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Climate change poses huge challenges and some projections say it will cause hundreds of millions to become refugees. Desertification in sub-Saharan Africa plays a big part of that, and that in turn feeds into Europe's unfolding migrant crisis. Inna Modja is a Malian singer and activist who has been to Senegal for Newsnight to witness a pan-African initiative, the Great Green Wall. It aims to improve livelihoods in the Sahel region, reverse desertification, and break the cycle of exodus.
In 2010, fossilized fish was uncovered 250 miles west of the Nile river, where the Sahara Desert was as arid as ever. This chance finding led scientists to believe there could’ve been sea where the Sahara is now, so they conducted a geological survey of the area. And it yielded unexpected results: they found evidence of something huge under the sands, and it wasn’t part of any sea at all.For several months, the research continued with GPS equipment on land, and later, when all the ground data was collected, scientists took a look at the area from a satellite. The view was astounding! Actually, in this area, ancient human settlements had been found previously, and now the researchers finally had the answer as to why exactly they had chosen those spots to live. By the way, did you know that whales had once been land animals that evolved into marine ones? We’ll talk about that too!#brightside
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Nelson Mandela addresses the participants of the World Economic Forum's 1999 Annual Meeting in Davos, Switzerland, and looks back on his struggle against apartheid and tenure as president of South Africa.
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In 2000, I was contracted by Wesley Snipes and St Clair Bourne to do 3D animation for a documentary on Yosef Ben-Jochannan aka Dr. Ben. Wesley was doing a series of Black History documentaries, the first being A Great and Mighty Walk: John Henrik Clarke. The doc on Dr Ben was never finished when the Blade Series took off. There was some controversy about the film I was never sure about. History fell to commerce. Wesley, treated folks right and just got caught up in a great success. Maybe it will be finished one day. <br />
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The 3D animation was based on a survey of the ruins of Karnak that resides at the Oriental Institute in Chicago. This is what it would have looked like based on the 8 weeks of research I did. Then 6 weeks of production with Max McMullen in London working remotely between Chicago and there most of the time. <br />
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I returned to Chicago permanently and Max went on to be animation supervisor for Dave McKean's Mirrormask.
Zaouli is a popular music and dance practised by the Guro communities of the Bouaflé and Zuénoula departments of Côte d’Ivoire. A homage to feminine beauty, Zaouli is inspired by two masks: the Blou and the Djela. Its other name, Djela lou Zaouli means Zaouli, the daughter of Djela. In a single event, the practice brings together sculpture (the mask), weaving (the costume), music (the band and song) and dance. There are seven types of Zaouli masks, each translating a specific legend. The bearers and practitioners include sculptors, craftspeople, instrumentalists, singers, dancers and the notables (the guarantors of the community’s customs and traditions). Zaouli plays an educational, playful and aesthetic role, contributes to environmental preservation, conveys the cultural identity of its bearers and promotes integration and social cohesion. Transmission occurs during musical performances and learning sessions, when amateurs learn under the supervision of experienced practitioners. The viability of Zaouli is ensured through popular performances organized two or three times a week by the communities. The traditional chiefdom, the guarantor of traditions, also plays a key role in the transmission process and inter-village dance competitions and festivals offer further opportunities for revitalization.
https://ich.unesco.org/en/RL/z....aouli-popular-music-
It's being called a game changer - and the start of a new era. Germany has promised to begin returning the artefacts known as the Benin Bronzes to Nigeria next year, making it the first country to do so.
Germany has a collection of just over 1,000 Benin Bronzes. They're on display in museums in Cologne, Dresden, Hamburg, Leipzig, and Stuttgart. The sculptures and metal plaques are from the ancient Kingdom of Benin - which is today known as Edo State in southern Nigeria. The Bronzes were looted by British soldiers in 1897 and sold to museums in North America and Europe. The largest collection of the Bronzes is held by the British Museum.
Nigeria has been trying to get the bronzes back for decades. Without success. But momentum has been building over the last few years... with calls growing ever louder for artefacts seized during the colonial era to be returned to their places of origin. Germany's culture minister explained why Berlin had decided to act now. She said:
''We are confronting our historic and moral responsibility. We want to contribute to a common understanding and reconciliation with the descendants of the people who were robbed of their cultural treasures during the times of colonialism.''
It's not just the Benin Bronzes from Nigeria that are wanted by their rightful owners. There is also a claim from Cameroon from where a special artefact known as the Tangay was stolen from a local King. More than a century later it is still in Germany. But not everyone in Cameroon is of the view that it should be brought back to the country.
In Douala, Cameroon Prince Kum'a Ndumbe III has been advocating for the return of the Tangue, a sculpture stolen from his grandfather in 1884. Prince Ndumbe has made a copy of the Tangue and put it on show in Cameroon.
The original artifact - looted by the Germans during colonial times - is on display at a museum in Munich.
But not everyone agrees that the Tangue should be immediately returned. Princess Marilyn Douala Bell is an artist and founder of an art center in Douala. Even though her great-grandfather was executed in 1914 for resisting German rule, Marilyn thinks Cameroon is not ready to receive the artefact.
Others in Douala also claim to be the rightful owners of the Tangue. At least one more descendant of a Douala King has made a claim on the artifact. For Marilyn this is a source of concern. She wants the tangue to be returned but fears the conditions are currently not right.
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Realizador: Nuno Miranda
Produção: Pedro Avillez Costa & Kriolscope
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Make-Up: Sara Fonseca
Imagem: Lausiv Dennis & Sara Tavares & Pedro Avillez Costa Musica
Letra: Sara Tavares / Nancy Vieira
Parte de “Suor Di Nô Púbis” por Adriano Gomes Ferreira "Atchutchi"
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Arquivo de Imagens TCV - Cabo Verde
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Thorough breakdown of private central banking and how printing money is the nexus of control for the international bankers. Although this is information is based on centuries of repetitious behavior of the financial elite, it is completely off-limits in the controlled media because it exposes the root source of the world's monetary enslavement: fractional reserve lending and a private corporation (the federal reserve) printing the money supply.