⁣This is a poem for Nana Benkos Bioho. He was a Black Freedom Fighter in the spanish colony of nueva granada which is in the present day neo-colony of colombia in Southern Abya Yala (indigenous name for "the americas"), in the late 1590s and early 1600s, and was known for leading the charge with other ⁣Abibifoɔ (Black people) to fight our captor enemy and establish free Black societies in the Caribbean region of the Abya Yala mainland. The poem contains a sprinkling of words from our Abibiwiase (Black World) languages such as Twi & Palenkero.

Copyright Notice

© 2026 Fihankhra Books. All rights reserved.

This video features original content including a poem titled "For Benkos" and original artwork. The poem and artwork are protected under copyright law.

Poem:"For Benkos" by Kwao Kongo @AfroN8V

Artwork: Artwork titled "Benkos Bioho" by ekeochannaemeka licensed to Fihankhra Books

Unauthorized reproduction, distribution, or modification of any part of this video, poem, or artwork is strictly prohibited.

For permissions or inquiries, please contact info@fihankhrabooks.com.

#yowa #kongocosmogram #maa_aankh in this video, Derric "Rau Khu" Moore discusses the connection he discovered between the BaNtu-Kongo cosmogram and the Kemetic lore, which led to a closer connection with the Ancestors.

I do not own the copyright of the music.
Song: Sending All My Love by Phonte of Little Brother
https://twitter.com/phontigallo​
Foreign Exchange Music: http://www.theforeignexchangemusic.com/​

===========================================
About Derric "Rau Khu" Moore
I practice Kamta, a form of Kemetic (Ancient Egyptian) Shamanism that draws from the Kemetic theology and the Kongo-Angolan dikenga (Kongo Cross) philosophy. That has been combined with African American Spiritualism and Afro-Cuban Espiritismo Cruzado (Crossed Spiritism). My goal is to normalize the Kemetic Way of Life by providing practical adaptations to our ancient ancestral way of living.
===========================================
Books:
https://thelandofkam.com/books/​​​

For affordable ebooks:
https://www.1solalliance.com/1solebooks/

For herbs, crystals, shamanic, spiritual, and other metaphysical supplies, visit: https://www.1solalliance.com/​​​

Thank you for your support.
CashApp: $RauKhu

#thelandofkam #therealankh #maa_aankh what does the Ankh or Aankh cross really mean? In this video, I give a more esoteric explanation about the ankh, how it relates to Kongo Spirituality, the dikenga dia Kongo (Kongo Cross) and how the aankh can be used as a talisman that empowers true Kemetic followers.

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I do not own the copyright of the music.
Song: Sending All My Love by Phonte of Little Brother
https://twitter.com/phontigallo
Foreign Exchange Music: http://www.theforeignexchangemusic.com/

===========================================
Books:
https://thelandofkam.com/books/​​​

Affordable audio and ebooks on spirituality, metaphysics, meditation:
https://www.1solalliance.com/1solebooks/

For herbs, crystals, shamanic, spiritual, and other metaphysical supplies, visit: https://www.1solalliance.com/​​​

Thank you for your support.
CashApp: $RauKhu

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About Derric "Rau Khu" Moore
I practice Kamta, a form of Kemetic (Ancient Egyptian) Shamanism that draws from the Kemetic theology and the Kongo-Angolan dikenga (Kongo Cross) philosophy. That has been combined with African American Spiritualism and Afro-Cuban Espiritismo Cruzado (Crossed Spiritism). My goal is to normalize the Kemetic Way of Life by providing practical adaptations to our ancient ancestral way of living.
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The Mis-Education of the Negro – Carter G. Woodson (Audiobook)

The Mis-Education of the Negro by Dr. Carter G. Woodson is one of the most influential works in Black intellectual history. First published in 1933, this book exposes how colonial and Eurocentric education systems shape Black consciousness, distort self-image, and reinforce psychological dependence.

In this audiobook, Woodson challenges listeners to rethink education, leadership, culture, and liberation—arguing that true freedom begins with mental decolonization and self-knowledge.

This audiobook is shared for educational and historical purposes, supporting African-centered learning, Black political education, and the preservation of revolutionary Black thought.

