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Road improvements in Ɔbosomase
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Her Real Name is Ayiti, Not Haiti (Black & Red Flag) (Empire of Ayiti Covert 19) · Ayiti Bluez 
 
Her Real Name is Ayiti, Not Haiti (Black & Red Flag) (Empire of Ayiti Covert 19) 
 
℗ 2698899 Records DK 
 
Released on: 2021-06-25 
 
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1994 drama film directed by David C. Johnson and executive produced by Spike Lee via his production company 40 Acres and a Mule Filmworks. The plot depicts a team of Black people who kidnap fellow black people who they feel have betrayed their community and seek to "deprogram" them so that they will change their ways. The acronym DROP stands for "Deprogramming and Restoration of Pride". The film has been described as "[p]art thriller, part social satire".  
The film was based in part on The Session, a 45-minute film Johnson produced in 1988 on a $20,000 budget, and ultimately derived from a short story by David C. Taylor titled "The Deprogrammer". Johnson described the differences between the two films as follows: "The short film was basically satire, an absurdist piece .... D.R.O.P. Squad, on the other hand, is realism. The characters have more at stake."  
  
Drama · Political satire about an underground militant group that kidnaps Kmtyu who have sold out their race.
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Since he was a young boy, Manuel Henrique, son of Joao Grosso and Maria Haifa, learned the secrets of capoeira in the street, with Mestre Alipio, in Santa Amaro da Purificaçao. He was "baptized" into capoeira with the name "Besouro Mangangá", (a large and dark species of maybug), for his flexibility and the ability to disappear when the time called for it. Strong, black and with an adventurous spirit, he never worked in one place steadily nor had a definitive profession. When the adversities were heavy and the advantage of the fight was with the opponent, Besouro would disappear "flying" without a trace. The belief that he had supernatural powers began to grow. 
 
By train, by horse or on foot, depending on the circumstances, Besouro traveled from Santo Amaro to Maracangalha or vice versa, working on plantations, farms or mills. 
 
Mestre Cobrinha Verde, Besouro's cousin and capoeira student tells a story about him. One day unemployed, Besouro went to Colonia Mill (now called Santa Elizia), in Santa Amaro to look for work. He was authorized to work and became an employee there. One week later, on payday, the boss told all of the employees, that the work contract was "quebrado para São Caetano" (closed or broken for Saint Caetano). This saying was used during this time period to say that no one was going to get paid. Those who dared to challenge the boss were tied to a trunk of a tree, whipped and left there for 24 hours, but with Besouro, it was different. When the boss told him he would not pay him, Besouro grabbed him by the shirt and violently forced him to pay the money he owed him. 
 
Besouro was a revolutionary. He didn't like the police and was always involved in complications with them. More than once he used physical force to disarm policemen.  Once armed with their guns, he would use them to lock the policemen up in jail cells meant for criminals. 
 
One time, in Largo de Santa, one of the main squares of Santo Amaro, Besouro forced a soldier to drink such a large quantity of alcohol that he passed out on the ground. When the soldier woke up, he went to his commander, Capitan José Costal, who assigned 10 men to catch Besouro dead or alive. Besouro, hanging out in a local bar, had an intuition that the police were coming. He left the bar and went to the main square. When the police arrived, he walked up to the Christian cross that was in the square. He proceeded to spread his arms out like Jesus Christ and told the police he would not surrender to them. Violent shots were heard and the capoeirista fell to the ground. Capitan José Costa walked up to him and probed him with his gun, thinking the was dead. Besouro, who was very much alive, to the great surprise of the Captain, grabbed his rifle from him. He then ordered all the policemen to put down their guns and leave the square. They left unarmed and to the tune of Besouro singing a cheerful song. 
 
Besouro's fights and revolts were successive and much of the time, he was in opposition with the police and owners of the farms and mill. While Besouro was working on Dr. Zeca's plantation, the father of a young man called Memeu, he was marked to die. 
 
Dr. Zeca was an influential man, who wanted Besouro dead. He ordered Besouro, who didn't know how to read or write, to deliver a piece of mail to the administrator of Maracancalha mill, a friend of his. The piece of mail said, "Kill the man who is delivering this letter." Dr. Zeca's friend said very calmly to Besouro that he would stay the night and return to Dr. Zeca's with a response the following day. Early the next morning Besouro went to look for the man and was surrounded by a group of about 40 soldiers. They shot at him with a violent round of bullets. The capoeirista began to escape, dodging bullets by moving his body to the rhythm of the guns. At this moment, a man arrived called, Eusebio de Quisaba, who violently stabbed Besouro with a knife made out of a special wood called "turcum". This wooden knife has significance in the African tradition of Candomblé. Candomblé is a strong, religious tradition that was established in all Latin countries where there was commercial slave trade of Africans. The folklore says that this wood is the only way to kill a man whose body and spirit are "closed" to death. This idea that a person is unable to die was a characteristic associated with Besouro; a man that no bullet could enter. 
 
