Kabza De Small & DJ Maphorisa – Thula Nana ft. Njelic. Following the success of the gig at Zone 6 last night, Kabza De Small alongside DJ Maphorisa come correct with a new scorcher tagged Thula Nana. The Amapiano release features the vocals of Njelic.

GUELWAAR aka The Noble One
A film by Osumane Sembene
Country: Senegal
Year : 1993

(Zulu) Masikandi Music

The Controversial Authenticity and Illicit Journey of the Egyptian Queen's Iconic Sculpture.0:00 🔍 The authenticity of the famous Nefertiti bust is questioned by some experts.5:46 👑 The queen of Egypt, Nefertiti, is known for her beauty and her relationship with her husband, Akhenaton. They ruled during the 18th dynasty and established a new religion centered around the worship of the sun god, Aton. Their reign was short-lived and their city, Akhetaton, was eventually abandoned.11:51 🔎 In the early 20th century, the Prussian archaeologist Borschacht discovered the bust of Nefertiti in the city of Akhenaton, Egypt, after conducting extensive excavations in the area.17:42 🔍 An investigation raises doubts about the authenticity of the bust of Nefertiti.23:32 🔍 The authenticity of the Nefertiti bust is questioned due to its use as a model and its absence from public display for many years.35:54 🔍 Analysis of pigments found on the bust of Nefertiti confirms the use of authentic materials, but does not provide an age for the sculpture.42:26 🔍 Investigation reveals illegal removal of Nefertiti bust from Egypt to Berlin in 1913.48:29 🔍 The controversy surrounding the sharing of artifacts from an archaeological dig in Egypt is brought to light.Follow us on Facebookhttps://www.facebook.com/BestDocumentaryTV

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The Blank Slate Monument is an interactive statue highlighting African American history with a twist - anyone can contribute by sharing their own message. What would you write on the blank slate?
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Makandal's revolution is responsible for ending worldwide slavery according to the author. See www.macandal.org. Davis traveled to Haiti, the DR, and France in 1996-7 for this research. He is the only Westerner ever allowed to see where Makandal lived and began his revolution. He interviewed many Voodoo Houngans, academics, and story keepers in Haiti for his ebook "Black Millennium" and this original documentary. U.C. Berkeley supplied grants for travel & production.

Speaking on the passing of Imam Jamil Al-Amin (Baba H. Rap Brown), Decade of Our Repatriation (D.O.O.R.), Abibitumi Conference, Abibifahodie Festival, and Repatriate to Ghanahttps://www.decadeofourrepatri....ation.comhttps://www

Song livicated to Papa Garvey

from original source:
................If yuh like the vibez check the latest ZDI combi mixOneness!http://zdihifidelity.podbean.c....om/2010/10/26/onenes

Mhenga Amos N. Wilson: Black Psychology

When Moammar Gadhafi’s regime collapsed in 2011, Libya was left leaderless. In the ensuing years, rebel militias have battled one another for control of the country in a series of deadly bombings and shootouts. With fighting unavoidable and no end in sight, Libyan civilians are picking up AK-47s and rocket-propelled grenades (RPGs) to protect their families from the militias.
Of course, they don't have to look far. Libya’s parliament estimates that 15 million weapons—many left over from Gadhafi’s massive caches—are circulating within the country. That’s two and a half weapons per person. Times being what they are, many use social media to source their household arms. Since the beginning of the year, Vocativ has been monitoring Facebook and other online activity in Libya to track this phenomenon. What we discovered was a virtual arms market, complete with dealers claiming to live in Tripoli, advertised prices and hagglers in the comment section.

In a video report from on the ground in Tripoli, Vocativ producer Lindsay Snell meets with an arms dealer who refers to himself as “Batsha.” Squatting over his collection of ammunition and firearms, Batsha selects a weapon and demonstrates how to load it. “This is a Kalashkinov. It is the most popular weapon in Libya. It costs $1,200,” he says as he cocks the rifle. After rattling off a list of the other guns and missiles up for sale (their prices range from $800 to $5,000), he says, “Everyone in Libya is armed. Everyone has a weapon.”

