Have you ever seen a neem tree? Afrika is full of plants and trees that can improve your quality of life once you harness it's benefits.

⁣Escape into ocean Immersion

In Kmtyw (Black People) societies, when a child grows and reaches his/her puberty, a rite that supports their transition from childhood to adulthood is celebrated. DIPO (coming out or outdooring) among the Krobo of Ghana is an example of one in a million.

⁣The album Sorrow Tears And Blood is the first release on Baba Fẹlá’s newly formed label, Kalakuta Records. The title track was written in response to the South African government’s murderous reaction to the Soweto uprising of 1976 but the sleeve carries a dedication to the victims of the attack on Kalakuta

Song include: Unnecessary begging and No buredi (bread)

Prof. Manu gives insight in a 3-part series on "The Spiritual Tradition of Black People in the Biblical Land of Kemet (Egypt)," sponsored by Brother To Brother (Oakland, CA).

PART 1 OF 3: The World's Oldest Trinity (Asar, Aset, & Heru)

Prof. Manu gives insight in a 3-part series on "The Spiritual Tradition of Black People in the Biblical Land of Kemet (Egypt)," sponsored by Brother To Brother (Oakland, CA).

PART 2 OF 3: Origin & Influence of the Name "Amen."

Lectures on the Afrikan origin of science

The war against Afrikan centered education

Balck Boys

Director of Centre for Advanced Studies of African Society
Author of Between Distinction and Extinction: Harmonisation and Standardisation of African Languages

A conversation with one of the worlds leading Pan-African linguists & founder of the Pan-African Literacy Project - discovering the common roots in African languages in order to chart a course to Africas future development. In this conversation, we will explore the relationship between Language & political, economic & scientific development. We will asses whether the many languages in Africa are an asset or hinderance. We will look at what it means to harmonise & standardise African Languages.

Question

AFRIKAN POWER: The Political Purpose of Afrikan Identity in the 21st Century! #AfrikanFirst

Watch Here: https://youtu.be/r1yWM9XAk0s

• What is Afrikan Identity?
• Does it have any value in the political arena?
• If we are not Afrikan then what are we?
• Does Afrikan Identity only exist among Black people outside of Afrika?
• Is there more political value in Black people to identifying as “British” or “American” in todays world?

ALL THIS AND MORE EXPLORED!

With
ShakaRa: https://www.instagram.com/shakaraspeaks/
JAM Aiwuyor: https://twitter.com/JAMAiwuyor
Omowale Afrika: https://twitter.com/OmowaleAfrika

Afrikan is...

In Part 1 - We explore the meaning & purpose of Culture, Religion & Spirituality. We then go on to investigate whether the concept of “Afrikan Spirituality” is justified or completely fabricated.

If you Would Like: https://www.paypal.me/abengapparel

Find ShakaRa on Social Media:
https://www.instagram.com/shakaraspeaks
https://www.facebook.com/shakaraspeaks
https://twitter.com/shakarabks

In Part 2 - We explore Afrikan Centred Concepts of "God", The Universe & Indigenous Cosmologies.

If you Would Like: https://www.paypal.me/abengapparel

This is Chap. 3

This is the Chapter 5

⁣A sizeable shoal of Sardines proves to be quite a magnet for a variety of different sea predators. Surprisingly, none of the predators on display attack each other, instead they corral the ball of fish, taking turns to eat.

⁣The purpose of this documentary is to re-examine the understanding of the origins of Capoeira. I believe it is important to see Capoeira as a cultural practice that is a combination of various cultural practices that were already practiced by peoples in Angola and they continued these practices in Brazil as a from of cultural expression. I believe viewing Capoeira solely as a from of "resistance" reinforces negative and misleading ideas that African people have no history or culture of their own, and that they simply created cultural practices as a form of "resistance" or "revolt" against their oppressors. It is very important be knowledgeable about the true history of Africa and its people.

Filmed in 2016 with an iPhone 6 in Salvador and Itaparica Island in Bahia, Brazil. This is the first draft of the documentary and I hope to add the additional interviews for a more complete version. Production was funded by the Theory-to-Practice grant program at Ohio Wesleyan University. Logistical support was provided by Brazil Cultural. Translation by Rubens da Costa Silva.