Clip from SEBAU live performance - featuring: Rhonda Gray, Paige Brown, and Dana Todd on vocals; Adam Zanolini on bass; Aliyyah Heatherington on piano; Greg winston on Keyboard; Chris Courtney on congas; Luc Mosley on saxophone; and David Boykin on saxophone and vocals

⁣REPARATIONS THAT REPAIRS OUR MINDS is the only form of reparations that will lead to ultimate goal of African Liberation.

In this exclusive first look, we bring you the all-new Kantanka Nkunim, Ghana’s newest and most exciting addition to the public transport sector. Designed and assembled by Kantanka Automobile, the Nkunim is built to provide comfort, durability, safety, and efficiency for commercial transportation operators.Join us as we take a detailed look at the exterior design, interior space, features, passenger capacity, and everything you need to know about this brand-new vehicle that is set to transform the trotro business in Ghana.

⁣Link Up Podcast — Ep 7 | Ft Okunini Talawa Adodo (part 2)
Hosts: Niara Esi Ìjèawelē Ọmọlará Kwento & Bakari Kwadwo Ọbatayé Kwento

Akɔaba, Woezɔ, Oɔbaake (welcome) to another episode of Link Up Podcast, where we connect with Abibifoɔ (Black People) doing Black powerful work across Abibiman (the Black Land) and the diaspora.

In this episode, we Link Up once again with Okunini Talawa Adodo, and pick up where we left off in episode 6. This time we cover his connection to Mambo Ama Mazama, and his experience in Guadeloupe. An environment under stench occupation yet actively preserving its language, hair, music, Gwoka drum culture, and Black identity.

We discuss Black liberation celebrations, flag independence versus actual Black Power, Caribbean languages as Black languages rather than “stenglish-based” or “stench-based” creoles, and the fundamental relationship between language, worldview, grammar, and culture. The conversation also moves through Mdw Ntr, Jamaican, Twi, Igbo, Black parenting, bedroom colonialism, Cheikh Anta Diop, and Okunini Talawa’s larger mission to help Abibifoɔ speak, think, build, and raise the next generation Black to Black.

* Stay tuned after the conversation for a special animated cartoon episode. *

This is a conversation about raised consciousness becoming raised behavior, Black love as institution, and the work required to bring the whole family Black home.

Feel free to share your thoughts, and Link Up!

WE NEED EACH OTHER AS AFRIKANS. ONLY A "UNITED STATES OF AFRIKA" CAN SOLVE OUR URGENT NEEDS.

A discussion with Dr. Amina Blackwood Meeks on the impact of storytelling on helping to shape our Jamaican identity.

In this video you see a unhinged White supremacist..this minority who is playing in the face of some docile Negropeans props for White Supremacy.

White people in America and their non-White allies are figthing to maintain Racism and White Supremacy. White people who have a negative birth rate are figthing to protect the USA Government from being held accountable and to keep Black people poor..White racist who segregate, gentrify Blacks are now in your face bodly racist against Black people.

White racist as Nana Amos N Wilson said, they plan to never give up social control over Black people. You see that in the AES, you see that in the United Snakkkes of Amurder.

🎭 AH COME FI JAM – AYANNA | St. Lucia Carnival 2026 🇱🇨

Get ready for pure carnival energy! Ah Come Fi Jam is a high-vibe soca anthem celebrating the freedom, excitement, and unforgettable spirit of St. Lucia Carnival 2026. From the first beat to the final chorus, Ayanna brings infectious melodies, vibrant Caribbean flavor, and the kind of energy that makes you leave your worries behind and head straight to the road.

Whether you're on the truck, in the band, at the fete, or dancing with friends, this song is all about living in the moment, embracing the music, and coming out to jam!

🔥 Road-ready soca vibes
🔥 Feel-good Caribbean energy
🔥 Carnival memories in the making
🔥 Made for fetes, bands, and the road

Song: Ah Come Fi Jam
Artist: Ayanna
Produced by: JEMM Studios
Event: St. Lucia Carnival 2026