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Germany to return Benin Bronzes to Nigeria: A new era for stolen artefacts? | DW News
Germany to return Benin Bronzes to Nigeria: A new era for stolen artefacts? | DW News ygrant 28 Views • 5 years ago

It's being called a game changer - and the start of a new era. Germany has promised to begin returning the artefacts known as the Benin Bronzes to Nigeria next year, making it the first country to do so.
Germany has a collection of just over 1,000 Benin Bronzes. They're on display in museums in Cologne, Dresden, Hamburg, Leipzig, and Stuttgart. The sculptures and metal plaques are from the ancient Kingdom of Benin - which is today known as Edo State in southern Nigeria. The Bronzes were looted by British soldiers in 1897 and sold to museums in North America and Europe. The largest collection of the Bronzes is held by the British Museum.
Nigeria has been trying to get the bronzes back for decades. Without success. But momentum has been building over the last few years... with calls growing ever louder for artefacts seized during the colonial era to be returned to their places of origin. Germany's culture minister explained why Berlin had decided to act now. She said:
''We are confronting our historic and moral responsibility. We want to contribute to a common understanding and reconciliation with the descendants of the people who were robbed of their cultural treasures during the times of colonialism.''
It's not just the Benin Bronzes from Nigeria that are wanted by their rightful owners. There is also a claim from Cameroon from where a special artefact known as the Tangay was stolen from a local King. More than a century later it is still in Germany. But not everyone in Cameroon is of the view that it should be brought back to the country.
In Douala, Cameroon Prince Kum'a Ndumbe III has been advocating for the return of the Tangue, a sculpture stolen from his grandfather in 1884. Prince Ndumbe has made a copy of the Tangue and put it on show in Cameroon.
The original artifact - looted by the Germans during colonial times - is on display at a museum in Munich.

But not everyone agrees that the Tangue should be immediately returned. Princess Marilyn Douala Bell is an artist and founder of an art center in Douala. Even though her great-grandfather was executed in 1914 for resisting German rule, Marilyn thinks Cameroon is not ready to receive the artefact.

Others in Douala also claim to be the rightful owners of the Tangue. At least one more descendant of a Douala King has made a claim on the artifact. For Marilyn this is a source of concern. She wants the tangue to be returned but fears the conditions are currently not right.


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Sona Jobarteh & Band - Kora Music from West Africa
Sona Jobarteh & Band - Kora Music from West Africa Ambakisye-Okang Dukuzumurenyi 28 Views • 5 years ago

Tracklist: 0:00 Jarabi | 10:06 Mamamuso | 16:52 Kaira | 24:40 Gainaako | 34:02 Kanu | 44:24 Saya | 49:30 Bannaya
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Sona Jobarteh performed in Weimar on invitation of the University of Music FRANZ LISZT Weimar and its UNESCO Chair of Transcultural Music Studies (TMS). The TMS Chair regularly invites artists to bring the musicology students into contact with various musical cultures for inspiration and exchange. For further information visit
https://www.hfm-weimar.de/tms.

Sona Jobarteh is the first female Kora virtuoso to come from a west African Griot family. The Kora is one of the most important instruments belonging to the Manding peoples of West Africa (Gambia, Senegal, Mali, Guinea and Guinea-Bissau). It belongs exclusively to griot families, and usually only men who are born into these families have the right to take up the instrument professionally. Sona Jobarteh combines various genres of African Music and western musical elements.

Sonah Jobarteh – Acoustic Guitar/ Kora/ Vocals
Maurice Brown – Acoustic Guitar
Andi McLean – Electric Bass/ BVs
Mouhamadou Sarr – Djembe/ Congas/ Calabash/ BVs

Recorded on 1 July 2015 at the "mon ami", Weimar.

Dr. Martin Luther King, Jr. - Remaining Awake Through a Great Revolution (1959)
Dr. Martin Luther King, Jr. - Remaining Awake Through a Great Revolution (1959) Ambakisye-Okang Dukuzumurenyi 28 Views • 5 years ago

In a 22 December 1958 letter, Morehouse president Benjamin Mays invited King to address the graduating class of 1959; King accepted six days later. In these prepared remarks—his earliest known usage of this title—King invokes his common themes of anticolonialism and black self-respect.1 He places the domestic “social revolution" in a global context and urges the graduates of his alma mater to rise above the limits of “individualistic concerns,” submitting that all people are “caught up in an inescapable network of mutuality.”

News coverage of the speech indicates that King modified this handwritten text at several points. He advised his audience to adhere to nonviolence, for the "oppressors would be happy if black Americans “would resort to physical violence” and reminded them of progress already made: “We’ve broken loose from the Egypt of slavery . . . and we stand on the border of the promised land in integration.”2 King reportedly closed with a warning against inaction: “If you go home, sit down and do nothing about the revolution which we are witnessing you will be the victim of a dangerous optimism.”3

There can be no gainsaying of the fact that we are experiencing today one of the greatest revolutions that the world has ever known. Indeed there have been other revolutions, but they have been local and isolated. The distinctive feature of the present revolution is that it is worldwide. It is shaking the foundations of the east and the west. It has engulfed every continent of the world. You can hear its deep rumblings from the lowest village street to the highest intellectual ivory tower. Every segment of society is being swept into its mainstream. The great challenge facing every member of this graduating class is to remain awake, alert and creative through this great revolution.

Shared for historical purposes. I do not own the rights.

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