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In this reasoning Dr. Okunini Talawa Adodo, explains what 'bedroom colonialism' is and delves deep into the complexities of interracial relationships, self-hate, social conditioning and more.
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Bradby RepatriateToGhana Citizenship Interview
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This song contains a lot of Ourstory in the country known as "colombia", a country named after the mzungu criminal Columbus. This song speaks of anti-Afrikan racism our people face there and have faced there since the colonial days of the Spanish bakra. It speaks of Afrikan Freedom Fighters. It speaks of resistance. It speaks of laws and treachery. It speaks of Ayiti. It speaks of our Afrikanity. Our great Afrikanity.
This is the artist's yt channel https://www.youtube.com/@TONO121_oficial
I wrote this song 'We Got The Power' for my people to always remember the power we have within. This song gave me goosebumps while I was writing it because it even shifted something inside of me. It reminded me I am powerful and I have life, therefore I am worthy of everything life has to offer. For those who have faced discrimination, racism, prejudice, disrespect, judgement, self doubt and a suffer from a lack of self worth. This is for all of the Genocide going on in the world and to shine light on the injustices. It's time to shine light on a world that is getting vibrationally too low. Remember YOU always had the Power within. It's time for a change.
Directed by @manicamankwa776
Cutting Edge 21/08/2014 THIS ONE SWEET. HISTORY
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In Part 2 of Onuora Abuah's epic journey through Mali, sees him navigate the tough Sahel terrain and journey on to Tomboctou.
Whilst there he visits the famous University/Mosque of Sankore and Djinguereber whilst establishing Timbuktu's significance to the empires of Mali and Songhai.
Upon his return to Bamako, Onuora visits the residence of Ivorian Reggae artist Tiken Jah Fakoly.
#Mali #Songhai #Sankore #SonniAli #Samori #Askia #Wagadu #Ghana #Sumunguru #Sundiata #TikenJahFakoly
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Adodo and Kambon pikni lingk-op a JamRock fi Aagos Ivlin!
Description: This presentation looks at the racial politics of Bob Marley in terms of his music and activism. Marley’s song ‘One Love’ is heavily promoted by the Eurasianstream media industry and, consequently, it is often a focal point in common discourse on Bob Marley. The commercialization of ‘One Love’ is thought by many in Pan-Afrikan social circles to be a de-radicalization misrepresentation of Marley’s “radical” Pan-Afrikan music. Considering the fact Marley can be “co-opted” suggests that he was never a Pan-Afrikanist, in the Garveyite sense, and, in fact, facilitated ideological confusion.
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Caridad (BataRumba) · Grupo Afrocuba
Raices Africanas
℗ 2005 Shanachie
Released on: 1998-08-18
Writer: Grupo Afrocuba
Auto-generated by YouTube.
Dive into Tamu Mazama's universe with her new music video "Orisha" filmed in Ivory Coast and Guadeloupe
Directed by the young Ivorian the_vinke_
Tamu - Imani (ft. Bled Miki)
Tamu Mazama and Guadeloupean concious artist Bled Miki in a Blacktastic duet
In this presentation Dr. Kamau Rashid discusses various theories of race, with a special focus on the Chicago school of African-centered thought. He also discusses the prospects for the future of African/Black people vis-à-vis the centrality of racial subordination as an organizing principle of Western societies. This presentation was given at the 2021 Jacob H. Carruthers.
