Live Videos
Drone clip of Bradby Land and View
Want to know more about the connection between worldview and architecture? Click here https://abibitumi.com/shop/tic....ket-abibitumi-headqu
Racism in Great Britain is explored in this documentary. The argument is made that economics is the basis of discrimination in England, which is exascerbated by opportunism throughout the political system. A cross-section of black citizens are interviewed, and footage of street life and violence are used to illustrate how the class system keeps them at the bottom of England's society. - tcm.com
---
"BLACKS BRITANNICA is a relentless and engrossing indictment of racism toward black immigrants to England, told from an obvious Marxist perspective. The film argues that discrimination in England is based on economics and fueled by opportunists across the entire spectrum of British politics. Told through the eyes and words of a cross-section of blacks, David Koff's film uses interviews, stock footage, and scenes of street life and violence to show how blacks in England are trapped at the bottom of an economic and political system which shows little compassion or concern about their fate. Rapid editing, overlapping dialogue and cinema verité all build to an emotional and violent climax, whose conclusion is underscored by a reggae band's call for revolution. As Koff puts it, the film "reflects the increasingly militant response within the black community to the continuing attacks upon it, both by the fascist elements on the street and by the state itself." An official of the British Information Service in Washington called the film "dangerous" and asked for equal time. New York Times critic John O'Connor said the film not only documents the growing militancy, "but, quite clearly, the structure and tone endorse it."
The program was originally scheduled to air on July 13, 1978, but the showing was postponed so that WORLD's executive producer David Fanning could make some changes. "I never had any dispute with the central premise of the film or with its contents," Fanning said at the time. He argued that the changes were intended to make it more understandable to the American public. But later, Fanning told Newsweek: "I was concerned with the film's endorsement of a Marxist viewpoint."
Koff insists that two separate films now exist: his version and Fanning's. Fanning rearranged some of the sequences in the original version and removed about three minutes of footage including a sequence where British cops used black figures in target practice. The Koff film opened with an interview with black sociologist Cohn Prescod that became the matrix of the documentary:
'If one weren't wary of talking about conspiracy, because in all parts of this country… it's clear that at top national level, and certainly at local level, the state has moved to manipulate blacks in any way it wanted to.' "
-ejumpcut.org
###
Posted for historical purposes. I do not own the rights.
Reelblack's mission is to entertain, educate, enlighten, and empower through Black film. If there is content shared on this platform that you feel infringes on your intellectual property, please email me at Reelblack@mail.com and info@reelblack.com with details and it will be promptly removed.
Are you afraid of everything in Nigeria? So many returnees and foreigners are afraid to even go anywhere in Nigeria alone. This video is my first radio show interview with Elizabeth Oloidi, presenter of The Chatt Up radio show out of Toronto Canada.
------------------------------------------------------
Iveoma Media shares compelling stories for starting, managing and investing in business opportunities in Nigeria.
Visit us at: https://www.iveoma.com
Email: hi@iveoma.com
IM on Clubhouse: @iveomamedia
IM Group on Facebook: https://www.facebook.com/groups/iveomamedia
IM on Instagram: https://www.instagram.com/iveomamedia/
IM on Twitter: https://twitter.com/iveomamedia
FTC: Iveoma Media does not endorse or recommend individuals, products, or services that may be discussed on this platform. Iveoma Media expressly disclaims all liability for claims or damages that may result from reliance on the content. Iveoma Media accepts no responsibility for the opinions and information posted on this platform. In no event shall Iveoma Media be liable to you or anyone else for any decision made or taken by you in reliance on information on this site.
Asantu Kweku Maroon Asare's Repatriation: It's Real When You Get Your Land Documents!
Anthony Browder Survival Strategies for Africans in America – 13 Steps To Freedom
14 May 1997
Award-winning author Ngũgĩ wa Thiong'o presented his recently released publication, "Minutes of Glory And Other Stories." Local high school students read excerpts from his works in Gikuyu and English.
- Noted as a perennial favorite to win the Nobel Prize for Literature, Ngũgĩ wa Thiong'o is an award-winning, world-renowned Kenyan novelist, scholar and playwright, who has been publishing written works for more than 50 years in more than 32 languages. He is the founder and editor of the first Gikuyu-language journal and is currently a distinguished professor of English and comparative literature at the University of California, Irvine.
For transcript and more information, visit https://www.loc.gov/item/webcast-8790
Ali Mazrui discussed the state of contemporary African culture and post-independence literary production.
Speaker Biography: Ali Mazrui is an academic and political writer on African and Islamic studies and North-South relations. He is an Albert Schweitzer Professor in the Humanities and the Director of the Institute of Global Cultural Studies at Binghamton University in Binghamton, New York.
For transcript, captions, and more information visit http://www.loc.gov/today/cyber....lc/feature_wdesc.php
On this edition of Conversations with History, UC Berkeley's Harry Kreisler talks with Nobel Laureate Wole Soyinka. In an extraordinarily prolific and rich body of work including plays, novels, poems, and essays, Professor Soyinka draws on both Yoruba and western culture to exquisitely weave a subtle understanding of the tragedy and comedy of the human condition. Series: Conversations with History [10/2002] [Humanities] [Show ID: 6797]
