S U P P O R T
Cash App - $NelsonAmadeus
PayPal- GlobalHitsWorld@gmail.com
EMAIL - KingNeferkare@gmail.com
Twitter @NTDessalines
Instagram @NelsonAmadeus
TURN ON POST NOTIFICATIONS.

This video is a brief survey of the racist quotes and writings of Karl Marx and his associate Friedrich Engels. This helps explain why so many white leftists are amenable to white nationalism today.

This video contains a comparative analysis between the ancient Sahara and the pharaonic civilization to reveal the cultural cradle of contemporary Afrikan societies.

cashapp: $Kamjiverse

POLITICS

Off The Best Of Donald Byrd Album. Make sure to download this album on itunes or Amazon!!!

Sarah Vaughan Doodlin' (1959) Count Basie Orchestra.Doodlin' by Horace Silver.

"New Rhumba" is the seventh track on Miles Davis's "Miles Ahead"

1985 track from lp Rejuvenation (Doctor Jazz)

Dizzy Gillespie and his Orchestra performing "Night in Tunisia", featuring Dizzy Gillespie - trumpet, Don Byas - tenor saxophone, Milt Jackson - vibraphone, Al Haig - piano, Bill DeArango - guitar, Ray Brown - bass, and J.C. Heard - drums . Recorded February 22, 1946 in New York.

For lead sheets complete with introductory verses, lyrics, and accurate chord changes, visit
https://www.jazzguitarcomprehensive.com/

The JGC History series features specifically curated playlists to help trace the lineage of some of the most influential jazz compositions of all time.

Some notes about the composition from the JGC Real Book,

Composer: Dizzy Gillespie

Year: 1942

Origin: Introduced by Sarah Vaughan in 1944 as "Interlude".

Style: A combination of straight and swing feels, typically played at brighter tempos.

Form: A-A-B-A (32 Bars) [8-8-8-8]
The A sections are played straight with the exception of the final 2 bars, while the B section is swung. This arrangement commonly used for the head only with the solo section entirely swung.

Intro: The bassline that moves from bII7 - Imi6 is usually used to begin the performance, and there is also a counter-melody that goes along with it.

Send-off: After the head in a 12 bar send-off is used to lead into the solos. This is then followed by a solo break which is commonly 4 bars long. It is typically only used the first time around, although it is sometimes used to introduce every new soloist. This section is played entirely swung.

Shout Chorus: After all the melodic soloists are finished a shout chorus is sometimes included. The shout played during the A sections while the B section is left open to the drummer. Sonny rollins offers a concise interpretation of this arrangement on his recording from A Night at the Village Vanguard.

Key: D minor

Harmony/Overview: The harmony of this composition is mainly functional. The main theme revolves around the constant arrival of bII7 - Imi, which is essentially V7alt - Imi (tri-tone substitution). The bridge is identical to that of "Alone Together", taking place in the relative Major and moving from II - V of II before a II - V - I.

Recordings: This song has been recorded over 400 times to date and is a widely popular standard. The first recording comes from Sarah Vaughan in 1944 and was originally entitled "Interlude", featuring lyrics written by Sarah Vaughan and Anita O'Day. One of the earliest instrumental recordings of Dizzy Gillespie performing the piece comes a 1945 session with Boyd Raeburn and his Orchestra. Dizzy would later record and perform this piece many times throughout his career, leaving several particularly legendary recordings behind.

JGC Top Picks:
Sonny Rollins, A Night at the Village Vanguard, 1957
McCoy Tyner, Today and Tomorrow, 1963
Dave Liebman, Besame Mucho and Other Latin Jazz Standards, 1993

Please consider supporting this channel through a donation,
https://www.paypal.com/paypalme/jazzguitarc

You can also support me on Patreon for much more musical content,
https://www.patreon.com/jazzguitarcomprehensive

Be sure to subscribe to my main channel:
https://www.youtube.com/channe....l/UCsHefbnzId7of6XcF

As well as my second channel for play-alongs and loops:
https://www.youtube.com/channe....l/UCPZJrGlk1zNvczjpb

DISCLAIMER: This video has been uploaded for educational purposes and is protected under fair-use. This channel will never be monetized and any ads are run solely on behalf of the rightful copyright owner.

#dizzygillespie #nightintunisia #jazzhistory

Malik Zulu Shabazz and Dr. Khalid Muhammad had a close relationship characterized by their shared activism in the African-American community. Shabazz served as Muhammad's personal attorney and was also a prominent member of the Nation of Islam, where both men were involved in advocating for social justice and empowerment of African-Americans.

Shabazz became widely known for his involvement in civil rights issues and his leadership roles within organizations such as the New Black Panther Party. While their specific roles and approaches differed at times, they both shared a commitment to addressing systemic inequalities and advocating for the rights of African-Americans.
© 2001