📘 This audiobook is essential for:
• Students of Black history and education
• Pan-Africanists and cultural organizers
• Educators and lifelong learners
• Anyone seeking to understand systemic indoctrination and liberation

🎧 Listen carefully. This book is not meant to entertain—it is meant to awaken.

📚 Shared for educational purposes. No copyright infringement intended.

Our steamed elder, Mama Marimba Ani addresses the crowd during the closing remarks of the National Race 1st Convention in Baltimore, Maryland, 2025.

In this powerful address, Mama Marimba Ani calls us to recapture the tradition of African sovereignty that was lost when leadership lost vision and accommodation replaced determination.

She reminds us that:
𓅃𓇴 We are at war for our people — a matter of life and death.
𓅃𓇴 African people cannot find safety in systems built by our oppressors — true security is only through African power.
𓅃𓇴 Our children must be raised as leaders, visionaries, and protectors, prepared for sovereignty worldwide.
𓅃𓇴 Liberation is not a weekend activity — it must become a way of life.

This message is more than words — it’s a call to organize, unify, and build systems that ensure our future. 💚❤🖤

🌍 African sovereignty is not optional — it is our path to survival and victory.

#iloveplm #blackhistory #panafricanism #blackliberation #fatiuforever #scientificpanafricanism #urbanphilosophy #baltimore #africansovereignty #blackliberation #blacknationalism #ancestors

A song documenting the life of Kmtyu in a global eurasian economic system - everything has gone up.


Official Music Video for Gone Up by CapletonGone Up is a track performed by reggae / dancehall music recording artist Capleton. Produced by: Produced by: Control Tower SquadDownload/Stream: https://Hapilos.lnk.to/Capleton-GoneUp#capleton #goneup #controltowersquad #dancehall #reggae@capleton @controltowersquadStream:Apple Music: https://music.apple.com/us/alb....um/gone-up-single/17 Follow:Instagram: https://www.instagram.com/capletonmusic/Instagram: https://www.instagram.com/cont....rol_tower_squad/?hl= https://www.tiktok.com/@caplet....onmusichttp://vevo.l

Bomba is a traditional Black music genre made by the Abibifo⁣ɔ on the island of Boriken (aka puerto rico).

Original title: ⁣Choco Orta & Chamir Bonano - De Bandazo "Especial Banco Popular de PR (2018), Más De Un Siglo"
Tema: De BandazoVoces: Choco Orta & Chamir BonanoProducción: Más De Un Siglo (BPPR 2018)Poducción (Visual): CinetrixDirector (Visual): Ari ManielProdución Musical: Pasillo Sonoro (Luis Amed Irizarry, Antonio Caraballo, Diego Centeno)Sigueme @https:www.instagram.com/chamirbonano..../https:www.facebook.

⁣Pan-Abibiwiase (Black World) musical collaboration when the marimba meets the balafon, and Abibifoɔ across the ocean re-connect. The marimba is from Abibiman developed in 'colombia' by Abibifoɔ and the main instrument of the Black genre from the southern hemisphere called Currulao. The balafon is an ancient Abibiman instrument heavily found in the present day countries of the ancient Mali empire, such as Senegal as represented here. Currulao players have theorized the marimba is a descendant of the balafon, reconstructed in the Choco rainforest of the Southern hemisphere from the memory ⁣Abibifoɔ had of back home. The marimba player is Hugo Candelario, from Guapi, Cauca, and one of the country's best marimba players.

Original video info:
Title: ⁣´Fanta Diallo´ canción popular de Senegal (popular song from Senegal)

Aprendiendo el toque en la Marimba de ´Fanta Diallo´, una canción popular de Senegal….gracias Maestros!

