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This is the official music video for 'Shebeleza (OKongo Mame)' by actor, musician, comedian, producer, director, businessman and writer Ntate Joe Mafela. The song is from the album titled 'Shebeleza Felas' , which was released in 1995.
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Listen to Joe Mafela:
Amazon Music – https://music.amazon.com/artists/B001...
Apple Music – / joe-mafela
Deezer – https://www.deezer.com/en/artist/195630
iTunes – https://music.amazon.com/artists/B001...
SoundCloud – / joemafela
Spotify – https://open.spotify.com/artist/4gYDz...
Tidal – https://tidal.com/browse/artist/3694818
YouTube Music – • Shebeleza (Okongo Mame)
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#joemafela #sdumo #shebeleza #southafricanmusic #shebeleza(OkongeMame) #okongemame #shebeleza(OkongeMame)MusicVideo #africanmusic #shebelezafelasalbum #joemafelasongs
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lyrics:
Congo mame (zaire)
Congo (Zaire)
Congo mama (Zaire, Congo)
Hai Congo mame (zaire)
Congo (Zaire)
Congo mama (Zaire, Congo)
Hai shebeleza njalo mama (Shebeleza)
Ekuseni mama ( Shebeleza)
Nantambama (Shebeleza Congo)
Hai shebeleza njalo mama (Shebeleza)
Ekuseni mama ( Shebeleza)
Nantambama (Shebeleza Congo)
Hai Congo mame (zaire)
Congo (Zaire)
Congo mama (Zaire, Congo)
Hai Congo mame (zaire)
Congo (Zaire)
Congo mama (Zaire, Congo)
Hai bathi shebeleza njalo mama (Shebeleza)
Ekuseni mama( Shebeleza)
Oh nantambama (Shebeleza Congo)
Hai shebeleza njalo mama (Shebeleza)
Ekuseni mama (Shebeleza)
Oh nantambama (Shebeleza Congo)
Congo mame (Zaire)
Congo (Zaire)
Congo mama (Zaire, Congo)
Hai Congo mame (zaire)
Congo (Zaire)
Congo mama (Zaire, Congo)
Hai shebeleza njalo mama (Shebeleza)
Ekuseni mama (Shebeleza)
Nantambama (Shebeleza, Congo)
Hai shebeleza njalo mama (Shebeleza)
Ekuseni mama (Shebeleza)
Nantambama (Shebeleza Congo)
Hai Congo mame (zaire)
Congo (Zaire)
Congo mama (Zaire, Congo)
Hai Congo mame (zaire)
Congo (Zaire)
Congo mama (Zaire, Congo)
Hai bathi shebeleza njalo mama (Shebeleza)
Ekuseni mama (Shebeleza)
Oh nantambama (Shebeleza Congo)
Hai bathi shebeleza njalo mama (Shebeleza)
Ekuseni mama (Shebeleza)
Oh nantambama (Shebeleza Congo)
Shebeleza, Shebeleza, Shebeleza Congo
Shebeleza, Shebeleza, Shebeleza Congo
Hai bathi shebeleza njalo mama (Shebeleza)
Ekuseni mama (Shebeleza)
Oh nantambama (Shebeleza Congo)
Hai bathi shebeleza njalo mama (Shebeleza)
Ekuseni mama (Shebeleza)
Oh nantambama (Shebeleza Congo)
Hai Congo mame (zaire)
Congo (Zaire)
Congo mama (Zaire, Congo)
Hai Congo mame (zaire)
Congo (Zaire)
Congo mama (Zaire, Congo)
Hai bathi shebeleza njalo mama (Shebeleza)
Ekuseni mama (Shebeleza)
Oh nantambama (Shebeleza Congo)
Hai bathi shebeleza njalo mama (Shebeleza)
Ekuseni mama (Shebeleza)
Oh nantambama (Shebeleza Congo)
Hai Congo mame (zaire)
Congo (Zaire)
Congo mama (Zaire, Congo)
Hai Congo mame (zaire)
Congo (Zaire)
Congo mama (Zaire, Congo)
Music1 songs
In the Early Modern Period (around 1500-1800), West Central Africa (modern day Angola, the Congos, and Gabon) was home to a variety of different types of cloth and clothing. In this video, we discuss some of the textiles, jewelry, and other adornment that people in this region wore to cover up or show off status, primarily focusing on the kingdoms of Kongo, Ndongo, and to a lesser extent Loango. Join us as we explore some Central African Fashion History! This video is part of Untold Black History III, a collaboration for Black History Month discussing interesting and positive Black history from around the world. No Generative AI was used in the creation of this video.
