The official music video for Tobe Nwigwe, Flavour “PERFECTION (feat. C.S. Armstrong)”.

MUSIC:
Stream "PERFECTION (feat. C.S. Armstrong)" with Flavour: https://orcd.co/tobenwigwe-perfection
Show love to my album "THE BRIDGE" coming soon: https://orcd.co/thebridge-listen

CREDITS:
A Good Stewards Production

Directed By:
Tobe Nwigwe

Creative Director:
Tobe Nwigwe

Song Produced By:
Kizzo & Tobe Nwigwe

Executive Producer:
Jeffrey Idehen

Director of Photography:
Shaider Divina

Creative Assistant:
Donta Nelson

Editor:
John Conway

Colorist:
Mcauley Teters

Choreographer:
Tobe Nwigwe & Sarah Olaniran

Styling:
Tobe Nwigwe & Ugo Mozie

Wardrobe Assistant:
Julie James

1st AC:
Jeovany Villatoro

Production:
Randy Wrosiv & Derek Wallace

Special Thanks to:
Wazobia African Market
Moyle Ranch
Dynasty Apartments
The Real Deal Riding Club
Laniya Goodson
Masquerade: Mandela
Tank Humes

FOLLOW ME:
Instagram: https://www.instagram.com/tobenwigwe
TikTok: https://www.tiktok.com/@tobenwigwe
X: https://x.com/TobeNwigwe?lang=en
Facebook: https://www.facebook.com/TobeNwigwe/

LYRICS:
Ndum ezuro oke mana Chukwu ji nwanyi’m wer mer ka ndum wer zuo oke

My sweetie my sugar my love

Ndum ezuro oke mana Chukwu ji nwanyi’m wer mer ka ndum wer zuo oke

Fine fine see see fine fine baby ooooo

my aura come with real nigga decorum I’m on yo head like fedoras when I enter (enter)

..a g word to Warren, I leave em milky like Borden, if ever I touch a portion of they fender

Beep beep I’m on ya bumper lady

Hope my hands can make you talk like a muppet baby

I’m feeling so Kermit, all I need is a permit
If I leap promise me you’ll return it and..

Meet me mid air see what I did there..
Can’t no regular nigga do dat

It shouldn’t be hard (for you to conclude dat)
U wanna proceed to leave w/ me and get ya blew back

oops I meant back blew out no domestic
Flows perfected, ain’t hard to connect with,
A nigga who’s projecting, the essence of everything you wish that you was blessed with re- spect-ful-ly

Oh lord I know ain’t nobody perfect
But I see perfection in you
I see it in you…

Ndum ezuro oke mana Chukwu ji nwanyi’m wer mer ka ndum wer zuo oke

My sweetie my sugar my love

Ndum ezuro oke mana Chukwu ji nwanyi’m wer mer ka ndum wer zuo oke

Fine fine see see fine fine baby ooooo

Beautiful mama Odugwuo says you’re the one (you are the one)
My fine fine baby ooooooooo u shine like the sun

But would u back it up and dance w/ me
Not harsh baby amicably
Would you leap and take a chance w/ me
No triple k baby build a clan with me

Take my hand romantically then prance w/ me deny every man you see, every night clad yaself in something scantily & if you ever do me wrong I’ll grant ya amnesty cause

