⁣⁣Renee Bach was a young American missionary who set up a charity for malnourished children in Jinja, Uganda. But shocking allegations arose that Renee was treating the sick children herself, without any medical qualifications.

S1.E1 ∙ God Doesn't Call the Qualified, He Qualifies the Called

Disturbing allegations are made about an American missionary and her involvement in the medical care of children at her charity in Uganda.

Yeza & Rory Stone Love - 'Is It Because I'm Black' [Remix] (Official Video)
Listen/Download: https://streamlink.to/IsItBecauseimBlack

Directed by Fernando Fernández Hevia
Produced by Rory Stone Love

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Stay updated on Yeza's upcoming projects - https://linktr.ee/yezamusic
More from Yeza: https://www.youtube.com/playli....st?list=PLahGCu7StOL

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Follow Yeza:
Instagram - https://www.instagram.com/yeza_music/
Facebook - https://www.facebook.com/yezarebel/
Twitter - https://twitter.com/yeza_music

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LYRICS (Written by Yeza)

Verse 1
Honor mi complexion with a badge pon mi chest
I'm Black without apology nuh feelings nuh suppressed
Africa the motherland, understand the richest continent
When mi ready mi a step mi nago fear no consequence
See dem a come wid dem weakness and the pretence ina frequence
Anu press button Anu weak fence
King Marcus a come wid d defence
Black star line pon d sea when we a steam lef enemies
Dem wa mi reduce my lineage to a state of misery
LK and Malcolm get shot a give speech
Look weh d civil rights country a preach
Man a get shot cah dem wa fi be free anuh fruit is a man weh a hang from a tree
Kya move get stop like clog arteries
Revolution spread like hot margarine
Cause I'm black why d border nuh free
Afi pay weh mi nav to foreign embassies.

Chorus
Is it because I'm black

Verse 2

Some a dem kya come on ya
Pon d earth dem a lef pure trauma
Look wa dem do d African daughter
Gone like a thief in d night with her mother
King Leopold couldn't have a father
D mounta African man weh him slaughter
Come wid d Bible wi na take yu offer
African spiritual system mi rather
Chop mi arm n leg n teeth true mi black
Turn roun wa me be patriot
To your colonist country yu miss mi wid Dat
Think royal African a big ediot
Napoleon a gwaun like him never come squat
Pon d native land a Haiti wi call Dat
Liberty equality the French dem a chat
But them never mean the ones ina France weh did black.

Chorus
Is it because I'm black

Verse 3

Rebel pon d bass line yuh know mi ago done it
Fyah ever blaze kerosene ina mi pocket
Black power nav no outage higher voltage nafi charge it
Study everything about mi history never lost it
Focus pon d victory nuh study words like forfeit
Say Ethiopians a burnt face den me a chocolate
Preservation of d melanin mi affi flaunt it
Importance of your health and lineage so seek d knowledge
History books deceiving make yu feel incompetent
Use dem hand make fashion and nuh use African thread
Denial of your origin is like a corset
Illusion of exterior with internal garbage
Original palaces and kingdoms found in Mali
Never told us Black is powerful and dem no sorry
Spare d whites, black soldiers a Frontline pon yu army
State d facts
Give them kilos of the guilt to carry

Chorus
Is it because I'm black

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#yeza #isitbecauseimblack #officalvideo

Buy the Igbo DVD here https://binoandfinoshop.com/pr....oducts/bino-and-fino

Watch more Igbo episodes of Bino and Fino on Ammarra https://www.ammarra.com/progra....ms/bino-and-fino-igb

Buy Bino and Fino dolls, birthday party decorations, DVDs, puzzles and more at https://binoandfinoshop.com/

This is the Igbo version of the Bino and Fino educational cartoon for children. In this episode Fino learns to stand up for herself as a girl in a boys world.

Turtle, a gifted flutist, is trapped by a greedy man. How will she escape now?

