⁣Hauwa yarfulani Basavca

Morning Meditation

Blacknotes Libation: In Praise of Oshun

It means when we were kids
The words of the Nubian poet
Mohiuddin Sharif
Singing the ambassador of the Nubian musician
Hamza Alaeddin
And it tells about the nostalgia of the displacement of Nubia in northern Sudan and southern Egypt
A work of art, rewritten by the Sudanese musician Hussam Abdel Salam
And the performance of the artist Hani Abdeen and was filmed on the island of (Defi) in northern Sudan
A tribute to the spirit of the Nubian artist Hamza Aladdin
And they linked the unity of Nubia in the north and south with the Nile, with a single cultural identity


رابط النسخة الاصلية للاغنية
https://www.youtube.com/watch?v=0DZO1i_C7LY

تابعونا علي
فيس بوك
https://www.facebook.com/SUDAN....-layout-403559866762
تويتر
https://twitter.com/SudanLayout
استغرام
https://www.instagram.com/sudanlayout/

Director & Dop
Ibrahem Saihon
2021

#Music
#Nubian
#Sudan
#Africa
#Landscape
#Land
#People
#Displacement
#Nubian civilization

Nubians, the groups of people live along the Nile of the north of Sudan and South of Egypt, are the proud descendant of the pharaohs of Ancient Kush Kingdom of North Sudan and south Egypt Sings a famous Sudanese song.

Nubia is a region along the Nile river encompassing the area between Aswan in southern Egypt and Khartoum in central Sudan. It was the seat of one of the earliest civilizations of ancient Africa, with a history that can be traced from at least 2500 BC onward with the Kerma culture. The region of Nubia is split between Egypt and Sudan. Nubia was divided into three major regions: Upper, Middle, and Lower Nubia, in reference to their locations along the Nile.

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The Fula people or Fulani or Fulɓe (Fula: Fulɓe; French: Peul; Hausa: Fulani; Portuguese: Fula; Wolof: Pël; Bambara: Fulaw) numbering approximately 20 million people in total are one of the most widely dispersed and culturally diverse of the peoples of Africa.The Fulani are bound together by the common language of Fulfulde, as well as by some basic elements of Fulbe culture, such as the pulaaku, a code of conduct common to all Fulani groups.

The Fula have a rich musical culture and play a variety of traditional instruments including drums, hoddu (a plucked skin-covered lute similar to a banjo), and riti or riiti (a one-string bowed instrument similar to a violin), in addition to vocal music. The well-known Senegalese Fula musician Baaba Maal sings in Pulaar on his recordings. Zaghareet or ululation is a popular form of vocal music formed by rapidly moving the tongue sideways and making a sharp, high sound.

Fulani music is as varied as its people. The numerous sub-groups all maintain unique repertoires of music and dance. Songs and dances reflect traditional life and are specifically designed for each individual occasion. Music is played at any occasion: when herding cattle, working in the fields, preparing food, or at the temple. Music is extremely important to the village life cycle with field cultivation, harvest and winnowing of millet performed to the rhythm of the songs and drums.

Fulani herders have a special affinity for the flute and violin nianioru. The young Fulani shepherd like to whistle and sing softly as they wander the silent savannah with cattle and goats. The truly Fulani instruments are the one-string viola of the Fulani (nianioru), the flute, the two to five string lute hoddu or molo, and the buuba and bawdi set of drums. But they are also influenced by the other instruments of the region such as the beautiful West African harp, the kora, and the balafon. Entertainment is the role of certain casts. The performance of music is the realm of specialized casts. The Griots or Awlube recite the history of the people, places and events of the community.

A significant proportion of their number, (an estimated 13 million), are nomadic, making them the largest pastoral nomadic group in the world.[6] Spread over many countries, they are found mainly in West Africa and northern parts of Central Africa, but also in Sudan and Egypt.
African countries where they are present include Mauritania, Ghana, Senegal, Guinea, the Gambia, Mali, Nigeria, Sierra Leone, Benin, Burkina Faso, Guinea Bissau, Cameroon, Ivory Coast, Niger, Chad, Togo, Gabon, South Sudan the Central African Republic, Liberia, and as far East as the Red Sea in Sudan and Egypt. With the exception of Guinea, where the Fula make up an ethnic plurality (largest single ethnic group) or approximately 49%+ of the population,[10] and Senegal, Mali, Burkina Faso, Niger and Cameroon, Fulas are minorities in nearly all other countries they live in. Alongside, many also speak other languages of the countries they inhabit, making many Fulani bilingual or even trilingual in nature. Such languages include Hausa, Bambara, Wolof, and Arabic.

Major concentrations of Fulani people exist in the Fouta Djallon highlands of central Guinea and south into the northernmost reaches of Sierra Leone; the Futa Tooro savannah grasslands of Senegal and southern Mauritania; the Macina inland Niger river delta system around Central Mali; and especially in the regions around Mopti and the Nioro Du Sahel in the Kayes region; the Borgu settlements of Benin, Togo and West-Central Nigeria; the northern parts of Burkina Faso in the Sahel region's provinces of Seno, Wadalan, and Soum; and the areas occupied by the Sokoto Caliphate, which includes what is now Southern Niger and Northern Nigeria (such as Tahoua, Katsina, Sokoto, Kebbi, Zinder, Bauchi, Diffa, Yobe, Gombe, and further east, into the Benue river valley systems of North Eastern Nigeria and Northern Cameroon).

(source wikipedia)

Music video
#HauwayarFulani #Buhari next level 2019

Funk-infused political statement. Afrobeat.

Artist: Fela and Afrika '70
Album: Zombie
Label: Coconut
Year: 1976

Tracklist:
0:00 Zombie
12:26 Mister Follow Follow
25:24 Observation is no Crime
38:50 Mistake

Personnel:

Composed, arranged and produced by Fela Anikulapo Kuti
Lyrics by Wole Kuboye
Artwork by Gharikwu Lemi

Fela Anikulapo Kuti - vocals, tenor saxophone, alto saxophone, piano
Lekan Animashaun - baritone saxophone
Nwokoma Ukem - trumpet
Tunde Williams - trumpet

B. Osuhor - voclas
F. Oladeinde - vocals
F. Oladejo - vocals
K. Oghomienor - vocals
O. Osaeti - vocals
R. Edasow - vocals
S. Komolafe - vocals
T. Adebiyi - vocals

Okalue Ojeah - guitar
Oghene Kologbo - tenor guitar
Nweke Atifoh - bass guitar
Ladi "Tony Allen" Alabi - drums

Ayoola Abayomi - claves
Babajide Olaleye - maracas
Addo Nettey - congas
Olandeinde Koffi - congas
Shina Abiodun - congas

Tracks 3 and 4 recorded live at The Berlin Jazz Festival (1978)

http://fela.net/
Support the artist if you like the music. I do not own any of the songs.

Open and Close (LP) (1971) Fela Kuti
Songs includes: Open And Close/ Suegbe And Pako / Gbagada Gbogodo
Subscribe ► http://bit.ly/1XsVy99 & Everybody say "Yeah Yeah"
http://fela.net/discography/

This video is part of a series of songs being posted on Fela's official YouTube channel (http://www.youtube.com/fela) each featuring, alongside the music, an informative commentary by Afrobeat Historian, Chris May.

The entire catalogue, released on Kntting Factory Records, is available on the Fela website (http://fela.net/), along with documentaries and recorded concerts, CDs and vinyl, tee shirts, posters and many other items.

"Call to Prayer" -- performed by Baaba Maal (Senegal)

From the Album 'Passion - Sources' by Various artists (produced by Peter Gabriel) . Real World Records, 1989.