Manuel Henrique, Besouro Mangangá, died in 1924, at the young age of 27, but lived on in two of his capoeira students Rafael Alves Franca, Mestre Cobrinha Verde and Siri de Mangue. 
 
Today Besouro is a capoeira symbol throughout all of Bahia. He is well known for his bravery and loyalty. The support he gave to those who were persecuted and oppressed by the police and owners of plantations was not forgotten.
Hempress Sativa   Fight for Your RIghts | Offical Music Video  
 
Director Of Photography: Krusher 
 
Director: Elephant Rose 
 
Editor: Elephant Rose 
 
Visual Effects: Cab Concepts 
 
Producer: Conquering Lion Records 
 
Third Single from the Album Title Unconquerebel Release Date 01.07.17 
 
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Fight For Your Rights ( Lyrics )  
 
Intro  
For far too long Babylon  
Have us in derision 
I’n’I say Africa for the Africans 
Home and Abroad. 
 
Verse 1. 
Take us back to Africa 
Land of the Moors 
When I’n’I ancestors were 
Rulers before Europe invaded 
Raided traded capitalized from 
Slavery exist an ancient place 
The black oasis 
Sun burnt face 
Most sacred melanin skins 
Conquered kingdoms transcending 
The Continent Of Africa from begin 
First civilization of a Carbon sovereign 
Great pharaohs czars and Kong’s 
Build monuments 
Erect temples for offering 
Astronomical precision plot the Gaza Pyramid 
Alchemist access the knowledge of science and gnosis 
What mek you think them wah extinct shot off the Sphinx nose 
Terrorize mi country with conflict so they can impose them forces 
Deprive a Nation Of it’s own resource 
They Profit while we suffer the lost. 
 
Chorus. 
Fight for your rights 
Fight for your life 
I’n’I as Africans must all unite 
Mi tell dem 
Fight for your rights 
Fight for your life 
Step mi haffi step it out a Rome 
 
Verse 2. 
Hmmm 
We’ll be returning to the place on earth 
The sunburnt faces were 
Inhabitants the first 
Fertile field land desert  
Conquered to rulers 
Africans I say we must reverse 
This curse is to remain inert 
Thinking we were made to serve 
The Motherland awaiting her creators sons and daughters 
To restore the heritage and traditions 
Of forefathers 
Sativa on a Order  
Yes wi come to master the 
Principles of the Maat 
Living it pure, as clean as waters 
Ancestors thought of Knowledge; 
which is sort of 
Indicative to where they build the pyramid; 
Them after riches of the continent 
Strategically plan events to implement their system of a New World Order 
Man made disasters 
Invade then share in quarters 
Conspiring to cast a doubt as if black was the last of any race  
to take its place when In Addis Ababa 
On the citadel life force a swell 
Commence to ever after. 
 
Chorus 
Fight ht for your rights 
Fight for your life 
I’n’I as Africans must all unite 
Mi tell dem  
Fight for your rights 
Fight for your life 
Step mi haffi step it out a Rome  
Mi trodding home 
 
Verse 3. 
Take us back to Africa 
Land of the Moors 
When I’n’I ancestors were 
Rulers before Europe invaded 
Raided traded capitalized from 
Slavery exist an ancient place 
The black oasis 
Sun burnt face 
Most sacred melanin skins 
Conquered kingdoms transcending 
The Continent Of Africa from begin 
First civilization of a Carbon sovereign 
Great pharaohs czars and Kong’s 
Build monuments 
Erect temples for offering 
Astronomical precision plot the Gaza Pyramid 
Alchemist access the knowledge of science and gnosis 
What mek you think them wah extinct shot off the Sphinx nose 
Terrorize mi country with conflict so they can impose them forces 
Deprive a Nation Of it’s own resource 
They Profit while we suffer the lost 
 
 
Chorus 
Still you better fight for your rights 
Fight for your life 
I’n’I as Africans must all unite 
Mi tell dem fight for your rights 
Fight for your life 
Step mi haffi step it out a Rome
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Black Man Black Man · Mutabaruka  
  
Black Attack  
  
℗ 2023 Shanachie Ent. Corp.  
  
Released on: 2023-10-06  
  
Writer: Allan Hope  
Writer: Neil Fraser  
  
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Provided to YouTube by VP 
 
Black Liberation · Dennis Brown 
 
Words Of Wisdom 
 
℗ 2011 VP Music Group, Inc 
 
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"Here Comes the Judge" by Nana Peter Tosh, released in 1972, is a BlackPowerful chune where he assumes the role of a righteous Black judge presiding over a symbolic trial of barbarians responsible for the colonization and exploitation of the Black land and Black people.