Akyekyedeε ne n’atεntεbεn
Brazilfoɔ anansesεm
Ɛyε Akyekyedeε
na ɔbɔɔ n’atεntεbεn no
wɔ nsuo no ano.
Na Akyekyedeε
bɔ n’atεntεbεn no a,
agyata, εsono, nfafrantɔ,
awɔ, ne nkwakuo sa.
Da koro bi,
papa bi tee sε
Akyekyedeε rebɔ atεntεbεn no.
Ɛnna papa no kaa ne tirim sε:
Ai, wei deε,
Akyekyedeε na ɔreto saa dwom no.
Me koraa me kɔn dɔ Akyekyedeε.
Na papa no teaa mu sε:
Akyekyedeε!
Ma menhunu
w’atentεbεn fεfεεfε no.
Na Akyekyedeε kɔgyinaa
pono no ano,
na ɔyii n’atentebεn no kyerεε papa no.
Prεko pε, papa no yeree
akyekyedeε no kɔn,
na ɔde mmirika kɔɔ fie.
Na Akyekyedeε pεε sε
osu frε obi,
nanso na ɔntumi nkasa.
Na ɔkataa n’ani,
na ɔsɔɔ n’atεntεbεn no dendeenden;
na n’ani da so sε
nneεma bεsi no yie.
Na papa no duruu ne sese no no,
ɔde Akyekyedeε
too ebuo mu.
Ɛnna papa no danee ne ho
kyerεε ne mma no sε:
Hwε na moanyi Akyekyedeε
amfiri ebuo no mu.
Ɛnna papa no kɔɔ wiram.
Ankyε na nkwadaa no
kɔɔ abɔnten kɔdii agorɔ.
Na Akyekyedeε redwene
nsεm a papa no kaeε no.
Afei, ɔbɔɔ n’atεntεbεn no;
Ankyε na nkwadaa no baa ne nkyεn.
Na nkwadaa no bisaa no sε:
Akyekyedeε,
wo na worebɔ atεntεbεn no?
Na Akyekyedeε gyee so sε: Aane.
Na Akyekyedeε hunuu sε
εdwom no sɔɔ nkwadaa no ani,
nti ɔguu so bɔɔ atεntεbεn no.
Na ɔgyaee atεntεbεn no bɔ.
Na ɔkaa sε: M’asa yε sene me dwomto.
Wopε sε wohunu?
Na ɔbarima no kaa sε:
O, mepa wo kyεw!
Na Akyekyedeε kaa sε:
Mεkyerε wo sεnea yεsa,
εberε a yεrebɔ atεntεbεn no.
Nanso,
εwɔsε wobue ebuo no.
Me ho kyere me.
Na ɔbarima no buee ebuo no no,
Akyekyedeε bɔɔ atεntεbεn no saeε.
Na nkwadaa no
bɔɔ ɔmo nsam sereeε,
εfiri sε ɔmo nhunuu biribiara a
εyε anika saa ara.
Na Akyekyedeε gyaee
dwomto ne asa no.
Ɛnna nkwadaa no teaa mu sε: Nnyae!
Na Akyekyedeε kaa sε: O,
mentumi ntu me nan.
Sε anka metumi nantenante a,
anka me nan bεtɔ me.
Na ɔbaa no ka kyerεε Akyekyedeε sε:
Hwε na woankɔ nohoa.
Kɔbra sesia.
Na Akyekyedeε buaa no sε:
O, εnyε hwee.
Wo deε, gyina ha na twεn me.
Na Akyekyedeε kɔgyinaa
kwaeε no nkyεn.
Na ɔhwεε ha ne ha,
na ɔhunuu sε obiara nni hɔ no,
ɔde mmirika kɔɔ fie.
Ɛfiri saa da no,
obiara nhunuu Akyekyedeε.
Nanso, bεsi nnε,
sε woyε aso a,
wotumi te
atεntεbεn nyegyeε bi a
εfiri kwaeε no mu.