Check out the Untold Black History III playlist here: https://www.youtube.com/playlist?list=PLivC9TMdGnL8Nnt6Ra8JPQUzHCPI9tcUE&jct=5s3lCP4eK5V4eiLuTPeFSg
Thank you to the following people for lending their voices to some of the primary source quotes in this video:
@ravinelux
@CivilWarWeekByWeek
Citations:
1. Vansina, 266; Heywood, 12-13
2. Heywood; Fromont
3. Vansina; Gibson and McGurk
4. Vansina, 272; Heywood; Fromont
5. Thornton, 12-13
6. Vansina, 276
7. Vansina, 265
8. Vansina, 267-268
9. Vansina, 263
10. Thornton, 19
11. Fromont, 845
12. Heywood, 22
13. Fromont, 846
14. Heywood, 196
15. Vansina, 272-273
Sources:
Fromont, Cécile. “Common Threads: Cloth, Colour, and the Slave Trade in Early Modern Kongo and Angola.” Art History, Volume 41, Issue 5 (November 2018): 838–867, https://doi.org/10.1111/1467-8365.12400
Gordon D. Gibson and Cecilia R. McGurk, “High-Status Caps of the Kongo and Mbundu Peoples." Textile Museum Journal, Volume 16 (1977) https://archive.org/details/gi....bson-mc-gurk-high-st
Heywood, Linda M. Njinga of Angola: Africa’s Warrior Queen. Cambridge, MA. Harvard University Press, 2017.
Thornton, John. “Precolonial African Industry and the Atlantic Trade, 1500-1800.” African Economic History, no. 19 (1990): 1–19. https://doi.org/10.2307/3601886.
Vansina, Jan. “Raffia Cloth in West Central Africa, 1500-1800.” Essay. In Textiles: Production, Trade, and Demand, 263–82. Ashgate Publishing Limited, 1998.
Clips used:
https://www.youtube.com/watch?v=uhznFtHhkBo
https://www.youtube.com/watch?v=VCpT-4vctNY
https://www.youtube.com/watch?v=oStCNLZBjUM
https://www.youtube.com/watch?v=Y2ADpO6bau8
https://www.youtube.com/watch?v=ijVfGarTEfc
Other Resources:
https://mavcor.yale.edu/mavcor....-journal/nature-cult
https://mavcor.yale.edu/mavcor....-journal/depicting-k
Patreon: https://www.patreon.com/somasacademy
Twitter: https://twitter.com/somas_academy
BlueSky: https://bsky.app/profile/somasacademy.bsky.social
ArtStation: https://www.artstation.com/kalahsoma
00:00 Intro
00:45 Types of Adornment
01:37 Textiles in West Central Africa
03:44 Making Raffia Fabric
06:38 Class and Clothing
11:59 Decline of West Central African Fashion
12:35 Conclusion
GET DR. JULIA HARES FREE AUDIOBOOK "Change, Grow or Die" @ https://amzn.to/2UaLY3K
The dynamic motivational lecturer, relationship expert, author, social commentator and educational psychologist Dr. Julia Hare was born in Tulsa, Oklahoma. Hare has appeared on several television programs offering her expertise and insights on male/female relationships, gender interactions in the workplace, mate selection, toxic relationships and matrimonial harmony. She has appeared on CNN & Company, C-SPAN, Tony Brown’s Journal and Inside Edition. Hare has also spoken before the Congressional Black Caucus, participated in Tavis Smiley’s “State of the Black Family” Conference and spoke at the annual Essence Empowerment Seminars at the Essence Magazine Culture Festival. Her written work has been featured in several magazines and newspapers including The New York Times, The Washington Post, and The Miami Herald. Hare and her husband co-authored The Endangered Black Family; Bringing the Black Boy to Manhood: The Passage, The Miseducation of The Black Child, Crisis in Black Sexual Politics and How to Find and Keep a BMW (Black Man Working).
Hare, along with her husband, Dr. Nathan Hare, formed The Black Think Tank located in San Francisco, California. Their consulting firm focuses on issues affecting the black family.
Dr. Julia Hare’s work has brought her many awards and honors including Educator of the Year for Washington, D.C. by the Junior Chamber of Commerce and World Book Encyclopedia in coordination with American University; The Abe Lincoln Award for Outstanding Broadcasting, The Carter G. Woodson Education Award, The Association of Black Social Workers’ Harambee Award; the Scholar of the Year Award from the Association of African Historians; and the Lifetime Achievement Award from the International Black Writers and Artists Union. Hare has been inducted into the Hall of Fame of her high school alma mater, Booker T. Washington High, was given a Presidential citation from the National Association for Equal Opportunity in Higher Education and was named one of the ten most influential African Americans in the San Francisco Bay Area.
During graduate school, Hare taught elementary school in Chicago, Illinois integrating music into the student’s lessons. Following a move to California, Hare served as the director of educational programs at the Oakland Museum and later hosted talk shows for both ABC television and KSFO radio stations. She also served as the public relations director in the local federal housing program in San Francisco.