After speaking with a handful of civilians during our visit to Tripoli, Batsha’s claim that virtually all of Libya packs heat checks out. “Everyone has to be armed. We don’t trust the militias, we don’t trust the government, we don’t trust anyone,” says university student Ahmed Klisel, AK-47 in hand. "It’s really easy to obtain weapons in Libya. An AK-47 is a necessity in every household. More households have more than one. Or they have an AK-47 and a few pistols, handguns.”

And it’s not just men who carry weapons. Fidgeting with a small handgun, single mother Hind Ahmed Benghagab says, “We never thought we would see the day where Libyan women would need guns.”

With the massive surplus of military-grade weapons and the ease of purchase, deadly armaments often wind up in the wrong hands. According to a recent U.N. report, violent militant groups from Boko Haram in Nigeria to jihadis in Syria have obtained guns and other arms from Libya. While strife and chaos is Gadhafi's endowment to the nation he ruled with an iron fist, it's the second lives of the weapons he amassed and left behind that may be his lasting and violent global legacy.

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Unfair Trade Practices: Investigations begin into Illicit Dumping of Substandard Goods at Retail Market - The Market Place (12-5-21)

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Tɔgbe Amenyo and Tɔgbe Mawusi get their license in record time

This video is about the impact of Garveyism on King Njoya's revolution

⁣Fawohodiesua Final Pt. 2

62´ / Color / HD/ Argentina-Cuba

We make available our account at Banco Nación for those who want to donate in Argentina and the PAYPAL account for international donations, since after 3 years of screenings were motivated by love for Pachamama and believing in cinema as a powerful transformation tool We have projected more than 200 opportunities with their discussions at the end, which have fueled the desire to believe in agroecology as a possible way to build a more just and ecologically sustainable world. We appeal to your solidarity and only for those who are able to donate, and help us to move forward.
Thanks a lot.

Name: Juan Pablo Lepore
CBU: 0110581030058107739197
Aliases: juanpablolepore
Cuit: 20294675389

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Questions:
documentalsemillas@gmail.com

The film suggests agroecology as option and necessity for constructing Food Sovereignty, regarding Cuba’s experience as worldwide reference; it makes us think another kind of countryside is possible.

Short Synopsis

Cuban Agroecology arises as a response to food crisis, based on food self-sufficiency values, education,as well as intergenerational and multidisciplinary popular participation of the entire population. Within a global crisis context, this movement today exports ancient wisdom, positioning Cuba as a sustainable and ecological food production leader.

Long synopsis:

After having been prepared for many years,Cuban revolution starts in 1959. The victory of Socialism on the island entails the United States to impose an international economic blockade against Cuba. As a result of this, the economy results in a very fluent exchange with the USSR, mainly of Cuban sugar cane, for almost all basic resources. In 1989, as the USSR collapses, Cuba is left out of supplies. This generated an economy imbalance resulting in food security issues, which left the country in chaos. It is then when Cuban Agroecology arises and develops in response to food crisis, based on food self-sufficiency values, education, as well as intergenerational and multidisciplinary popular participation of the entire population. Within a global crisis context, this movement exports ancient wisdom, positioning Cuba as a sustainable and ecological food production leader.

Crew:

Adapted, Produced and Directed by: Juan Pablo Lepore and Nicolas van Caloen
Written by: Juan Pablo Lepore and Nicolas van Caloen
Directors of photography: Juan Pablo Lepore and Nicolas van Caloen
Graphic Designers: Facundo Marcos – Matías Maino Losada

Director’s Biofilmography

Juan Pablo Lepore was born in the Capital City of Buenos Aires. He studied Image and Sound Design at the University of Buenos Aires. Together with Nicolás van Caloen, he founded Documentary Collective Seeds in 2010 which, in short documentaries format, shows the filming work carried out on different trips, getting to know grassroots social organizations struggling against the capitalist system. He returns to Argentina in 2013 and associates to DOCA (Documentalistas de Argentina (Argentine Documentary Makers)) with a clear vision of contributing to the local documentary scene with the recorded experiences. "Agroecología en Cuba" (Agroecology in Cuba) is his fourth feature film; the previous ones are "Sin Patrón: una revolución permanente" (No boss: a permanent revolution) (2014), "La Jugada del Peón: el agronegocio letal" (The pawn’s move: the deadly agribusiness) (2015) and "Olvídalos y volverán por más: megaminería y neoliberalismo"(Forget about them and they will come for more: mega-mining and neoliberalism) (2016).