Author: Amit Garg
Illustrations: Emanuele Scanziani
Music: Holger Jetter
Translator & Narrator: Elrod Owusu-Asumeng
Animation: BookBox

FREE Apps for iPads & iPhones: http://www.bookbox.com/ios
FREE Apps for Android phones & tablets: http://www.bookbox.com/android
Many more stories, languages & multiple subtitle options: http://www.bookbox.com

#bookbox #bookboxasantetwi #learn2read

Yeza - God African (Lyric Video)

Stream/download: https://distrokid.com/hyperfol....low/yezasarangetti/g

Written by Yeza
Produced by Sarangetti Music
Co-Production by Yeza Music/Sarangetti Music
Mixed & Mastered by Rohan Dwyer
Recorded at Tuff Gong Studios c/o Oneil Smith
Videography by Vartex Studio
Dance Choreography by Shakira Richards & Yeza

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Follow Yeza:
Spotify: https://open.spotify.com/artist/36jYC...
YouTube Channel: https://www.youtube.com/c/YezaMusic
Instagram: https://www.instagram.com/yeza_music/
Facebook: https://www.facebook.com/yezarebel/
Twitter: https://twitter.com/yeza_music

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Lyrics:

Long time we a call pon them savior
Spiritual war, that a danger
Black like tar anuh caveman, ancestors nah par with nuh stranger
When wi full up a d powers anuh ranger
Ride a stallion like I’m Yennenga, say the Congo worth 24 trillion
Welcome to the Rich generation; Hold on!
Wha-happen to the bloody diamonds and the Coltan
Sierra Leone nuh get nuh money for the platinum
Shaka Zulu army full a bare bad man so them fi know
Them should a never dis the program
Africa for Africans that a mi slogan
Asantewaa stand up ina me like a soldier
Them have the Rasta youth stand up ina devotion
And a gwaan like say them a d better portion

Oh no no no no, we nuh Roll so no no no
Kingston to Westmoreland, a the same bad African
Oh no no no no we nuh laugh and run them jokes
Accra to London town a d same bad one.

Wu kum apem a, apem beba and if a five thousand fall, million a gather
Long time we fi gone but we still deya
Peter kya come a my land that a never never
King Shango hear the bass ina the sky and the thunder
And the Cuban a beat pon d Conga
Revolution time weh them a run go
Big Olmec head ina them jungle
Broad nose black face like me uncle
And them still a teach the pickney bout Columbus
Ask Indiana Jones him still a mumble, real dutty bungle
Minefield ina the West so watch the beast and mind yuh fall
Everything a decorate like carnival, African a run them place like waterfall
Check the walls ina Benin bout China Wall.

Oh no no no no, we nuh Roll so no no no
Nairobi to Jamdung, a the same bad African
Oh no no no no we nuh laugh and run them jokes
St. Georges to Bridgetown a d same bad one.

Well spiritual, channeling the medium
Them a sing about sweetheart voice full up a Helium
Warriors a train hard for d Armageddon,
Them a run like Racers Track Club ina stadium
Ancestors speak through me , flow tight cause the ancestors
Bleed through me.

Knowledge of myself me power deep rooted
See say me a Goddess and a real truth
That’s why me pick up on the energies the universe empower me
Showers a blessings hourly them beast cannot devour me
Rebel no apology them politics nuh govern me
Lawd God know me pre like the soldiers, a Empress thing
Respect thing, love is what we’re requesting from them system
But you nago impress we with incentives
None a we nuh interested or invested no no

Oh no no no no, we nuh Roll so no no no
Europe to Africa, a the same bad African

**
God African - Message from Yeza

“God African” is a reminder of African greatness, natural wealth and abundance! God African is a musical reminder that the often-negative images pushed about Africa and Africans in the media and elsewhere are just a part of our social programming. This is my historical and contemporary appreciation of Africans ‘a yard and abroad’ over a 3-minute track. People of African descent need not separate themselves from continental Africans, we are often faced with similar judgments and problems.

“Bad African” as the chorus says is using lemons to make lemonade:

Owning the stereotype of ‘no good Africans’ while simultaneously showing that it is through this same “badness” that we’ve created legacies, this is a power move in my eyes. From regality to freedom from slavery and emancipation, “Bad” is always relative to who is perceiving it.

Revolution against slavery during the period of enslavement was the greatest crime, everyone should remember this. Importantly, before any of this we the “Africans” are the original faces of Wealth and civilization across the world, let this be known through “God African” I am just the messenger.