Her formal education includes a B.A. in music from Langston University of Langston, Oklahoma; a M.A. degree in music education from Roosevelt University located in Chicago, Illinois and a Ph.D. in education from the California Coast University in Santa Ana, California.
#ados #juliahare
BOOKS BY DR JULIA HARE
How to Find and Keep a BMW: Black Man Working @ https://amzn.to/2I0rIdN
The Sexual and Political Anorexia of the Black Woman: The Pain Guts and Glory of the Black Woman @ https://amzn.to/2WAE14x
The Endangered Black Family: Coping With the Unisexualization and Coming Extinction of the Black Race (Black Male / Female Relationships Book Series, No. 1) @ https://amzn.to/2HL1oox
Crisis in Black Sexual Politics @ https://amzn.to/2Wzpndw
The Miseducation of the Black Child -- The Hare Plan: Educate Every Black Man, Woman and Child @ https://amzn.to/2WvInKb
Bringing the Black Boy to Manhood: The Passage @ https://amzn.to/2V0dkG4
Black Anglo-Saxons @ https://amzn.to/2FLofye
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Sign and share the petition:https://www.change.org/ghanacitizenshipƆbenfo Ọbádélé Kambon joins WSYP Sankɔfa Radio to discuss the urgent petition for fair, transparent, accessible, and affordable reparative citizenship for the Historic Diaspora in Ghana.In this wide-ranging interview, Ɔbenfo Ọbádélé Kambon explains how the current citizenship petition grew out of years of organizing, beginning with the 2016 citizenship process that helped 34 Historic Diasporans receive Ghanaian citizenship under President John Dramani Mahama. He recounts how the original process emerged from meetings at the Institute of African Studies, University of Ghana, and how there was no GHS 25,000 citizenship fee, no DNA requirement, and no sudden 48-hour compliance window at that time.The interview breaks down the major concerns raised in the petition, including:The prohibitive GHS 25,000 citizenship application feeThe need to permanently remove DNA as an exclusionary barrierUnclear and rushed application timelinesThe absence of constituency-mandated Historic Diaspora representationThe contradiction between calling the Historic Diaspora Ghana’s “17th Region” while treating reparative citizenship like ordinary immigrationThe need for Ghana to live up to its own Diaspora Engagement Policy and Pan-Afrikan commitmentsƆbenfo Ọbádélé Kambon also explains why this is not anti-Ghana. It is a call for Ghana to live up to the best of what it has already declared. The discussion emphasizes that a huge swath of petition signatories are Ghanaians born and raised in Ghana, showing that this is not a conflict between Ghanaians and the Historic Diaspora. It is Pan-Afrikan solidarity in practice.This conversation also connects the petition to the Decade of Our Repatriation, the Sankɔfa Journey, Abibitumi’s 20th anniversary, and the broader need to keep the door open for Black people seeking repair, repatriation, and restored relationship with Ghana and Abibiman.Sign and share the petition:https://www.change.org/ghanacitizenshipLearn more about Decade of Our Repatriation:https://decadeofourrepatriation.comJoin The Black Agenda GH on Black platforms, beyond the algorithm & blues:Abibitumi Public Group:https://www.abibitumi.com/grou....ps/the-black-agenda- The Black Agenda GH:https://youtube.com/@Blackagen....daghhttps://www.inst @blackagendaghRecorded and transcribed by Ɔbenfo Ọbádélé Kambon.The process must match the promise.#reparativecitizenship #ghanacitizenship #historicdiaspora #theblackagenda #decadeofourrepatriation #wsypsankofaradio #SankɔfaRadio #ghana #panafrikan #rightofreturn #abibifahodie #abibitumi
Link Up Podcast — Episode 1 | Featuring Agya Kwadwo Danmeara Tókunbọ
Hosts: Niara Esi Ìjèawelē Ọmọlará Kwento & Bakari Kwadwo Ọbatayé Kwento
with an Abibitumi 20 year tribute from Baba Amn and Sister Nuru
Welcome to the premiere episode of Link Up Podcast, where we connect with Abibifoɔ (Black People) doing Black powerful work across Abibiman (the Black Land) and the diaspora.
In this first episode, we Link Up with Agya Kwadwo Danmeara Tókunbọ — longtime builder, administrator, "the Commissioner", solutionary, and one of the behind-the-scenes forces connected to Abibitumi.
We discuss his personal journey from raised consciousness into raised behavior, the importance of language, repatriation, building independent Black platforms, Sankɔfa Journey experiences, Abibitumi’s 20-year legacy, and what it means to do real work for the Nananom (grandcestors) and future generations.
Feel free to share your thoughts, and Link Up!
#linkuppodcast #abibitumi #kwentoxpr #r2gh #nkwadua #SankɔfaJourney #abibiman #kmt #podcast