⁣Agya Kwadwo Datɛ Ghana Citizenship Success Story

Amin: The Blood Moon Rebirth
Music Film by NF STUDIOS.

Set against the breathtaking backdrop of Ghana’s sacred waterfalls, Amin: The Blood Moon Rebirth is a powerful fusion of music, ritual, and cinematic storytelling. The film explores themes of renewal, spiritual cleansing, and transformation.
This is both a prayer and a performance ,a testament to the enduring power of nature, culture, and creative expression.

Las Caras Lindas is a famous song by the ⁣renown Black Boricua singer, Ismael Rivera. It is a song that gave us Abibifo⁣ɔ from the spanish-terrorized regions of the world much pride in our Blackness. The Beautiful Faces of My Black People!

Lyrics translated to english:



A la le, a la le, a
la lee, la la le le

The beautiful faces
of my Black people
Are a parade of
blossoming molasses
That when it passes
in front of me, my heart rejoices
In their Blackness

The beautiful faces
of my dark-skinned race
Hold tears, sorrow,
and pain
They are the truths
that life challenges
But they carry much
love within

We are the molasses
that laughs
The molasses that
cries
We are the molasses
that loves
And in every kiss,
it is moving

That's why I live
proud of their color
We are kind,
dark-skinned people, with clear poetry
They have their
rhythm, they have melody
The beautiful faces
of my Black people

The beautiful faces
(how beautiful, but), the beautiful faces (but look how beautiful
they are)
The beautiful faces
of my Black people
They have, they
have, they have, they have tears, much melody, I tell you
They have beauty and
they also have very beautiful poetry

The beautiful faces,
the beautiful faces
The beautiful faces
of my Black people
Beautiful faces of
Black people, of which I have many in my calm moments
The beautiful faces
of my Black people are a blast

The beautiful faces,
the beautiful faces (how beautiful they are)
The beautiful faces
of my Black people
We are, I tell you,
the molasses that laughs, ha, ha, ha, ha, ha, that sings and that
cries
And in every kiss,
very moving and captivating

The beautiful faces
(beautiful, beautiful), the beautiful faces (beautiful, beautiful,
beautiful, how beautiful they are)
The beautiful faces
of my Black people
I tell you that in
Portobelo, Panama, I saw the most beautiful and pure face
And that's why my
heart rejoices in its Blackness, that one is truly beautiful

The beautiful faces,
the beautiful faces
The beautiful faces
of my Black people (it sounds)

How beau-, how
beau-, how beautiful they are
Pure Blackness
How beau-, how
beau-, how beautiful they are

The beautiful faces,
the beautiful faces (but how beautiful they are)
The beautiful faces
of my Black people

Listen to me, but
how They are beautiful
They are pretty,
they are lovely
They are beautiful,
how pretty they are
Pretty as you'll
see, that's how they are
Pretty faces like
that one that tells you with a playful tease
A sweet, playful
tease with your sweet, melon-like heart

For the pretty faces
of Llorens Torres
Tell them, Mario

How pretty, how
pretty, how pretty, how pretty, how lovely they are
How beautiful they
are, very beautiful, how lovely they are, how pretty they are
Pretty faces,
pretty, pretty they are, take me!

How pretty they are,
they are pretty
But how pretty they
are, but how pretty they are
How pretty they are,
they are pretty

Many pretty faces
But how pretty, how
pretty, how pretty they are, here they come!

For all the pretty
faces of latin america

But how pretty, but
look how pretty the pretty faces are
Of my Black people,
there are so many
The pretty faces,
the pretty faces
The pretty faces of
my Black people

A parade of
Blackness, of the pure kind that comes from down there
The pretty faces of
my Black people, they are a playful tease
The pretty faces,
the pretty faces
The pretty faces of
my Black people

Molasses that
laughs, molasses that laughs, ha, ha, ha, ha, ha, ha
Oh, that sings and
that cries
And in every kiss,
so moving
But how pretty


Original content info:
Provided to YouTube by Universal Music GroupLas Caras Lindas · Ismael RiveraEsto Si Es Lo Mío℗ 1978 Craft Recordings.Released on: 1978-01-01Producer, Vocalist: Ismael RiveraProducer: Javier VázquezRecording Engineer: Irv GreenbaumChorus: Rubén BladesChorus: Adalberto SantiagoChorus: Nestor SanchezChorus: Héctor LavoeComposer Lyricist: Tite Curet AlonsoAuto-generated by YouTube.

⁣Pan-Abibiwiase (Black World) musical collaboration when the marimba meets the balafon, and Abibifoɔ across the ocean re-connect. The marimba is from Abibiman developed in 'colombia' by Abibifoɔ and the main instrument of the Black genre from the southern hemisphere called Currulao. The balafon is an ancient Abibiman instrument heavily found in the present day countries of the ancient Mali empire, such as Senegal as represented here. Currulao players have theorized the marimba is a descendant of the balafon, reconstructed in the Choco rainforest of the Southern hemisphere from the memory ⁣Abibifoɔ had of back home. The marimba player is Hugo Candelario, from Guapi, Cauca, and one of the country's best marimba players.

Original video info:
Title: ⁣´Fanta Diallo´ canción popular de Senegal (popular song from Senegal)

Aprendiendo el toque en la Marimba de ´Fanta Diallo´, una canción popular de Senegal….gracias Maestros!

Trump made a miscalucation thinking Iran would fold like Iraq, now he is in a long war that will probably have impacts on the USA soil.

The Caribbean's carnivals all have several common themes, many originating from Trinidad and Tobago Carnival, based on folklore, culture, religion,and tradition (thus relating to the European use of the word, not amusement rides, as the word "carnival" is often used to mean in American English). Carnival tradition is based on a number of disciplines including: "Playing Mas"/masquerade; calypso music and crowning a Calypso King or Monarch; Panorama (steel band competition); J'ouvert morning; and a number of other traditions.