Format 60 -TNH 1982 - Extrait d'un entretien de Jean-Robert Antoine avec Bayyinah Bello, Educatrice, professeur à l'Institut d'Etudes et de Recherches Africaines. Thème: "De la polygamie en Afrique".

Here is the step by step video of our baling process, a process that any farmer can bring on with few local materials and usual manpower!

Step 1- Prepare the ropes in the right position in our wooden box ;
Step 2- Filling the wooden box with our hay and step on it to press it well;
Step 3- Tightening the ropes edges as we are "packing" the bale;
Step 4- Pull out of the box our well tighten bale and store it!

With this method, our bales of brachiaria grass can be stored for 3 years and more, ready to be used when we will need to feed our cows!

Professor Bayyinah Bello offers her vast knowledge and wisdom on African "Our-story" and Spirituality on this weekly webinar series.

⁣GA (GHANAIAN) NAMING CEREMONY FOR TWO AFRICAN TULSA MASSACRE SURVIVORS.

SONIC ACTS FESTIVAL 2019 – HEREAFTER
Filipa César, Jin Mustafa – Meteorisations: Reading Amílcar Cabral's Agro-Poetics of Liberation
24 February – De Brakke Grond, Amsterdam, The Netherlands

A reading of Amílcar Cabral’s agronomic writings exposes substrata of a syntax for liberation later performed in guerrilla language and the struggle against Portuguese colonialism in Guinea-Bissau and Cape Verde. This visual and sonic reading explores the definitions of soil and erosion that Cabral developed as an agronomist, as well as his reports on colonial land exploitation and analysis of the trade economy, to unearth his double agency as a state soil scientist and as a ‘seeder’ of African liberation. Cabral understood agronomy not merely as a discipline combining geology, soil science, agriculture, biology and economics but as a means to gain materialist and situated knowledge about peoples’ lived conditions under colonialism. The scientific data he generated during his work as an agronomist, along with his poetry, were critical to his theoretical arguments in which he denounced the injustices perpetrated on colonised land, and it later informed his warfare strategies.
Cabral used his role as an agronomist for the Portuguese colonial government subversively to further anti-colonial struggle. Cabral’s process of decolonisation was understood as a project of soil reclamation and national reconstruction in the postcolony. His agency as an agronaut ventures through soil cosmologies, mesologies, meteorisations, ‘atmos-lithos’ conflict zones, celluloid compost, violence of imperial consumption — the sugar question. Humble derives from Humus.

Performative lecture by Filipa César with sound by Jin Mustafa and images from Sana na N’Hada and Flora Gomes, 1974, Cape Verde.

This iteration of the lecture has been commissioned by Sonic Acts as a part of Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union.

Filipa César is an artist and filmmaker interested in the porous boundaries between the moving image and its reception, the fictional dimensions of the documentary and the economies, politics and poetics inherent to cinema praxis. Characterised by rigorous structural and lyrical elements, her multiform meditations often focus on Portuguese colonialism and the liberation of Guinea-Bissau in the 1960s and 1970s. This research developed into the collective project Luta ca caba inda (The Struggle Is Not Yet Over). She gained an MA Art in Context at the University of Arts, Berlin. Selected exhibitions and screenings include at the São Paulo Biennial, Manifesta 8, Cartagena, and the Contour 8 Biennial in Mechelen, Belgium, and Gasworks, London. Festival screenings include the Kurzfilmtage Oberhausen, Curtas Vila do Conde, Forum Expanded at the Berlinale and the International Film Festival Rotterdam.

Jin Mustafa is a Stockholm-based visual artist, DJ and electronic music producer. Her work shifts between media, often taking the form of moving images, objects, sound and music. She is interested in the relationship between technology, imaginary spaces and questions of personal and collective memory. Recent exhibitions include I’m fine, on my way home now at Mossutställningar, Stockholm (2017); Ripple at Alta Art Space in collaboration with Signal, Malmö; If she wanted I would have been there once, twice or again at Zeller Van Almsick Gallery, Vienna; and a collaborative work with Natália Rebelo for Chart Emerging at Kunsthal Charlottenborg, Copenhagen (2018).

Ronald Kwesi Harris
Dr. Conrad Worrill
Kemati J. Porter
Joan Gray

In response to the Let's Buy Black 365 call to action Ama expresses her pledge to continue to be committed to economic support and empowerment for her community.

Businesses mentioned in this video:
Asase Heals: www.AsaseHeals.com
Abibitumi Kasa: www.AbibitumiKasa.com
Nu Business Solutions: www.NuBusinessSolutions.com

For More Info about the Let's Buy Black 365 Campaign and Movement go to: www.LetsBuyBlack365.com

The African Heritage Studies Association (AHSA) has new officers elected in November 2021. This video is their sacred enstoolment ritual on January 8, 2022 led by Nanas Rosalind and Leonard Jeffries to sanction the new leadership team that must carry on the vision of Dr. John Henrik Clarke and other founders of AHSA to be a leading organization in defining, researching, documenting, disseminating, and teaching, Africana Studies which examines the total experiences of people of African descent-and do so with an 'African centered' perspective. Visit www.ahsa50.org to learn more about AHSA founded in 1969. Dr. Afia S Zakiya is the newly elected 18th President leading the organization. Ancestor warrior scholar Dr. Charshee McIntyre was the first female president.

Brother Garfield Reid visited the legendary Speakers Corner during his visit to London UK & Brother Isa the Blacktellect was on hand to challenge him on the findings of his new book, "Misconceptions & Misinformation of the Black Hebrew Israelites".

Here's how it went down.

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Rumble In The Jungle OUT NOW:

Amapiano game pushers, Kabza De Small, and DJ Maphorisa team up with Tresor on a new album titled Rumble In The Jungle.

Scorpion Kings and Tresor have been working on the album since last year as they plan to take Amapiano to another level in the world again.

In promoting the album last year, they came ahead with a track titled Funu, which appears as the second track on the album.

They also dropped Folasade off the album where Tresor expressed his love for the Nigerian girl titled Folasade.

With featured artists like Tyler ICU, Mas Musiq, and Beatenberg, they take tracks and do their best.

ALBUM: Kabza De Small, DJ Maphorisa & Tresor – Rumble In The Jungle

1. Kabza De Small, DJ Maphorisa & Tresor – Stimela

2. Kabza De Small, DJ Maphorisa & Tresor – Funu

3. Kabza De Small, DJ Maphorisa & Tresor – La Vie Est Belle

4. Kabza De Small, DJ Maphorisa & Tresor – Folasade

5. Kabza De Small, DJ Maphorisa & Tresor – Soro

6. Kabza De Small, DJ Maphorisa & Tresor – Dust In The Wind ft. Beatenberg

7. Kabza De Small, DJ Maphorisa & Tresor – Angelina

8. Kabza De Small, DJ Maphorisa & Tresor – Cherie – Tyler ICU

9. Kabza De Small, DJ Maphorisa & Tresor – Mali Mali ft. Mas Musiq

10. Kabza De Small, DJ Maphorisa & Tresor – Neriya

11. Kabza De Small, DJ Maphorisa & Tresor – Limbisa Nga

12. Kabza De Small, DJ Maphorisa & Tresor – Malaika

13. Kabza De Small, DJ Maphorisa & Tresor – Starry Night

14. Kabza De Small, DJ Maphorisa & Tresor – Love Like A Weapon

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