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⁣MLK: Creative Maladjustment (UCLA, 1965; Courtesy of UCLA Communications Studies Department)

Lane Community College's Black Student Union Presents "Putting the African Back in to Black History," with Mr. Anthony Browder, author, publisher, cultural historian, artist, and an educational consultant. Facilitated by Professor Mark Harris; Moderated by Dr. Lawrence Rasheed; with Mr, Gene Chism, Transition Coordinator at Churchill High School.
https://www.lanecc.edu/mcc/black-student-union

↓TRACKLIST↓ Vol.2
1. Douga : 00:00
2. Kedo : 12:38
3. Massane Cissé : 21:25
4. Toubaka : 27:52
5. Siiba : 31:49
6. Kemé Bourema : 41:59
7. Nina : 56:41
8. Malisadio : 01:00:02
9. Toutou Diarra : 01:04:25
10. Djandon : 01:18:50

↓TRACKLIST↓ Vol.1 ▷▷ http://bit.ly/2ys7LYY
1. N'na
2. Tara
3. Mikossaya
4. Djoliba
5. Conakry
6. Fouaba
7. Minawa
8. Souaressi
9. P.D.G. - O.E.R.S.
10. Hellaya
11. Touyendé
12. Namatimbaye
13. Tinkisso
14. Sakhodougou

↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté -
The Syliphone Years : La voix de la Révolution Vol.1" : http://smarturl.it/9pxc9o
↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté -
The Syliphone Years : La voix de la Révolution Vol. 2": http://smarturl.it/o2kjcj

Sory Kandia Kouyaté & L'Ensemble National Djoliba & Kélétigui Et Ses Tambourinis
Pays : Guinée
Label : Syliphone
Production : Syllart Records / Sterns Music
Année : 2012

The Syliphone Years
Au lendemain de la décolonisation de la Guinée, le nouveau président Sékou Touré s'affirme comme le promoteur d'une réhabilitation de l'authenticité africaine face au déni colonial des cultures colonisées. Dans une perspective d'unité nationale et panafricaine, les artistes obtiennent le statut de fonctionnaire d'état et sont encouragés par le gouvernement à composer et écrire de nouvelles chansons dans un style plus moderne, tout en puisant dans le répertoire des récits historiques et des musiques ancestrales de l'aire Mandingue. Le fer de lance de cette politique n'était autre qu'un label d'état, le label Syliphone, dont les enregistrements sont de formidables témoignages du dynamisme et des richesses culturelles d'un peuple à l'aube de son indépendance qui porte au monde la voix de sa révolution.

► Sory Kandia Kouyaté
Le chanteur guinéen est sans aucun doute celui qui aura permis à la musique mandingue de toucher les coeurs, au-delà des cultures. Fils, petit-fils et arrière-petit-fils de djéli, Sory Kandia a appris les arts du verbe et du ngoni, luth traditionnel. Il a aussi appris tous les contes et légendes, tous les mythes fondateurs des royaumes du Mandé, de Soundiata Keïta l’empereur infirme, à Sadio, la fille à l’hippopotame.
Son prestige, cependant, il l’a tiré de l’outil dont il se sert le mieux : sa voix. Claire, forte, parfaitement maîtrisée. Et aussi de sa capacité à moderniser les chants anciens.
Conteur privilégié du parti de l’indépendance, il se voit confier directement par le président Sékou Touré la direction de l’Ensemble instrumental et choral de la ’’Voix de la Révolution’’ créé le 4 janvier 1961. La mission de l’Ensemble est claire : composer, adapter, orchestrer et interpréter les airs populaires, pour que demeure en mémoire l’histoire de la patrie. L’expérience apparait comme un véritable laboratoire de la musique traditionnelle africaine et Sory Kandia devient la ’’Voix de l’Afrique’’ avant Miriam Makéba !
Sur cet opus de 2 CD, nous présentons deux facettes de sa musique, la contemporaine et la traditionnelle pour expliquer pourquoi aujourd’hui, près de quarante ans après sa mort, il reste un artiste aimé et respecté.
(Texte : J.Dayan / Syllart Records - Source : Jeune Afrique)


↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté -
The Syliphone Years : La voix de la Révolution Vol.1" : http://smarturl.it/9pxc9o
↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté -
The Syliphone Years : La voix de la Révolution Vol. 2": http://smarturl.it/o2kjcj


▷ Abonnez-vous à Syllart Records : http://bit.ly/2vGqE5i
✔ Likez #Syllart sur FACEBOOK - https://facebook.com/Syllartrecords

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Kuhani Mwadilifu Interviews Prof Greg Carr On African Americans In Blackface To Now

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Racism in Great Britain is explored in this documentary. The argument is made that economics is the basis of discrimination in England, which is exascerbated by opportunism throughout the political system. A cross-section of black citizens are interviewed, and footage of street life and violence are used to illustrate how the class system keeps them at the bottom of England's society. - tcm.com
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"BLACKS BRITANNICA is a relentless and engrossing indictment of racism toward black immigrants to England, told from an obvious Marxist perspective. The film argues that discrimination in England is based on economics and fueled by opportunists across the entire spectrum of British politics. Told through the eyes and words of a cross-section of blacks, David Koff's film uses interviews, stock footage, and scenes of street life and violence to show how blacks in England are trapped at the bottom of an economic and political system which shows little compassion or concern about their fate. Rapid editing, overlapping dialogue and cinema verité all build to an emotional and violent climax, whose conclusion is underscored by a reggae band's call for revolution. As Koff puts it, the film "reflects the increasingly militant response within the black community to the continuing attacks upon it, both by the fascist elements on the street and by the state itself." An official of the British Information Service in Washington called the film "dangerous" and asked for equal time. New York Times critic John O'Connor said the film not only documents the growing militancy, "but, quite clearly, the structure and tone endorse it."

The program was originally scheduled to air on July 13, 1978, but the showing was postponed so that WORLD's executive producer David Fanning could make some changes. "I never had any dispute with the central premise of the film or with its contents," Fanning said at the time. He argued that the changes were intended to make it more understandable to the American public. But later, Fanning told Newsweek: "I was concerned with the film's endorsement of a Marxist viewpoint."

Koff insists that two separate films now exist: his version and Fanning's. Fanning rearranged some of the sequences in the original version and removed about three minutes of footage including a sequence where British cops used black figures in target practice. The Koff film opened with an interview with black sociologist Cohn Prescod that became the matrix of the documentary:

'If one weren't wary of talking about conspiracy, because in all parts of this country… it's clear that at top national level, and certainly at local level, the state has moved to manipulate blacks in any way it wanted to.' "
-ejumpcut.org

###
Posted for historical purposes. I do not own the rights.
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This 30 minute video presents the first third of a scintillating conversation that Drs. Na'im Akbar and Wade Nobles had with those attending the 2005 National Convention of The Association of Black Psychologists. The full video-tape is available from The Association (www.abpsi.org). Produced by Halford Fairchild (HalFairchild@aol.com)

The Association of Black Psychologists
Expert: Na'im Akbar
Expert: Wade Nobles
Introduction: Pat Canson
Producer: Halford Fairchild

⁣Kilimo na Biashara: Watermelon Farming Kenya | 28 May 2021