"The images show an unusually green and fertile Havana. The interviewees' words, especially the recurrence of certain diminutives, show a respectful, harmonious and loving relationship with the earth."

By María Bertoni for “Espectadores.com.ar”


"The interesting thing about Agroecology in Cuba is that it suggests thinking how this kind of practices could be carried out in other countries dominated by neoliberal policies that impose not only prices, but also the very food that one should consume."

By JuanPabloRussofor Escribiendocine.com

Screening:
Moncton International Film Festival - Canada 2018
GNG Green Earth Film Festival – U.S.A. 2018
7th International Festival ACAMPADOC Panama 2018
11th International Kuala Lumpur Eco Film Festival - Malaysia 2018
4th Argentine Regional Rural Film Festival 2018
9th Eko International Film Festival of Nigeria (EKOIFF) 2019
New Earth International Film Festival - Poland 2018
Vth Latin-American Independent Film Festival “MIRA" - Germany 2018
9th Cambodia international Film Festival 2019

https://www.facebook.com/agroecologiaencuba

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Joan Powell, 72 years old, and her family give a testimonial on how her crippling epileptic seizures have been reversed with Herbal Results Olive Leaf Extract. Purchase at www.herbalresults.net.

Youtube Documentary Coming Soon

Just a few decades ago, Ethiopia was a country defined by its famines, particularly between 1983-1985 when in excess of half a million people starved to death as a consequence of drought, crop failure and a brutal civil war.

Against this backdrop, in recent years, Ethiopia has been experiencing stellar economic growth. The headline statistics are certainly remarkable: the country is creating millionaires faster than any other in Africa; output from farming, Ethiopia’s dominant industry, has tripled in a decade; the capital Addis Ababa is experiencing a massive construction boom; and the last six years have seen the nation’s GDP grow by a staggering 108 percent.

But it is not all positive news.

Around 90 percent of the population of 87 million still suffers from numerous deprivations, ranging from insufficient access to education to inadequate health care; average incomes are still well below $1500 a year; and more than 30 million people still face chronic food shortages.

Many critics say that the growth seen in agriculture, which accounts for almost half of Ethiopia’s economic activity and a great deal of its recent success, is actually being driven by an out of control ‘land grab', as multinational companies and private speculators vie to lease millions of acres of the country’s most fertile territory from the government at bargain basement prices.

At the ministry of agriculture in Addis Ababa, this land-lease programme is often described as a "win-win" because it brings in new technologies and employment and, supposedly, makes it easier to improve health care, education and other services in rural areas.

"Ethiopia needs to develop to fight poverty, increase food supplies and improve livelihoods and is doing so in a sustainable way," said one official.

But according to a host of NGO’s and policy advocates, including Oxfam, Human Rights Watch and the Oakland Institute, the true consequences of the land grabs are almost all negative. They say that in order to make such huge areas available for foreign investors to grow foodstuffs and bio-fuels for export - and in direct contravention of Ethiopia’s obligations under international law - the authorities are displacing hundreds of thousands of indigenous peoples, abusing their human rights, destroying their traditions, trashing the environment, and making them more dependent on food aid than ever before.

The most controversial element of the government’s programme is known as 'villagisation' - the displacement of people from land they have occupied for generations and their subsequent resettlement in artificial communities.

In Gambella, where two ethnic groups, the Anuaks and the Nuers, predominate, it has meant tens of thousands of people have been forced to abandon a traditional way of life. One such is Moot, an Anuak farmer who now lives in a government village far from his home.

Despite growing internal opposition and international criticism, the Ethiopian government shows no sign of scaling the programme back. According to the Oakland Institute, since 2008, an area the size of France has already been handed over to foreign corporations. Over the next few years an area twice that size is thought to be earmarked for leasing to investors.

So what does all this mean for the people on the ground? In Ethiopia – Land for Sale, filmmakers Veronique Mauduy and Romain Pelleray try and find out.

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