Currulao is the main traditional genre of Abibifo⁣ɔ music out of the Southern Pacific Coast of 'colombia' and Northern Pacific Coast of 'ecuador'. This group is specifically from Timbiqui, Cauca, a Pacific Coastal town in the biogeographic Choco region. Timbiqui is also the name of the river where the community of Timbiqui is located. This song is about singing to the river asking for a safe passage, to let them go up the river, don't drown us (no me vayas a hogar), don't wet us (no me vayas a mojar), let me go up (dejame subi'). This is a continuation of evidence of our Kmtyu worldview regardless of location and colonial language. Reverence and respect for nature, the oceans, the rivers, and the source of life, water. This can be seen as a libation song for traveling up the Timbiqui river safely. The main instrument is the marimba, made from the palm trees in the Choco rainforest, and said to be a reconstructed descendant of the balafon made by Abibifo⁣ɔ in a new context. We carried Abibiman with us!


original video info:
Provided to YouTube by ONErpmRio Timbiqui · Canalón de TimbiquíDejame Subi℗ Canalon de TimbiquiReleased on: 2004-02-06Auto-generated by YouTube.

This is Bullerengue, a rich Black genre made by the Abibifo⁣ɔ of Caribbean 'Colombia' and the Darien province of 'Panama'. It is known for being one of the Diaspora genres for retaining most of its Abibiman heritage.

Original video info:


Achicanoa presents: El Pescador by El Buda Afro Tambó Written by/ Escrita por: Alexis Castro Gonzales y Luis Alfonso ValenciaVideo directed by Esteban CardonaSound engineer/ingeniero de sonido: Matias Duarte and Esteban Cardona Mixed by/mezclado por: Esteban Cardona Mastered by/ Masterizado por: Luis Bonilla Dop/Dirección de fotografía: Miguel Delgado GPostProducción: Miguel Delgado GRecorded in /grabado en María la Baja, Bolivar, Colombia. 7/12/2019#bullerengue #bailescantados #Tradición #folclor #afrocolombia #tambor

Currulao is a Black music genre made by the ⁣Abibifo⁣ɔ in the Pacific Coast of 'colombia' and 'ecuador'. This song is about the myth 'La Tunda', which is very popular among Black people in this region of the Abibiwiase (Black World). See: ⁣https://en.wikipedia.org/wiki/Tunda

original video info----
Provided to YouTube by CDBabyLa Tunda · Espíritu Balanta y Estrellas de TimbiquíMemoria Balanta℗ 2012 Espíritu Balanta y Estrellas de TimbiquíReleased on: 2012-09-19Auto-generated by YouTube.

Kente is regarded as a fabric for the royals and is popular worldwide. There are varying accounts of its origin and so the Yenkassa team decided to go to the source, Bonwire, and track down the one true origin story/history of Kente. Listen to Chief Kente Designer, Akwesi Kwarteng, narrate the true story of the Kente fabric as passed down from his ancestors. Akwesi Kwarteng is a direct descendant of the man who designed (added patterns) the Kente cloth.

All rights reserved. Copyrighted content, contact Yenkassa for use.

Contact Akwesi Kwarteng/Bonwire Kente Weaving Center:
(Ask for Akwesi Kwarteng)
Dial from US: +233 24 908 4121
Dial in Ghana: 024 908 4121
Email: ohenbaoseid@gmail.com

Las Caras Lindas is a famous song by the ⁣renown Black Boricua singer, Ismael Rivera. It is a song that gave us Abibifo⁣ɔ from the spanish-terrorized regions of the world much pride in our Blackness. The Beautiful Faces of My Black People!

Lyrics translated to english:



A la le, a la le, a
la lee, la la le le

The beautiful faces
of my Black people
Are a parade of
blossoming molasses
That when it passes
in front of me, my heart rejoices
In their Blackness

The beautiful faces
of my dark-skinned race
Hold tears, sorrow,
and pain
They are the truths
that life challenges
But they carry much
love within

We are the molasses
that laughs
The molasses that
cries
We are the molasses
that loves
And in every kiss,
it is moving

That's why I live
proud of their color
We are kind,
dark-skinned people, with clear poetry
They have their
rhythm, they have melody
The beautiful faces
of my Black people

The beautiful faces
(how beautiful, but), the beautiful faces (but look how beautiful
they are)
The beautiful faces
of my Black people
They have, they
have, they have, they have tears, much melody, I tell you
They have beauty and
they also have very beautiful poetry

The beautiful faces,
the beautiful faces
The beautiful faces
of my Black people
Beautiful faces of
Black people, of which I have many in my calm moments
The beautiful faces
of my Black people are a blast

