The Movement with Kmt and Kofi focuses on critical issues in the Black world. In this episode, Dr. Jared Ball and Omowale Afrika discuss critical ideas regarding community organizing, policy, relationships, education, media, pan-Africanism and culture.
#TheKaInstitute
#TheMovementwithKmtandKofi​
#Ball/Afrika
#BlackPowerMedia
#BlackPowerMedia&Consciousness
#imixwhatilike

Namibian Broadcasting Corporation

Just me having fun playing along to 'Nterini' by Malian artist, Fatoumata Diawara, on my 3-stringed "strumstick".
I love this woman's music! ⁣Gotta do the things that keep you smiling :)

Format 60 -TNH 1982 - Extrait d'un entretien de Jean-Robert Antoine avec Bayyinah Bello, Educatrice, professeur à l'Institut d'Etudes et de Recherches Africaines. Thème: "De la polygamie en Afrique".

In this episode we explore the big world of breeds, where to buy them, how to look for the right ones and how much they will cost us in Ghana. We hope, as always, to be useful and educative, let's feed the nation!

Professor Bayyinah Bello offers her vast knowledge and wisdom on African "Our-story" and Spirituality on this weekly webinar series.

Our first Rammed earth workshop was AWESOME!. Learn to build with RAMMED EARTH technology by signup for our upcoming Rammed earth workshop from 28th June to 1st July 2021.
To register: Please sign up here https://kasakonsultants.com/rammed-earth-classes/ or Send your name and country to +233209992965 via whatsapp or to our mail kasakonsultants@gmail.com
NB: CLASSES WILL BE AVAILABLE FOR BOTH ONSITE AND ONLINE STUDENTS

Contact us
whatsapp: +233209992965
email: info@kasakonsultants.com
website: https://kasakonsultants.com


#rammed
#rammedearth
#ghana
#kumasi
#accra
#rammedearthbuilding
#naturalbuilding
#sustainablebuilding
#africa
#building
#diasporas

HAPI Talks with HAPI Cast Member Professor James Small and Femi Akinbi about the SARS crisis in Nigeria.

Please visit www.hapifilm.com to get a copy of the Groundbreaking documentary film HAPI and all the latest HAPI gear.

Cash app: $hapifilm

Dr. Theophile Obenga's relationship to the great scholar Dr. Cheikh Anta Diop, and Dr. Obenga's unique contribution to African scholarship. Critical victory at UNESCO by Dr. Diop and Dr. Obenga defending the Black African Origin of Nile Valley Civilization at core Kemet. Both Dr. Obenga and Dr. T'Shaka will examine how African history can provide models that inspire African people to know and love themselves, and achieve freedom in the world today.

To Purchase Dr. T'Shaka's Books and DVDs use link below
https://gumroad.com/drobatshaka
To reach Sondráya visit www.sondraya.com
Six Fold Stages Webinar ~ send an email indicating your interest to otshaka@sbcglobal.net

SONIC ACTS FESTIVAL 2019 – HEREAFTER
Filipa César, Jin Mustafa – Meteorisations: Reading Amílcar Cabral's Agro-Poetics of Liberation
24 February – De Brakke Grond, Amsterdam, The Netherlands

A reading of Amílcar Cabral’s agronomic writings exposes substrata of a syntax for liberation later performed in guerrilla language and the struggle against Portuguese colonialism in Guinea-Bissau and Cape Verde. This visual and sonic reading explores the definitions of soil and erosion that Cabral developed as an agronomist, as well as his reports on colonial land exploitation and analysis of the trade economy, to unearth his double agency as a state soil scientist and as a ‘seeder’ of African liberation. Cabral understood agronomy not merely as a discipline combining geology, soil science, agriculture, biology and economics but as a means to gain materialist and situated knowledge about peoples’ lived conditions under colonialism. The scientific data he generated during his work as an agronomist, along with his poetry, were critical to his theoretical arguments in which he denounced the injustices perpetrated on colonised land, and it later informed his warfare strategies.
Cabral used his role as an agronomist for the Portuguese colonial government subversively to further anti-colonial struggle. Cabral’s process of decolonisation was understood as a project of soil reclamation and national reconstruction in the postcolony. His agency as an agronaut ventures through soil cosmologies, mesologies, meteorisations, ‘atmos-lithos’ conflict zones, celluloid compost, violence of imperial consumption — the sugar question. Humble derives from Humus.

Performative lecture by Filipa César with sound by Jin Mustafa and images from Sana na N’Hada and Flora Gomes, 1974, Cape Verde.

This iteration of the lecture has been commissioned by Sonic Acts as a part of Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union.

Filipa César is an artist and filmmaker interested in the porous boundaries between the moving image and its reception, the fictional dimensions of the documentary and the economies, politics and poetics inherent to cinema praxis. Characterised by rigorous structural and lyrical elements, her multiform meditations often focus on Portuguese colonialism and the liberation of Guinea-Bissau in the 1960s and 1970s. This research developed into the collective project Luta ca caba inda (The Struggle Is Not Yet Over). She gained an MA Art in Context at the University of Arts, Berlin. Selected exhibitions and screenings include at the São Paulo Biennial, Manifesta 8, Cartagena, and the Contour 8 Biennial in Mechelen, Belgium, and Gasworks, London. Festival screenings include the Kurzfilmtage Oberhausen, Curtas Vila do Conde, Forum Expanded at the Berlinale and the International Film Festival Rotterdam.

Jin Mustafa is a Stockholm-based visual artist, DJ and electronic music producer. Her work shifts between media, often taking the form of moving images, objects, sound and music. She is interested in the relationship between technology, imaginary spaces and questions of personal and collective memory. Recent exhibitions include I’m fine, on my way home now at Mossutställningar, Stockholm (2017); Ripple at Alta Art Space in collaboration with Signal, Malmö; If she wanted I would have been there once, twice or again at Zeller Van Almsick Gallery, Vienna; and a collaborative work with Natália Rebelo for Chart Emerging at Kunsthal Charlottenborg, Copenhagen (2018).