Note: Per text on video, i disagree with the usage of "Broken English" as that reduces our Black Languages and takes away our agency. It has a eurasian colonialist and racist origin. It's their perspective on how they look down on our languages, and we need to stop using their concepts as that has us self-discriminate. That aside, this is a great song covering the injected oppression of destroying one's melanin through skin lightening cancer creams.


original video info:

Yellow Fever (1976) Fela Kuti
From the LP Yellow Fever (CD release 1997)
http://fela.net/discography/

This video is part of a series of songs being posted on Fela's official YouTube channel (http://www.youtube.com/fela) each featuring, alongside the music, an informative commentary by Afrobeat Historian, Chris May.

The entire catalogue, released on Kntting Factory Records, is available on the Fela website (http://fela.net/), along with documentaries and recorded concerts, CDs and vinyl, tee shirts, posters and many other items.

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Presenter: Prof. Rupert Lewis
Author, Professor Emeritus - University of the West Indies, Mona

Dr Rupert Lewis is Professor Emeritus of Political Thought in the Department of Government, University of the West Indies, Jamaica. Among his books published in the UWI Press Caribbean biography series are Marcus Garvey in 2018 and Walter Rodney in 2024. He is also author of Walter Rodney’s Intellectual and Political Thought and has edited books on George Padmore, the Trinidadian-born Pan-Africanist and Richard Hart, the Jamaican Marxist. He is a member of Jamaica’s
National Council on Reparation. He played an important role in the restoration and development of “Liberty Hall: the Legacy of Marcus Garvey” working with a team led by Ms. Elaine Melbourne, Mr Vivian Crawford, and Liberty Hall’s founding director, Dr Donna McFarlane. He was a member of the Council of the Institute of Jamaica and chair of the ACIJ JMB.

📚 Amy Jaques Garvey, 1896-1973: Black Revolutionary Mothering

Abstract: Interpreting letters written by Amy Jacques Garvey in the 1950s, I discuss her parenting of Marcus Garvey Jnr, an
engineer and scientist, and Dr. Julius Garvey, surgeon, and how she singlehandedly guided their Pan-Africanism. I also discuss the role she played in shaping Marcus Garvey’s legacies in the early stages of African and Caribbean decolonization and extract lessons for Pan-African struggles today.

Whether you're a student, researcher, cultural practitioner, or simply curious about Jamaica’s heritage, this session will deepen your understanding of the African elements that continue to enrich our culture.

🎥 Tune in for a thought-provoking and culturally grounding presentation.

👉 Subscribe to the channel and click the notification bell so you won't miss this or future episodes of Curating Culture.

#curatingculture #acijjmb #rupertlewis #jamaicanculture #africandiaspora #culturalheritage #jamaicahistory

⁣Nana John Henrik Clarke on Nana Ọmọ́wálé Malcolm X

5 BRANCHES OF KONGO SPIRITUALITY ~ Iya J.

🙍🏽‍♀️ 🌍 🙍🏽‍♂️If you're serious about investing in your spiritual development and wellbeing... wanting to elevate, I invite you to learn directly from me and apply to one of my Coaching Programs 👇🏽👇🏽👇🏽
https://www.iyajthehighpriestess.com/coaching

Want my assistance with your Spiritual Business? Receive a FREE consultation
https://www.iyajthehighpriestess.com/coaching

Want to study at your own pace via my online portal? 🙋🏽‍♀️ 🙋🏽
https://www.iyajthehighpriestess.com/courses

FOLLOW ME/SHARE/LIKE 💫:
Instagram: https://www.instagram.com/isismoon_org
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TikTok: https://www.tiktok.com/
Isis Moon's Website: https://www.isis-moon.com
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Donations: https://www.isis-moon.com/donations

#spiritualguidance #spiritualcoaching #iyaj #Isismoonorg
#kongo #congo #kongospirituality #africandiaspora #kongoancestors #palomayombe #candomble #hoodoo

Malcolm X took an uncompromising stand against the injustices in this world. He is an inspiration, to this day, for millions.Hope these words from Malcolm will inspire you to do your bit for humanity.For more information on the life of Malcolm X. Please read 'The Autobiography of Malcolm X as told to Alex Haley' #meaningful and #fiery #speeches from #revolutionary #malcolm X.