Oh lord I know ain’t nobody perfect
But I see perfection in you
I see it in you…

Ndum ezuro oke mana Chukwu ji nwanyi’m wer mer ka ndum wer zuo oke

My sweetie my sugar my love

Ndum ezuro oke mana Chukwu ji nwanyi’m wer mer ka ndum wer zuo oke

Fine fine see see fine fine baby ooooo

#jamaica #jamaicaculture #kumina #jamaicahistory #maroons
Kumina is one of Jamaica's most powerful and least understood African-derived traditions — a religion, a music form, and a way of speaking to the ancestors that has survived nearly 200 years. In this video, we trace Kumina's true origin story, break down the music and movement behind the ceremony, and take you inside the annual Rebirthday ceremony held in Fairy Hill, Portland — an all-night ritual of drumming, dance, and ancestral connection that most Jamaicans have never witnessed firsthand.
Unlike many Afro-Jamaican traditions, Kumina was not brought to Jamaica through slavery. It arrived after emancipation, carried by free Kongo people from Central Africa who came to Jamaica as indentured laborers in the 1840s–1860s. What they brought with them — the drumming, the language, the belief system — remains almost entirely intact today, still practiced in communities across St. Thomas, Portland, St. Mary, and St. Catherine.
In this video you'll learn:
🥁 The real origin of Kumina and its connection to the Kongo Kingdom
🥁 How the bandu and playing kyas drums carry Kumina's rhythm and history
🥁 Why one of Kumina's drums was disguised as a rum cask
🥁 What "myal" possession means within the ceremony
🥁 What happens during the Rebirthday ceremony in Fairy Hill, Portland
🥁 How Kumina shaped Nyabinghi drumming and modern reggae and dancehall


Thank you for watching this video. Please like, share and subscribe for more video on all things Jamaican. Please also turn on post notification so you don't miss out when we post.

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One Love Jamaica

A king’s crown is only as secure as his subjects' obedience.
When a legendary force threatens to disrupt the ancient balance of power, the royal palace is plunged into a desperate conspiracy. To preserve his earthly reign, the sovereign must make a devastating bargain. Step into the shadows of a royal conspiracy where a blood pact is sealed in silence.

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RELATED VIDEOS: https://www.youtube.com/watch?v=KPBDs2Elm4o&t=16s

Days Of The Week Song For Kids | Twi Song | Nana's African TV.
The Days of the Week Song is a great educational tune, which teaches kids the seven days of the week in a fun and exciting way.
This song/dance video is a fun way to introduce kids to the days of the week in Twi.
A classic Ghanaian nursery rhyme that everyone can sing along to.

Lyrics and translation below:

Obiara yɛawon Ɛdwoada, bɛsa, bɛsa x2
(All those born on Monday, come in and dance, bɛsa, bɛsa! )

La la la la la la la la, la la la!

Obiara yɛawon Ɛbenada, bɛsa, bɛsa x2
(All those born on Tuesday, come in and dance! bɛsa, bɛsa!)

La la la la la la la la, la la la la!

Obiara yɛawon Wukuada, bɛsa, bɛsa x2
(All those born on Wednesday, come in and dance, bɛsa, bɛsa!)

La la la la la la la la, la la la la !

Obiara yɛawon Yawoada, bɛsa, bɛsa x2
(All those born on Thursday, come in and dance, bɛsa, bɛsa!)

La la la la la la la la, la la la la!

Obiara yɛawon Ɛfiada, bɛsa, bɛsa x2
(All those born on Friday, come and dance, bɛsa, bɛsa!)

La la la la la la la la, la la la la la la la la, la la la la

Obiara yɛawon Memeneda, bɛsa, bɛsa x2
(All those born on Saturday, come and dance, come and dance)

La la la la la la la la, la la la la la la la la, la la la la

Obiara yɛawon Kwasiada, bɛsa, bɛsa x2
(All those born on Sunday, come in and dance, bɛsa, bɛsa!)

La la la la la la la la, la la la la la la la la, la la la la
_______________________________________________

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⁣FULL INTERVIEW | Ɔbenfo Ọbádélé Kambon joins GOOD MORNING AFRICA on Pan African Television to discuss Open D.O.O.R. Dialogues, the Decade of Our Repatriation (2026–2036), self-reparations through repatriation, the global Black brain gain, and practical pathways for jobs, entrepreneurship and investment in Ghana.

The Open D.O.O.R. Dialogues Media Launch takes place Friday, 17 July 2026 at 10:00 AM in the Great Hall, University of Ghana. The main dialogue follows on 30 October 2026.

Learn more and get involved:
https://door.events
https://decadeofourrepatriation.com

Original broadcast: GOOD MORNING AFRICA, Pan African Television, 14 July 2026.
Source: https://www.facebook.com/10007....1786950785/videos/17

#decadeofourrepatriation #opendoordialogues #repatriation #ghana #panafricantv

Nana Mawiyah and Ɔbenfo Ọbádélé Kambon welcoming sojourners of the Sankofa Journey 2023 to Ghana at the welcome feast catered by Nkwa Dua. Nana acknowledges Baba Kamau Kambon who attended what would be his last Sankofa journey and first and last Abibitumi conference we're here received a Black power award.

see more videos and https://SankofaJourney.com

#sankofajourney #experienceghana
#abibitumiconference