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Morocco is literally on the African continent. On the map, there’s no debate. But talk to many Moroccans and you hear stuff like “We’re Arab, we’re Mediterranean, we’re Amazigh” anything but Africa. That gap is evident in how Black people are treated, whether they are Black Moroccans whose families have been there for centuries, or migrants from further south just trying to pass through the Maghreb and stay alive. So what is going on here? Is this just an identity crisis at the edge of the Sahara, or something much deeper, a long history of slavery, Arab supremacy, anti-Black prejudice and European racial thinking all fused into one? How does a country that is physically part of Africa end up with such a persistent rejection of Blackness, and what does that mean for the Black people who have no other home but Morocco itself?
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Gil Noble being honest about his initial thoughts on Nana Omowale Malcolm X and the reason why he had said thoughts -- within the larger context of whitenization .
Nana Frances Cress Welsing explains the role of 'the system of white supremacy' and aamw sexual predation of Black men
Melodic Redemption song intro, courtesy of the Honorable Robert Nesta Marley, play by Alpha (Ayi)
What does natural hair really represent?
Across African societies, hair has long been a form of identity — communicating status, culture, and belonging. But through slavery, colonialism, and global beauty standards, these meanings were reshaped.
In this episode of the Sankofa Pan African Series, we explore the history and meaning of natural hair across Africa and the diaspora.
As part of our International Women’s Month series — African Women: Roots, Resistance & Rising — this episode examines how something deeply personal reflects broader histories of power.
#naturalhair #africanwomen #blackhair #natural #identity
#africanhistory #hairstyles #history
#womensfashion
Sankofa Journey Interest Meeting March 29, 2026
Okunini Kojo Ablode - They Came Here to Rob Us
At the 3rd Abibitumi Awards, Kwame Akoto-Bamfo is honored for his outstanding contributions as a Ghanaian multidisciplinary artist, educator, and cultural activist whose work preserves memory, confronts historical injustice, and creates spaces for healing.Kwame Akoto-Bamfo is widely known for his commitment to cultural preservation and historical truth. He is the founder of the Ancestor Project and the Nkyinkyim Museum in Ghana. His sculptural work has gained international recognition for documenting African historical experience and confronting the enduring legacies of enslavement, colonialism, war, genocide, and displacement. Through art, symbolism, and public memory, he has helped create powerful spaces for reflection, restoration, and consciousness.In this moving moment from the 3rd Abibitumi Awards, Kwame Akoto-Bamfo reflects on nearly two decades of activism and explains why this recognition is especially meaningful. Though he has received awards before, he makes clear that honor carries its deepest significance when it comes from home. His remarks offer a powerful reminder that being recognized by one’s own people means more than prestige, visibility, or outward display.This clip captures both the award presentation and Kwame Akoto-Bamfo’s heartfelt words on home, belonging, activism, and the importance of community-rooted recognition.Thinking about moving back home? We have already helped hundreds secure citizenship, housing, relocation, driver’s licenses, and business setup. Endorsed by Ghana’s Office of the President, we help make your move seamless.Learn more:https://www.r2gh.comFor more powerful lectures, interviews, and Black-centered content:https://www.abibitumi.com#KwameAkotoBamfo #abibitumiawards #nkyinkyimmuseum #blackpower #culturalactivism #ghana #repatriation #r2gh #abibitumi #africanart