⁣This is a poem for Nana Benkos Bioho. He was a Black Freedom Fighter in the spanish colony of nueva granada which is in the present day neo-colony of colombia in Southern Abya Yala (indigenous name for "the americas"), in the late 1590s and early 1600s, and was known for leading the charge with other ⁣Abibifoɔ (Black people) to fight our captor enemy and establish free Black societies in the Caribbean region of the Abya Yala mainland. The poem contains a sprinkling of words from our Abibiwiase (Black World) languages such as Twi & Palenkero.

Copyright Notice

© 2026 Fihankhra Books. All rights reserved.

This video features original content including a poem titled "For Benkos" and original artwork. The poem and artwork are protected under copyright law.

Poem:"For Benkos" by Kwao Kongo @AfroN8V

Artwork: Artwork titled "Benkos Bioho" by ekeochannaemeka licensed to Fihankhra Books

Unauthorized reproduction, distribution, or modification of any part of this video, poem, or artwork is strictly prohibited.

For permissions or inquiries, please contact info@fihankhrabooks.com.

#yowa #kongocosmogram #maa_aankh in this video, Derric "Rau Khu" Moore discusses the connection he discovered between the BaNtu-Kongo cosmogram and the Kemetic lore, which led to a closer connection with the Ancestors.

I do not own the copyright of the music.
Song: Sending All My Love by Phonte of Little Brother
https://twitter.com/phontigallo​
Foreign Exchange Music: http://www.theforeignexchangemusic.com/​

===========================================
About Derric "Rau Khu" Moore
I practice Kamta, a form of Kemetic (Ancient Egyptian) Shamanism that draws from the Kemetic theology and the Kongo-Angolan dikenga (Kongo Cross) philosophy. That has been combined with African American Spiritualism and Afro-Cuban Espiritismo Cruzado (Crossed Spiritism). My goal is to normalize the Kemetic Way of Life by providing practical adaptations to our ancient ancestral way of living.
===========================================
Books:
https://thelandofkam.com/books/​​​

For affordable ebooks:
https://www.1solalliance.com/1solebooks/

For herbs, crystals, shamanic, spiritual, and other metaphysical supplies, visit: https://www.1solalliance.com/​​​

Thank you for your support.
CashApp: $RauKhu

#thelandofkam #therealankh #maa_aankh what does the Ankh or Aankh cross really mean? In this video, I give a more esoteric explanation about the ankh, how it relates to Kongo Spirituality, the dikenga dia Kongo (Kongo Cross) and how the aankh can be used as a talisman that empowers true Kemetic followers.

*****************************************************************
I do not own the copyright of the music.
Song: Sending All My Love by Phonte of Little Brother
https://twitter.com/phontigallo
Foreign Exchange Music: http://www.theforeignexchangemusic.com/

===========================================
Books:
https://thelandofkam.com/books/​​​

Affordable audio and ebooks on spirituality, metaphysics, meditation:
https://www.1solalliance.com/1solebooks/

For herbs, crystals, shamanic, spiritual, and other metaphysical supplies, visit: https://www.1solalliance.com/​​​

Thank you for your support.
CashApp: $RauKhu

XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX

About Derric "Rau Khu" Moore
I practice Kamta, a form of Kemetic (Ancient Egyptian) Shamanism that draws from the Kemetic theology and the Kongo-Angolan dikenga (Kongo Cross) philosophy. That has been combined with African American Spiritualism and Afro-Cuban Espiritismo Cruzado (Crossed Spiritism). My goal is to normalize the Kemetic Way of Life by providing practical adaptations to our ancient ancestral way of living.
===========================================

The Mis-Education of the Negro – Carter G. Woodson (Audiobook)

The Mis-Education of the Negro by Dr. Carter G. Woodson is one of the most influential works in Black intellectual history. First published in 1933, this book exposes how colonial and Eurocentric education systems shape Black consciousness, distort self-image, and reinforce psychological dependence.

