. Scientist - Your Teeth In My Neck (1981)

2. Augustus Pablo - New Style (1979)

3. Scientist – Round 1 (1980)

4. Gregory Isaac - Reform Institution (1978)

5. Scientist – Rubber Foot Dub (1980)

6. Prince Jammy- Prince Jammy On The Scene (1981)

7. King Tubby – Natty Dub (1975)

8. Yabby You – Together (1978)

9. Scientist – Seconds Away (1980)

10. King Tubby - This Is A Natural Dub Stylee (1982)

11. Scientist – Ride On Dub (1981)

12. Prince Jammy With Sly & Robbie / Black Uhuru– Firehouse Special (1982)

13. Linval Thompson - Thompson In Dub (1978)

14. Scientist - Laser Attack (1981)

15. The Agrovators feat The Revolutionaries - The Conqueror (1977)

16. Prince Jammy - Jammys A Shine (1979)

17. Observer Allstars - Youth Man (1975)

18. Prince Jammy - Throne Of Blood (1979)

19. Prince Jammy – Round 8 (1980)

20. Augustus Pablo - Jah Dread (1979)

21. King Tubby - Ragga Muffin Dub Stylee (1982)

22. Scientist – Jungle Dub (1980)

23. Scientist - Dance Of The Vampires (1981)

24. Prince Jammy – Fists Of Fury (1979)

25. Gregory Isaac - Embarrasment (1978)

26. King Tubby - First Generation (1981)

27. Scientist - Cloning Process (1981)

28. Scientist - Third & Fourth Generation Dub (1981)

Israel Vibration's debut, one of the greatest reggae albums ever to be recorded. This compilation released in 2001.

TRACK LIST:
1. The Same Song 0:00
2. Weep And Mourn 3:58
3. Walk The Streets Of Glory 7:18
4. Ball Of Fire 11:54
5. I'll Go Through 15:57
6. Why Worry 19:58
7. Lift Up Your Conscience 24:18
8. Prophet Has Arise 28:18
9. Jah Time Has Come 31:34
10. Licks And Kicks 35:01

BONUS TRACKS:
11. Crisis (Disco Mix) 37:55
12. The Same Song (12" version) 47:12
13. Weep And Mourn (12" version) 54:11
14. Crisis (Dub) 1:00:16

1-Doctor say- 0:01
2-this Morning- 2:51
3-waiting- 5:52
4-No Justice- 10:03
5-Talk-14:32
6-This Train is liavung - 18:40
7-Respect - 21:51
8-Speak your mind - 25:14
9-Dont be Affraid - 30:46
10-Fooling Myself - 34:52
11-Turn up the music - 39:04
12-Again - 43:34
13-Wi a one - 47:04

Vinyl Rip From The Original LP (1972)

01.NEW BELL [0:00]

02.NIGHTS IN ZERALDA [6:43]

03.HIBISCUS [11:17]

04.DANGWA [17:34]

05.LILY [23:33]

06.SOUL MAKOSSA [26:35]

07.OBOSO [31:00]

JOBY JOBS : drums
MANU RODANET : toumba
MALEKANI GERRY : guitar
FREDDY MARS : percussion
LONG MANFRED : bass
PIERRE ZOGO : acoustic guitar
PATRICE GALAS : piano
GEORGES ARVANITAS : piano
MANU DIBANGO : tenor sax, alto sax, vocals

Mulatu Astatke | Album: Mulatu of Ethiopia | Ethio-Jazz | Ethiopia | 1972

1. Mulatu (0:00)
2. Mascaram Setaba (5:02)
3. Dewel (7:53)
4. Kulunmanquelesh (12:07)
5. Kasalefkut-Hulu (14:19)
6. Munaye (16:44)
7. Chifara (20:13) *

* Favorite Song

01. I Faram Gami I Faram
02. Mascaram Setaba
03. Shagu
04. One For Buzayhew
05. Alone In The Crowd
06. Almaz
07. Mulatu’s Hideaway
08. Askum
09. A Kiss Before Dawn
10. Playboy Cha Cha
11. The Panther (Boogaloo)
12. Konjit (Pretty)
13. Soul Power
14. Lover’s Mambo
15. Love Mood For Two
16. Jijiger
17. Girl From Addis Ababa
18. Karayu
19. Raina

Arriving after Astatke’s life-changing years studying at Berklee College in Boston, the albums were the rest experiments in his pioneering sound, fusing Ethiopian cultural music with Afro Latin and jazz forms. “I have always felt a deep connection between Latin and African music,” he explains. “I travelled to Cuba and listened to their musicians; the tempo, rhythm and feeling was very similar to different African forms. In the mid-‘60s, I formed a band called The Ethiopian Quintet in New York comprising Ethiopian, Latin and Afro-American musicians – the band included trumpeter and pianist Rudy Houston who later played with Yambu and Felix Torres who played with La Sonora Poncena.”

Supported by Worthy Records’ Gil Snapper who offered to record the quintet, Astatke began to experiment during two separate sessions: “We created a different feel and different arrangements. On the rst recording, I played an adaptation of an ancient Ethiopian warrior song, ‘I Faram Gami I Faram’ – the lyrics were translated so that the singer could sing it in Spanish. Some compositions were important steps for me: ‘Mascaram Setaba’ (‘Summer Is Coming’) ‘Shagu’ and ‘Almaz’. With the second album, a personal favourite is ‘Girl From Addis Ababa’ which worked very nicely as a fusion of Ethiopian modes and R&B rhythms.”

Astatke would start to perfect his Ethio jazz sound on his later album for Worthy in 1972, ‘Mulatu Of Ethiopia’ but the two volumes of ‘Afro Latin Soul’ stand as important recordings documenting his early career. “It was a very interesting time to be in New York during the mid-‘60s. I was there at the same time as Hugh Masekela, Miriam Makeba and Fela Kuti and we each tried to play our part in putting Africa on the map of contemporary jazz.”

http://www.strut-records.com