The beautiful faces,
the beautiful faces (how beautiful they are)
The beautiful faces
of my Black people
We are, I tell you,
the molasses that laughs, ha, ha, ha, ha, ha, that sings and that
cries
And in every kiss,
very moving and captivating

The beautiful faces
(beautiful, beautiful), the beautiful faces (beautiful, beautiful,
beautiful, how beautiful they are)
The beautiful faces
of my Black people
I tell you that in
Portobelo, Panama, I saw the most beautiful and pure face
And that's why my
heart rejoices in its Blackness, that one is truly beautiful

The beautiful faces,
the beautiful faces
The beautiful faces
of my Black people (it sounds)

How beau-, how
beau-, how beautiful they are
Pure Blackness
How beau-, how
beau-, how beautiful they are

The beautiful faces,
the beautiful faces (but how beautiful they are)
The beautiful faces
of my Black people

Listen to me, but
how They are beautiful
They are pretty,
they are lovely
They are beautiful,
how pretty they are
Pretty as you'll
see, that's how they are
Pretty faces like
that one that tells you with a playful tease
A sweet, playful
tease with your sweet, melon-like heart

For the pretty faces
of Llorens Torres
Tell them, Mario

How pretty, how
pretty, how pretty, how pretty, how lovely they are
How beautiful they
are, very beautiful, how lovely they are, how pretty they are
Pretty faces,
pretty, pretty they are, take me!

How pretty they are,
they are pretty
But how pretty they
are, but how pretty they are
How pretty they are,
they are pretty

Many pretty faces
But how pretty, how
pretty, how pretty they are, here they come!

For all the pretty
faces of latin america

But how pretty, but
look how pretty the pretty faces are
Of my Black people,
there are so many
The pretty faces,
the pretty faces
The pretty faces of
my Black people

A parade of
Blackness, of the pure kind that comes from down there
The pretty faces of
my Black people, they are a playful tease
The pretty faces,
the pretty faces
The pretty faces of
my Black people

Molasses that
laughs, molasses that laughs, ha, ha, ha, ha, ha, ha
Oh, that sings and
that cries
And in every kiss,
so moving
But how pretty


Original content info:
Provided to YouTube by Universal Music GroupLas Caras Lindas · Ismael RiveraEsto Si Es Lo Mío℗ 1978 Craft Recordings.Released on: 1978-01-01Producer, Vocalist: Ismael RiveraProducer: Javier VázquezRecording Engineer: Irv GreenbaumChorus: Rubén BladesChorus: Adalberto SantiagoChorus: Nestor SanchezChorus: Héctor LavoeComposer Lyricist: Tite Curet AlonsoAuto-generated by YouTube.

⁣La Historia de Jordan Anderson - The Story of Jordan Anderson told in Spanish by a group of brothas in the southern hemispheric country neocolonially known as colombia. Jordan Anderson was a former captive that was asked to return to the death camp (plantation) of his captor after the abolition of captivity because of his skill set. Brother Jordan wrote an extensive letter published in a newspaper, to include requesting his and his wife's current salary be back-paid for the 30+ years (his) and 20 years (hers) they worked for free on the death camp and other conditions that must be met such as ensuring the good treatment of his family, and a school for Black children in the area, before accepting to return there, and if they could not be met, he'd reject the offer.

original content by: mikecrophonechecker, ivan_salazar_foto, shamselassie, eddyevalencia

https://bio.site/mikecrophonechecker?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGnq4M9R59fXvp5feV_KdX-wstsvCYduyyCqtqossNS8eBm0ddwlaZWywTxANw_aem_0ZskFqM_AAaBK_OfwmYOrw

originally posted on:
https://www.instagram.com/reel/DT1FsF0kkom/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ==

In African world cultures, or cultures of African peoples around the world, one of the most important communicative tool is libation. It is a cultural, rather than a religious, act which allows us to remember those who passed, engage the forces of nature, and have our spirits connected to ancestors near and dear to us, even if we've never met them personally. @poweredbynyame

⁣Estamos Aquí: Una Historia de AfroDescendientes Bolivianos
Katie MeolaSpring 2012SIT Bolivia

For copyright matters, takedown, or complaint please contact: historicalafrika@gmail.com

In this episode of Truth Africa Series (brought to you by Historical Africa), we will be reacting to Dr. Henrik Clarke speech on religion in Africa.

