00:00 Yoolelle Maman
04:18 Miyaabele
08:11 Fa Laay Fanaan
13:04 Leydi Ma
16:51 Jamma Jenngii
21:15 Fanta
25:38 Laare Yoo
30:24 Senegaale Ngummee
35:27 Mamadi
40:27 Kowoni Maayo (Mi Yeewnii)
46:16 Allah Addu Jam


Recorded at Studio Nbunk, Toubab Dialaw and Real World Studios, Box.
Mixed at Real World and Abbey Road Studios.

℗ & © 2001 Palm Pictures Ltd.

Credits
Design – Michael Nash Associates
Engineer [Assistant] – Carlos Seck, Chris Clark (4), Marco Migliari
Executive Producer – D.A. "Jumbo" Vanrenen
Mastered By – Adam Nunn
Photography – Eddie Monsoon
Producer, Mixed By – John Leckie
Recorded By – Ben Findlay, John Leckie
Written-By – Baaba Maal, Barou Sall (tracks: 7), Kaouding Cissokho* (tracks: 6), Mansour Seck (tracks: 10)


-----------------

Baaba Maal has partnered with charity: water to reissue his critically acclaimed album, The Traveller. All proceeds go towards bringing clean, safe drinking water to people in developing countries. Download here: https://lnk.to/BaabaMaal-CharityWaterID

The reissue exclusively features a new 50-minute documentary of his annual Blues Du Fleuve Festival in Senegal as well as a 12-minute short film featuring Baaba performing acoustically and talking about his involvement with the charity.

View the full 50 minute documentary, and receive a download of Baaba’s album “The Traveller” with a contribution to charity: water via this link: https://lnk.to/BaabaMaal-CharityWaterID

-----------------

Subscribe : https://goo.gl/BV2SJb
Like our Facebook page : https://goo.gl/Fu74E1
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The Palm Channel will present some of the highlights from our catalogue, an eclectic mix of original short films, interviews from our archives exploring the roots and branches of Jamaican music, and much more.

Created by Island Records founder Chris Blackwell (Bob Marley, U2, Grace Jones etc.). Palm Pictures has always pushed musical boundaries and encouraged unlikely collaborations. Since the late 90's it has been a leader in the convergence of music and film, producing and distributing music documentaries, arthouse & foreign cinema, and music videos.

Baaba Maal - Nomad Soul PALM Pictures 1998
00:00 Souka Nayo (I Will Follow You)
06:25 Africans Unite (Yolela) [duet with Luciano]
10:07 Mbolo
15:53 Cherie
23:02 Fanta
28:01 Guelel
34:16 Douwayra
38:28 Iawa
42:41 Yiriyaro (Percussion Storm)
48:33 Koni
55:00 Lam Lam

----------------------------

Baaba Maal has partnered with charity: water to reissue his critically acclaimed album, The Traveller. All proceeds go towards bringing clean, safe drinking water to people in developing countries. Download here: https://lnk.to/BaabaMaal-CharityWaterID

The reissue exclusively features a new 50-minute documentary of his annual Blues Du Fleuve Festival in Senegal as well as a 12-minute short film featuring Baaba performing acoustically and talking about his involvement with the charity.

View the full 50 minute documentary, and receive a download of Baaba’s album “The Traveller” with a contribution to charity: water via this link: https://lnk.to/BaabaMaal-CharityWaterID

----------------------------

Subscribe : http://goo.gl/BV2SJb
Like our Facebook page : https://goo.gl/Fu74E1
Follow Us on Twitter : https://goo.gl/uv8zdj
Visit our website : http://goo.gl/LaHHZt

The Palm Channel will present some of the highlights from our catalogue, an eclectic mix of original short films, interviews from our archives exploring the roots and branches of Jamaican music, and much more.

Created by Island Records founder Chris Blackwell (Bob Marley, U2, Grace Jones etc.). Palm Pictures has always pushed musical boundaries and encouraged unlikely collaborations. Since the late 90's it has been a leader in the convergence of music and film, producing and distributing music documentaries, arthouse & foreign cinema, and music videos.

Brother James Smalls comes to Baltimore to talk about Fidel Castro and Donald Trump.

