This tune, "Don't Gag Me - Je nwi Temi" showcases the fabulous Fela Kuti & Afrika 70 saxophonist, IGO CHICO directing dance floor traffic with his horn in a performance filmed by the great Cream drummer, Ginger Baker & his crew during his visit to Nigeria in 1971 by road across the Sahara.

Racism rooted in slavery has not gone away in Brazil — and it took time until its existence was even acknowledged.

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Brazil imported more African slaves than any other country in the world: over 4 million people. Despite the ancestry forming a big part of the population, the development of a national Black identity was hindered after the country’s abolition of slavery in 1888.

Brazil didn’t have an apartheid system like South Africa’s or Jim Crow laws like the United States, and its mixed population was seen as a symbol of harmony between races. The idea of Brazil being a “racial democracy” affected how Brazilians saw the role of race in their own lives — until the myth was debunked.

“Several people were raised with certain privileges for being a light-skinned person, but still suffering some discrimination and not understanding exactly why is that so,” explains lawyer and diversity studies professor Thiago Amparo. “Only by understanding the history of Brazil, the [social] construction of whiteness and their own Black ancestry, they start to self-identify as Black.”
The rise in the number of Brazilians who self-identify as Black came as a result of the Black movement’s fight to denounce racism in the country and to promote positive references of Blackness. Many achievements have been made over the past decades, such as the implementation of affirmative action practices. However, challenges remain. Seventy-five percent of people killed by police in Brazil in 2019 were Black, and socio-economic characteristics of this population widely differ from those of white people.

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Wise words from Nana Carter G. Woodson regarding two educators

Fezeka Dlamini, Nomfundo Moh and Naledi present the official audio to Uyangijabulisa.

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Welcome to Powered by Nyame for another episode! In this week's episode we focus on depression--what is it, how to read the signs of what's commonly called depression, and how to deal with it. Share with those who care for you and whom you care about. All the best for the new calendar year!

➡️ Listen Full Podcast : https://ineverknewtv.com/talks....-nature-of-man-devol the 154th episode of The Bald Head-N-The Dread Podcast, Jr (The Bald Head) and Autarchii (The Dread) speak on the need for us to stop trying to categorize 'man' as good or bad. They also speak about devolution and our unsustainable way of life.➡️ Listen To The 'Generation Gap Riddim': https://ingrv.es/generation-gap-riddi-3qn-i ➡️ Tune into 'I NEVER KNEW RADIO'Roots, Rock, Reggae MusicHosted By : Jr of 'I Never Knew Tv'https://www.WLOY.orgSunday 9 -11 AM ESTWednesday 8- 10 AM ESTThursday 10- Noon AM EST#mankind #thebaldheadnthedreadpodcast

This is an excerpt from a lecture that took place October 2012. The presentation featured Marimba Ani, Dhoruba Bin Wahad, Mwalimu Baruti and Professor Griff and was hosted by Kalonji Changa.#marimbaani #dhorubabinwahad #kalonjichanga #mwalimubaruti #professorgriff

⁣This video is a documentary by Ange Casta aired on Channel 1 for the first time on September 7, 1969, on the program "Un Certain Regard". It is an interview by Enrico Fulchignoni with the great Amadou Hampâté Bâ (1900/1901 - 1991), a Malian writer, historian and ethnologist and one of the most authentic interpreters of the genius of African oral tradition.

Amadou Hampâté Bâ is the author of the famous quote: "In Africa, when an old man dies, it is a library that blazes up." This program dedicated to him aimed to highlight the important and valuable knowledge of the African continent and its universal heritage of culture. In this interview Amadou Hampâté Bâ shows how colonization, literacy, and at a different level, ethnological work, have broken the springs which allowed this culture to perpetuate and develop.

The content of this video is important to share with the public as it describes our vision of education. To expand its reach Renée Akitelek Mboya and Aude Mgba worked on English subtitles which is an ongoing project on translation and language.

Amadou Hampâté Bâ in Un certain regard is part of My learning is affected by the condition of my life, a symposium spread over time by Aude Christel Mgba, which is an experiment of various forms of learning, listening, touching, transmitting and producing knowledge.

John Oliver discusses chocolate, cocoa farming, and, of course, some facts that will make Halloween a little weird.

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In this video we look at how Okunini Chancellor Williams and Okunini Cheikh Anta Diop reached the same conclusion about Black Kemet, despite each of them researching separately. (LIVE session with KueliMika)This video features materials protected by the Fair Use guidelines of Section 107 of the Copyright Act. All rights reserved to the copyright owners.Contact me here: dimbdmc14@gmail.com