The colonization of Africa was not just about political control; it also aimed to reshape African societies in the image of the colonizers.
One way this happened was through religious imposition. European powers, driven by a belief in their cultural and religious
superiority, sought to convert Africans to Christianity, often suppressing indigenous religions in the process. This cultural assimilation
served to consolidate control and legitimize colonial rule.

Religion has often been an instrument used to maintain power and control over populations. In the context of Africa, religion
was used as a tool to justify economic exploitation and the subjugation of Africans. Missionaries preached the superiority of
European Christianity, portraying African religions as primitive or demonic, and using this narrative to justify colonization and the
extraction of Africa's resources.

The conversion of Africans to foreign religions was also strategic for maintaining political and social control. By imposing their
religions, colonizers sought to weaken traditional societal structures, including indigenous spiritual practices, which often played a
significant role in governance and cultural identity. Conversion to foreign religions served to alienate Africans from their traditional
roots, making them more submissive to colonial authority.

Music:
yugen emotional
Source: wwww.choisc.com
Licensed under creative commons.



✅COPYRIGHT DISCLAIMER
Historical Africa doesn't fully own some of the materials compiled in its videos. It belongs to people or organizations who
ought to be respected. If used, it falls under the following provisions: Copyright disclaimer section 107 of the Copyright Act 1976.
"Fair use" is allowed for purposes such as criticism, comment, news reporting, teaching, scholarships, and research.
✅ If you are the owner of the materials used in this video, contact us, and we will follow your request immediately:
historicalafrika@gmail.com

#africa #religion #speech

⁣Ɔbenfo put me on to this scholar Professor ⁣Nafafé that focuses on trans-Atlantic captive history, in the I Never Knew TV video launched 1/6/2026 titled "⁣Why Many Black People Are Denying Their Blackness and Why It Needs To Stop - Obenfo Obadele Kambon". While this video is in Portuguese, Professor ⁣Nafafé delves into the history of how trans-Atlantic captivity occurred, and a statement that stood out to me that he stated was all (Black) kings involved in captive selling were conquered by eurasians.

Conferência com Prof. José Lingna Nafafé (Universidade de Bristol, Reino Unido)

History of Scramble for Africa | The Scramble For Africa | What was the SCRAMBLE for AFRICA? |

Please support us via Patreon: https://www.patreon.com/sankof....apanafrica?gclid=Cj0 Buy me a Coffee:https://www.buymeacoffee.com/DrBunmiOyinsan or Join as a YouTube member: https://www.youtube.com/channe....l/UCqSyyTlZjSXfRC5iO
The Scramble for Africa also called the Partition of Africa, was the invasion, occupation, division, and colonization of most of Africa by European powers.


You can now listen to our series via podcasts
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#africascramble #historyofafricascramble @SankofaPanAfricanSeries

In 1884, the fate of an entire continent was decided—without a single African voice in the room.
This is the untold story of the Berlin Conference, where European empires gathered to carve Africa like a cake, redrawing borders, exploiting resources, and setting in motion centuries of suffering, resistance, and survival.

This video exposes how Africa was stolen, how colonialism was formalized, and how Africa fought back.
If you care about truth, justice, and understanding the real history of Africa, this is a story you must hear.

👉 What really happened at the Berlin Conference?
👉 Why weren’t African leaders invited?
👉 What are the lasting effects today?

Watch now and uncover the dark blueprint that shaped modern Africa.

—

🔔 Subscribe for more true African history: [Your Channel Link]
📲 Share this video to help others learn the truth
👍 Like, comment, and spread the real story of Africa.

#scrambleforafrica #berlinconference #africanhistory #colonialism #blackhistory #theafricanhistory
#scrambleforafrica #berlinconference #africanhistory #colonialism #historyexplained #theafricanhistory #africawasnotinvited #untoldafricanhistory #historicaldocumentary #blackhistory