#yeza #godafrican #lyricvideo

With rawlings

http://www.jeremiahcamara.com
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Those in power have always used religion as a transport system into the psychology of the people. Here is a very brief explanation of how the conquerors of the world used and continue to use religion to maintain dominance over the masses.

The conquerors of various cultures ultimately become the providers of resources to those cultures which overtime will appear as a "naturally superior" group over a "naturally inferior" group. Once this perception is established, it becomes easier for the conqueror to convince the conquered that their position has been divinely arranged and part of an omniscient plan. The conquered people on the bottom, in reality, have no fair way of reaching the top and are now at the mercy of those on the top to provide them with a liberating belief system, of which those on the top pretend to have experienced.

The dream of the conquered to be in the position of their conquerors becomes so great that the conquerors must provide a way to make their dreams come true without actually changing their collective position. This is achieved by creating the illusion that they can make it to the top. There are many ways this is done but the most efficient way of accomplishing this illusion is by creating a theology that offers the people on the bottom a way to get to the top (heaven)---virtually.

A monotheistic belief system is created and at its essence, is a loving, kind and all-inclusive savior that allows an opportunity for the conquerors to be forgiven for their transgressions. The conqueror's diabolical acts of enslaving, subjugating and decimating various cultures are willingly expunged by the conquered through the act of forgiveness. The conquered passively become bound, tied or fastened (Latin description of the derivation of the word religion/religare) to "god" and worship instead of freedom and liberation. Individual and personal relationships with provided deities take precedence over group goals and agendas, which is what constitutes a culture in the first place. The conquered pathologically rationalize their privation with the hope and faith that one day their predicament will change and they will ultimately be escorted to a place where unconditional love, wealth and peace abound.

Religious belief and imperialistic agendas go hand-in-hand. In order to break the cycle of ecclesiastical enslavement, one must be willing to challenge the status quo, particularly in areas pertaining to psychological bondage. As long as religion exists, there will be fear, powerlessness, dependency, separatism, imperialism and delusion. Until we (the conquered) understand how we arrived at where we are in terms of our beliefs and how our beliefs perpetuate social impotence, we will continue to be the bottom-feeders of the world. There is no divine plan behind the equation of conqueror over conquered. The meek have not inherited anything and the last have not finished first. It is only by recognizing that real liberation comes from knowing the conqueror's motives and strategies. Conquerors need victims and bible believing, "god"-fearing, church loving people are just the prey that keeps them in power. Religion must die so that we may live.

Blair Underwood takes him on a journey to discover his roots, how his ancestors lived and exactly where in Africa they came from. The journey helps him realize a lifelong dream.

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In each episode, one of Britain's best-loved celebrities traces their family tree to reveal the surprising, extraordinary and often moving stories of their ancestors. We publish new videos twice a week with the most memorable moments from the show. Subscribe now and click on the bell 🔔 to get notifications every time we upload a new video!

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In this eye-opening and maybe controversial conversation, I sit down with accomplished filmmaker, speaker, and author, Jeremiah Camara to discuss his films: Contradiction: A Question of Faith and Holy Hierarchy: The Religious Roots of Racism in America. My good friend, Dr. Terri Daniel, a chaplain, grief counselor, and theology scholar, joins us.

Jeremiah Camara is the director and producer of the documentary film Contradiction: A Question of Faith, which examines the saturation of churches in African American communities coexisting with poverty and powerlessness. Contradiction can be viewed on Amazon Prime Video. Camara is the author of the books Holy Lockdown: Does The Church Limit Black Progress? and The New Doubting Thomas: The Bible, Black Folks & Blind Belief.

Camara is also the creator of the widely watched YouTube video series Slave Sermons… a mini-movie series addressing the harmful effects of religion.

His latest and upcoming documentary project is titled, Holy Hierarchy: The Religious Roots of Racism in America. Holy Hierarchy… explains how the presumptions of a Supreme Being in colonial America led to precepts and beliefs in supreme human beings and how these beliefs morphed their way into the legal system and ultimately turned racism into an institution.

ℹ️ You can find Jeremiah at: https://www.jeremiahcamara.com Dr. Daniel is at https://www.danieldirect.net

White people used to worship Black Gods.