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Kinda Vague · Blue Mitchell

Blue's Moods

℗ 1994 Fantasy, Inc.

Released on: 1994-01-01

Composer Lyricist: Richard Mitchell
Composer Lyricist: Wynton Kelly

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37th Ordinary Session of the AU Assembly (Heads of State and Government Session)Ethiopia Hosts African Union's Much Anticipated 37th African Leaders Summit

HIDDEN COLORS 4
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The Religion of White Supremacy is the latest follow up film to the critically acclaimed hit documentary series Hidden Colors.
This installment explores ;
* The motivation behind European global subjugation
* How germ warfare is used on melanated people
* The history of slave breeding farms in America.
* And much more

.................................
DIRECTED BY TARIQ NASHEED
2016 KING FLEX ENTERTAINMENT.

Jah-I-Witness Emcee on the production.

PART 3 of BIOGRAPHY of Black Jazz Musicians :

Fats Waller:
Thomas Wright "Fats" Waller was an American jazz pianist, organist, composer, singer, and comedic entertainer.Known for his stride piano style, Waller was a masterful improviser and composer, known for songs like "Ain't Misbehavin'" and "Honeysuckle Rose."He was a prominent figure during the Harlem Renaissance and was renowned for his energetic performances and charismatic personality.

Louis Armstrong:
Louis Armstrong, also known as "Satchmo" or "Pops," was a pioneering jazz trumpeter, vocalist, and influential figure in the development of jazz music.His innovative trumpet playing and gravelly voice helped define the jazz genre. He was known for his virtuosic improvisation and innovative use of scat singing.Armstrong's recordings such as "What a Wonderful World" and "Hello, Dolly!" are classics, and his influence on jazz and popular music is immeasurable.

John Coltrane:
John Coltrane was a groundbreaking saxophonist and composer who played a key role in the development of avant-garde jazz and free jazz.His albums such as "A Love Supreme" and "Giant Steps" are considered masterpieces and have had a profound influence on generations of musicians.Coltrane's innovative approach to harmony and improvisation, as well as his spiritual quest, continue to inspire jazz musicians around the world.

Nat King Cole:
Nat King Cole was an American jazz pianist and vocalist who became one of the most popular and successful entertainers of his time.He is best known for his smooth baritone voice and hits like "Unforgettable," "Mona Lisa," and "The Christmas Song."Cole broke barriers as one of the first African American performers to host a television variety show, "The Nat King Cole Show," in the 1950s.

Sarah Vaughan:
Sarah Vaughan was an exceptionally talented jazz vocalist known for her rich, expressive voice and impressive vocal range.Nicknamed "Sassy" and "The Divine One," Vaughan was celebrated for her mastery of both jazz and popular music.Her recordings, including "Misty" and "Lullaby of Birdland," showcase her remarkable vocal technique and emotional depth, solidifying her status as one of the greatest jazz singers of all time.

Marian Anderson:
Marian Anderson was a groundbreaking African American contralto who achieved international acclaim as one of the most distinguished classical singers of the 20th century.Despite facing racial discrimination, Anderson's talent and perseverance led her to become the first African American to perform at the Metropolitan Opera in New York City.She is perhaps best known for her historic concert at the Lincoln Memorial in 1939, after being denied permission to perform at the Daughters of the American Revolution's Constitution Hall, where she sang for an integrated audience of 75,000 people.

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Second sneak peak of episode 9 with Dr Khanyisile Litchfield-Tshabalala

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A critical reading of Cheik Anta Diops perspective on Afrikan Philosophy

Aborofo - White Slaves: 300 Years Barbary Slave Trade - Fictional 'jesus' Could Not Stop Slavery.
In this episode of our EGUA - Marketplace blogtalkradio broadcast, we address the 300 year Barbary Coast Slave Trade wherein over 2 million white christians where enslaved in North Afuraka/Afuraitkait (Africa) and the Mediterranean by white and non-white muslims between the 16th and 19th centuries of the gregorian calendar. Just as the pseudo-religion of islam and the fictional god 'allah' have been ineffective regarding western eurasian domination of europe and parts of the so-called 'middle east' over the past few centuries, so was the pseudo-religion of christianity and the fictional god 'jesus' ineffective and impotent - thus being unable to 'save' white christians from being enslaved by muslims for 300 years. This speaks to the reality that the enslavement of Afurakanu/Afuraitkaitnut (Africans) in the western hemisphere had nothing to do with our not submitting the the fictional gods 'allah' and 'jesus'.We examine the trustory in relation to the differences between eurasian notions of 'trade and commerce' and Afurakani/Afuraitkaitnit (African) approaches to legitimate trade and commerce rooted in our Ancestral Culture as shown via our OKOM - Economic Development Model.We address our publications:OKOM[a]www.odwirafo.com%2Fokom.htmlMOOR[/a] MEANS 'DEAD'[a]www.odwirafo.com%2Fnhoma.htmlListen[/a] to all 100+ of our blogtalkradio broadcasts on our channel:www.blogtalkradio.com/odwirafo Download the free e-book versions of our soft-cover books from our NHOMA - Publications page on our website:[a]www.odwirafo.com%2Fnhoma.html[/a] Odwirafo Kwesi Ra Nehem Ptah Akhan Aakhuamuman Amaruka Atifi Mu Akwamu Nation in North America www.odwirafo.com

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