In this audiobook, Woodson challenges listeners to rethink education, leadership, culture, and liberation—arguing that true freedom begins with mental decolonization and self-knowledge.

This audiobook is shared for educational and historical purposes, supporting African-centered learning, Black political education, and the preservation of revolutionary Black thought.

📘 This audiobook is essential for:
• Students of Black history and education
• Pan-Africanists and cultural organizers
• Educators and lifelong learners
• Anyone seeking to understand systemic indoctrination and liberation

🎧 Listen carefully. This book is not meant to entertain—it is meant to awaken.

📚 Shared for educational purposes. No copyright infringement intended.

Our steamed elder, Mama Marimba Ani addresses the crowd during the closing remarks of the National Race 1st Convention in Baltimore, Maryland, 2025.

In this powerful address, Mama Marimba Ani calls us to recapture the tradition of African sovereignty that was lost when leadership lost vision and accommodation replaced determination.

She reminds us that:
𓅃𓇴 We are at war for our people — a matter of life and death.
𓅃𓇴 African people cannot find safety in systems built by our oppressors — true security is only through African power.
𓅃𓇴 Our children must be raised as leaders, visionaries, and protectors, prepared for sovereignty worldwide.
𓅃𓇴 Liberation is not a weekend activity — it must become a way of life.

This message is more than words — it’s a call to organize, unify, and build systems that ensure our future. 💚❤🖤

🌍 African sovereignty is not optional — it is our path to survival and victory.

#iloveplm #blackhistory #panafricanism #blackliberation #fatiuforever #scientificpanafricanism #urbanphilosophy #baltimore #africansovereignty #blackliberation #blacknationalism #ancestors

A song documenting the life of Kmtyu in a global eurasian economic system - everything has gone up.


Official Music Video for Gone Up by CapletonGone Up is a track performed by reggae / dancehall music recording artist Capleton. Produced by: Produced by: Control Tower SquadDownload/Stream: https://Hapilos.lnk.to/Capleton-GoneUp#capleton #goneup #controltowersquad #dancehall #reggae@capleton @controltowersquadStream:Apple Music: https://music.apple.com/us/alb....um/gone-up-single/17 Follow:Instagram: https://www.instagram.com/capletonmusic/Instagram: https://www.instagram.com/cont....rol_tower_squad/?hl= https://www.tiktok.com/@caplet....onmusichttp://vevo.l

Bomba is a traditional Black music genre made by the Abibifo⁣ɔ on the island of Boriken (aka puerto rico).

Original title: ⁣Choco Orta & Chamir Bonano - De Bandazo "Especial Banco Popular de PR (2018), Más De Un Siglo"
Tema: De BandazoVoces: Choco Orta & Chamir BonanoProducción: Más De Un Siglo (BPPR 2018)Poducción (Visual): CinetrixDirector (Visual): Ari ManielProdución Musical: Pasillo Sonoro (Luis Amed Irizarry, Antonio Caraballo, Diego Centeno)Sigueme @https:www.instagram.com/chamirbonano..../https:www.facebook.

⁣Pan-Abibiwiase (Black World) musical collaboration when the marimba meets the balafon, and Abibifoɔ across the ocean re-connect. The marimba is from Abibiman developed in 'colombia' by Abibifoɔ and the main instrument of the Black genre from the southern hemisphere called Currulao. The balafon is an ancient Abibiman instrument heavily found in the present day countries of the ancient Mali empire, such as Senegal as represented here. Currulao players have theorized the marimba is a descendant of the balafon, reconstructed in the Choco rainforest of the Southern hemisphere from the memory ⁣Abibifoɔ had of back home. The marimba player is Hugo Candelario, from Guapi, Cauca, and one of the country's best marimba players.

Original video info:
Title: ⁣´Fanta Diallo´ canción popular de Senegal (popular song from Senegal)

Aprendiendo el toque en la Marimba de ´Fanta Diallo´, una canción popular de Senegal….gracias Maestros!