The role of the thorny acacia tree in the survival of wildlife in Tanzania's arid Serengeti Plain. The flat-topped trees help sustain bush elephants, giraffes, impalas, weaver and secretary birds, and a variety of insects.

How much power do people with a lot of money really have? Who decides how Germany should look? These questions are the subject of the film "Land of Inequality - Power.”

Many studies show that a small but wealthy part of society defines a country’s political direction. It’s the same all over the world. German researchers evaluated hundreds of opinion polls on the topics of the economy, environment, foreign policy and finance. They then examined what poor people wanted from politics on these issues - and what the rich did. The differences were clear: "An obvious example is taxes on property,” says Armin Schäfer, a political scientist at the University of Munster. "Higher income groups are more skeptical about any reintroduction of a property tax, whereas lower income groups definitely want it. So far, we have not reintroduced a property tax in that form.” So who gets to decide what Germany looks like? To find out, our film follows building contractor Christoph Gröner, who has made millions from the construction business. Gröner wants to build an entire new district in Cologne, which is facing a severe housing shortfall and where rents are soaring and the poor in particular feel ignored. But he has faced delays in getting building permits. Cologne Mayor Henriette Reker says: "It is a city’s job to provide land and grant building permits.” But can’t it do that faster? Gröner says the politicians should take their foot off the brakes. To show how much power money really wields, we go to the places where politics and economics come together - to the district town halls and the VIP box at a Bundesliga stadium. And to Europe's largest real estate show in Cannes, where billionaire investors use their financial clout to shape cities and regions as they wish.

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Just a few decades ago, Ethiopia was a country defined by its famines, particularly between 1983-1985 when in excess of half a million people starved to death as a consequence of drought, crop failure and a brutal civil war.

Against this backdrop, in recent years, Ethiopia has been experiencing stellar economic growth. The headline statistics are certainly remarkable: the country is creating millionaires faster than any other in Africa; output from farming, Ethiopia’s dominant industry, has tripled in a decade; the capital Addis Ababa is experiencing a massive construction boom; and the last six years have seen the nation’s GDP grow by a staggering 108 percent.

But it is not all positive news.

Around 90 percent of the population of 87 million still suffers from numerous deprivations, ranging from insufficient access to education to inadequate health care; average incomes are still well below $1500 a year; and more than 30 million people still face chronic food shortages.

Many critics say that the growth seen in agriculture, which accounts for almost half of Ethiopia’s economic activity and a great deal of its recent success, is actually being driven by an out of control ‘land grab', as multinational companies and private speculators vie to lease millions of acres of the country’s most fertile territory from the government at bargain basement prices.

At the ministry of agriculture in Addis Ababa, this land-lease programme is often described as a "win-win" because it brings in new technologies and employment and, supposedly, makes it easier to improve health care, education and other services in rural areas.

"Ethiopia needs to develop to fight poverty, increase food supplies and improve livelihoods and is doing so in a sustainable way," said one official.

But according to a host of NGO’s and policy advocates, including Oxfam, Human Rights Watch and the Oakland Institute, the true consequences of the land grabs are almost all negative. They say that in order to make such huge areas available for foreign investors to grow foodstuffs and bio-fuels for export - and in direct contravention of Ethiopia’s obligations under international law - the authorities are displacing hundreds of thousands of indigenous peoples, abusing their human rights, destroying their traditions, trashing the environment, and making them more dependent on food aid than ever before.

The most controversial element of the government’s programme is known as 'villagisation' - the displacement of people from land they have occupied for generations and their subsequent resettlement in artificial communities.

In Gambella, where two ethnic groups, the Anuaks and the Nuers, predominate, it has meant tens of thousands of people have been forced to abandon a traditional way of life. One such is Moot, an Anuak farmer who now lives in a government village far from his home.

Despite growing internal opposition and international criticism, the Ethiopian government shows no sign of scaling the programme back. According to the Oakland Institute, since 2008, an area the size of France has already been handed over to foreign corporations. Over the next few years an area twice that size is thought to be earmarked for leasing to investors.

So what does all this mean for the people on the ground? In Ethiopia – Land for Sale, filmmakers Veronique Mauduy and Romain Pelleray try and find out.

Connect with People & Power:

YouTube - http://aje.io/peopleandpowerYT
Facebook - https://facebook.com/AJPeopleAndPower
Twitter - https://twitter.com/AJpeoplepower
Website - http://www.aljazeera.com/peopleandpower/

#AlJazeeraEnglish #People&Power #LandGrabs

You've been LIED to your whole life—and it's not your fault. “Africans sold Africans” is one of the most damaging myths ever told. This falsehood doesn’t just rewrite history—it protects white supremacy, erases global Black trauma, and divides us to this day. 😡💔

Dr. Obadele Kambon exposes the LIES with primary sources, linguistic proof, and unheard history that shatters everything you thought you knew.

If you think you know the transatlantic slave trade—you don’t. If you’ve ever said “we did this to ourselves”—you’ve been trained to hate yourself.

⚠️ This is more than a lecture. It’s a trauma intervention.

🧠 Get educated. Get armed. Get free.

Do NOT miss this. Part 1 will blow your mind. Part 2 may just liberate it.

Watch until the end, then SHARE THIS with everyone who needs to heal the wound of historical betrayal.

IT’S TIME TO BREAK BLACK TRAUMA! Heal Thyself @ BlackTraumaGPT.com
http://blacktraumagpt.com/
ASK THE QUESTION(S)! | FREE SHOCK RACIAL TRAUMA WEBINAR @ http://ShockTraumaFreeWebinar.com

ABOUT: Dr. Ɔbenfo Ọbádélé Kambon is a world-renowned linguist and scholar and the founder of Abibitumi, the largest Black social education network globally. The name "Abibitumi" is derived from the Akan language, spoken in parts of West Africa, particularly Ghana. It translates to Black Power.

He's an associate professor at the University of Ghana, a winner of multiple prestigious awards, and a key figure in African Studies. His work spans linguistics, historical research, and African repatriation efforts. Join me in welcoming Dr. Ɔbenfo Ọbádélé Kambon!

https://www.abibitumi.com
https://www.obadelekambon.com
https://www.repatriatetoghana.com
https://www.sankofajourney.com
https://conference.abibitumi.com/
https://www.abibitumi.com/fairytales
https://www.abibitumi.com/fairytales2

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We at BlackTraumaGPT.com are dedicated to fostering healing, understanding, and empowerment within Black communities through culturally relevant education, insightful resources, and mental health support. Our objective is to enhance collective awareness of the historical and ongoing impacts of Black trauma, guiding individuals and communities toward self-care, resilience, and comprehensive healing. Utilizing Africana phenomenology and the insights of Black scholars, we aim to transform trauma into strength, enabling collective progress and prosperity.

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On 4 February 1968, Martin Luther King, Jr., preached “The Drum Major Instinct” from the pulpit of Ebenezer Baptist Church. Ironically, two months before his assassination on 4 April 1968, he told his congregation what he would like said at his funeral: “I’d like for somebody to say that day that Martin Luther King, Jr., tried to love somebody” (King, “The Drum Major,” 185). Excerpts were played at King’s nationally televised funeral service, held at Ebenezer on 9 April 1968.King’s sermon was an adaptation of the 1952 homily “Drum-Major Instincts” by J. Wallace Hamilton, a well-known, liberal, white Methodist preacher. Both men tell the biblical story of James and John, who ask Jesus for the most prominent seats in heaven. At the core of their desire was a “drum major instinct—a desire to be out front, a desire to lead the parade” (King, “The Drum Major,” 170–171). King warns his congregation that this desire for importance can lead to “snobbish exclusivism” and “tragic race prejudice”: “Do you know that a lot of the race problem grows out of the drum major instinct? A need that some people have to feel superior … and to feel that their white skin ordained them to be first” (King, “The Drum Major,” 176; 178). Conversely, King preached that when Jesus responded to the request by James and John, he did not rebuke them for their ambition, but taught that greatness comes from humble servitude. As King put it, Jesus “reordered priorities,” and told his disciples to “Keep feeling the need for being first. But I want you to be first in love” (King, “The Drum Major,” 181; 182).https://kinginstitute.stanford.....edu/encyclopedia/dr for historical purposes.

⁣Stokely Carmichael - Free Huey! (1970)

Ted Vincent examines the Garvey Movement, the largest mass nationalistic movement in African-American history.

Credit To: Pacifica Radio Archives