⁣A story created by Ebákké Okon.
Don't take it seriously! It's just testing with programs...

⁣This video discusses the existence of a true master whose life and works
were used to predicate the biblical accounts of Jesus. It obvious the name of
that master was not Jesus. This existence is proven by the use this master and
his disciples made of divine scientific truths in the context of the Hebrews. Now,
these truths are part of an exact science unknown of the Whites. This nature of
our religion is proven thanks to the kemetic cosmological argument. Not knowing
this truth, the Whites people could not be the authors of its contextualization.
This master could not be Osiris, since this one is not a human being, but the
divine nature of you and me. He could not also be Horus, since this is the
temporal manifestation of the Logos in each one of us. That master was teaching
the scientific truth bequeathed to us by our ancestors. A truth we have the
right to claim while rejecting the cultural attached to it.

Elijah Muhammad - A Message To The Black Man.
© 1964

This video documents the many foundations of thought and philosophy in classical Afrika that can be observed in modern Christianity.

cashapp: $Kamjiverse

Jimmy Smith's 1958 cover of the Jazz standard 'Flamingo'

Chilled song "First Light" is an ethereal soundscape that flows and builds (1971). Features Freddie Hubbard (trumpet, flugelhorn); Jack DeJohnette (drums); Ron Carter (bass); Richard Wyands (piano); George Benson (guitar); Airto Moreira (percussion); Phil Kraus (vibraphone); Hubert Laws (flute); Wally Kane (flute, bassoon); George Marge (flute, clarinet); Romeo Penque (flute, english horn, oboe, clarinet); Jane Taylor (bassoon); Ray Alonge (french horn); James Buffington (french horn); Margaret Ross (harp); David Nadien (violin); Paul Gershman (violin); Emanuel Green (violin); Harold Kohon (violin); Joe Malin (violin); Gene Orloff (violin); Matthew Raimondi (violin); Tosha Samaroff (violin); Irving Spice (violin); Alfred Brown (viola); Emanuel Vardi (viola); Charles McCracken (cello); George Ricci (cello).
Sampled by Souls Of Mischief "Never No More" - 93 'til Infinity (1993)

"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use."

The Penguins performing Earth Angel (Remastered HD/HQ audio)

▶ Listen to more great oldies classics: https://youtube.com/playlist?l....ist=PL5KaoEDhMVCSsQQ

Lyrics:
(Oh, oh, oh, oh, wah-ah-ah, oh, oh, oh, oh
Earth angel, earth angel
Will you be mine?
My darling dear
Love you all the time
I'm just a fool
A fool in love with you
Earth angel, earth angel
The one I adore
Love you forever and ever more
I'm just a fool
A fool in love with you
I fell for you and I knew
The vision of your love-loveliness
I hoped and I pray that someday
I'll be the vision of your hap-happiness oh, oh, oh, oh!
Earth angel, earth angel
Please be mine
My darling dear
Love you all the time
I'm just a fool
A fool in love with you-ou-ou
I fell for you and I knew
The vision of your loveliness
I hope and pray that someday
That I'll be the vision of your happiness
Oh, oh, oh, oh, oh, oh , oh, oh, oh
Earth angel, earth angel
Please be mine
My darling dear
Love you all the time
I'm just a fool
A fool in love with you-ou (you, you, you)
--

(C) 1955 Glenville Music / Zone Recordings

#thepenguins #earthangel #oldies

John Coltrane and Johnny Hartman - Autumn Serenade

John Coltrane Quartet at Birdland - Afro Blue (1963)

Personnel: John Coltrane (soprano sax), McCoy Tyner (piano), Jimmy Garrison (bass), Elvin Jones (drums)

from the album 'COLTRANE LIVE AT BIRDLAND' (Impulse! Records)

The Khalid Muhammad interview with Phil Donahue took place in 1994 on "The Phil Donahue Show." Khalid Muhammad was a controversial figure known for his radical views on race relations and black empowerment. During the interview, Muhammad expressed his views on topics such as white supremacy, black liberation, and the state of African Americans in society. The interview sparked a considerable amount of debate and controversy due to Muhammad's provocative statements and Donahue's challenging questions. It remains a significant moment in television history for its candid discussion of race and politics.
© 1994