Currulao is the main traditional genre of Abibifo⁣ɔ music out of the Southern Pacific Coast of 'colombia' and Northern Pacific Coast of 'ecuador'. This group is specifically from Timbiqui, Cauca, a Pacific Coastal town in the biogeographic Choco region. Timbiqui is also the name of the river where the community of Timbiqui is located. This song is about singing to the river asking for a safe passage, to let them go up the river, don't drown us (no me vayas a hogar), don't wet us (no me vayas a mojar), let me go up (dejame subi'). This is a continuation of evidence of our Kmtyu worldview regardless of location and colonial language. Reverence and respect for nature, the oceans, the rivers, and the source of life, water. This can be seen as a libation song for traveling up the Timbiqui river safely. The main instrument is the marimba, made from the palm trees in the Choco rainforest, and said to be a reconstructed descendant of the balafon made by Abibifo⁣ɔ in a new context. We carried Abibiman with us!


original video info:
Provided to YouTube by ONErpmRio Timbiqui · Canalón de TimbiquíDejame Subi℗ Canalon de TimbiquiReleased on: 2004-02-06Auto-generated by YouTube.

This is Bullerengue, a rich Black genre made by the Abibifo⁣ɔ of Caribbean 'Colombia' and the Darien province of 'Panama'. It is known for being one of the Diaspora genres for retaining most of its Abibiman heritage.

Original video info:


Achicanoa presents: El Pescador by El Buda Afro Tambó Written by/ Escrita por: Alexis Castro Gonzales y Luis Alfonso ValenciaVideo directed by Esteban CardonaSound engineer/ingeniero de sonido: Matias Duarte and Esteban Cardona Mixed by/mezclado por: Esteban Cardona Mastered by/ Masterizado por: Luis Bonilla Dop/Dirección de fotografía: Miguel Delgado GPostProducción: Miguel Delgado GRecorded in /grabado en María la Baja, Bolivar, Colombia. 7/12/2019#bullerengue #bailescantados #Tradición #folclor #afrocolombia #tambor

Currulao is a Black music genre made by the ⁣Abibifo⁣ɔ in the Pacific Coast of 'colombia' and 'ecuador'. This song is about the myth 'La Tunda', which is very popular among Black people in this region of the Abibiwiase (Black World). See: ⁣https://en.wikipedia.org/wiki/Tunda

original video info----
Provided to YouTube by CDBabyLa Tunda · Espíritu Balanta y Estrellas de TimbiquíMemoria Balanta℗ 2012 Espíritu Balanta y Estrellas de TimbiquíReleased on: 2012-09-19Auto-generated by YouTube.

Kente is regarded as a fabric for the royals and is popular worldwide. There are varying accounts of its origin and so the Yenkassa team decided to go to the source, Bonwire, and track down the one true origin story/history of Kente. Listen to Chief Kente Designer, Akwesi Kwarteng, narrate the true story of the Kente fabric as passed down from his ancestors. Akwesi Kwarteng is a direct descendant of the man who designed (added patterns) the Kente cloth.

All rights reserved. Copyrighted content, contact Yenkassa for use.

Contact Akwesi Kwarteng/Bonwire Kente Weaving Center:
(Ask for Akwesi Kwarteng)
Dial from US: +233 24 908 4121
Dial in Ghana: 024 908 4121
Email: ohenbaoseid@gmail.com

Las Caras Lindas is a famous song by the ⁣renown Black Boricua singer, Ismael Rivera. It is a song that gave us Abibifo⁣ɔ from the spanish-terrorized regions of the world much pride in our Blackness. The Beautiful Faces of My Black People!

Lyrics translated to english:



A la le, a la le, a
la lee, la la le le

The beautiful faces
of my Black people
Are a parade of
blossoming molasses
That when it passes
in front of me, my heart rejoices
In their Blackness

The beautiful faces
of my dark-skinned race
Hold tears, sorrow,
and pain
They are the truths
that life challenges
But they carry much
love within

We are the molasses
that laughs
The molasses that
cries
We are the molasses
that loves
And in every kiss,
it is moving

That's why I live
proud of their color
We are kind,
dark-skinned people, with clear poetry
They have their
rhythm, they have melody
The beautiful faces
of my Black people

The beautiful faces
(how beautiful, but), the beautiful faces (but look how beautiful
they are)
The beautiful faces
of my Black people
They have, they
have, they have, they have tears, much melody, I tell you
They have beauty and
they also have very beautiful poetry

The beautiful faces,
the beautiful faces
The beautiful faces
of my Black people
Beautiful faces of
Black people, of which I have many in my calm moments
The beautiful faces
of my Black people are a blast

The beautiful faces,
the beautiful faces (how beautiful they are)
The beautiful faces
of my Black people
We are, I tell you,
the molasses that laughs, ha, ha, ha, ha, ha, that sings and that
cries
And in every kiss,
very moving and captivating

The beautiful faces
(beautiful, beautiful), the beautiful faces (beautiful, beautiful,
beautiful, how beautiful they are)
The beautiful faces
of my Black people
I tell you that in
Portobelo, Panama, I saw the most beautiful and pure face
And that's why my
heart rejoices in its Blackness, that one is truly beautiful

The beautiful faces,
the beautiful faces
The beautiful faces
of my Black people (it sounds)

How beau-, how
beau-, how beautiful they are
Pure Blackness
How beau-, how
beau-, how beautiful they are

The beautiful faces,
the beautiful faces (but how beautiful they are)
The beautiful faces
of my Black people

Listen to me, but
how They are beautiful
They are pretty,
they are lovely
They are beautiful,
how pretty they are
Pretty as you'll
see, that's how they are
Pretty faces like
that one that tells you with a playful tease
A sweet, playful
tease with your sweet, melon-like heart

For the pretty faces
of Llorens Torres
Tell them, Mario

How pretty, how
pretty, how pretty, how pretty, how lovely they are
How beautiful they
are, very beautiful, how lovely they are, how pretty they are
Pretty faces,
pretty, pretty they are, take me!

How pretty they are,
they are pretty
But how pretty they
are, but how pretty they are
How pretty they are,
they are pretty

Many pretty faces
But how pretty, how
pretty, how pretty they are, here they come!

For all the pretty
faces of latin america

But how pretty, but
look how pretty the pretty faces are
Of my Black people,
there are so many
The pretty faces,
the pretty faces
The pretty faces of
my Black people

A parade of
Blackness, of the pure kind that comes from down there
The pretty faces of
my Black people, they are a playful tease
The pretty faces,
the pretty faces
The pretty faces of
my Black people

Molasses that
laughs, molasses that laughs, ha, ha, ha, ha, ha, ha
Oh, that sings and
that cries
And in every kiss,
so moving
But how pretty


Original content info:
Provided to YouTube by Universal Music GroupLas Caras Lindas · Ismael RiveraEsto Si Es Lo Mío℗ 1978 Craft Recordings.Released on: 1978-01-01Producer, Vocalist: Ismael RiveraProducer: Javier VázquezRecording Engineer: Irv GreenbaumChorus: Rubén BladesChorus: Adalberto SantiagoChorus: Nestor SanchezChorus: Héctor LavoeComposer Lyricist: Tite Curet AlonsoAuto-generated by YouTube.

⁣La Historia de Jordan Anderson - The Story of Jordan Anderson told in Spanish by a group of brothas in the southern hemispheric country neocolonially known as colombia. Jordan Anderson was a former captive that was asked to return to the death camp (plantation) of his captor after the abolition of captivity because of his skill set. Brother Jordan wrote an extensive letter published in a newspaper, to include requesting his and his wife's current salary be back-paid for the 30+ years (his) and 20 years (hers) they worked for free on the death camp and other conditions that must be met such as ensuring the good treatment of his family, and a school for Black children in the area, before accepting to return there, and if they could not be met, he'd reject the offer.

original content by: mikecrophonechecker, ivan_salazar_foto, shamselassie, eddyevalencia

https://bio.site/mikecrophonechecker?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGnq4M9R59fXvp5feV_KdX-wstsvCYduyyCqtqossNS8eBm0ddwlaZWywTxANw_aem_0ZskFqM_AAaBK_OfwmYOrw

originally posted on:
https://www.instagram.com/reel/DT1FsF0kkom/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ==