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Estamos Aquí: Una Historia de AfroDescendientes Bolivianos
Katie MeolaSpring 2012SIT Bolivia
The art of Ras Jahaziel
Imagine a community-owned institution
where this collection of paintings and videos
are displayed as an educational tool
FOR THE BUILDING OF AN UPRIGHT AND CONSCIOUS PEOPLE.
The Algorithm and Blues: Facebook's Mind Control Study! #shorts
Currulao is the main traditional genre of Abibifoɔ music out of the Southern Pacific Coast of 'colombia' and Northern Pacific Coast of 'ecuador'. This group is specifically from Timbiqui, Cauca, a Pacific Coastal town in the biogeographic Choco region. Timbiqui is also the name of the river where the community of Timbiqui is located. This song is about singing to the river asking for a safe passage, to let them go up the river, don't drown us (no me vayas a hogar), don't wet us (no me vayas a mojar), let me go up (dejame subi'). This is a continuation of evidence of our Kmtyu worldview regardless of location and colonial language. Reverence and respect for nature, the oceans, the rivers, and the source of life, water. This can be seen as a libation song for traveling up the Timbiqui river safely. The main instrument is the marimba, made from the palm trees in the Choco rainforest, and said to be a reconstructed descendant of the balafon made by Abibifoɔ in a new context. We carried Abibiman with us!
original video info:
Provided to YouTube by ONErpmRio Timbiqui · Canalón de TimbiquíDejame Subi℗ Canalon de TimbiquiReleased on: 2004-02-06Auto-generated by YouTube.
Kaka Highflames X Zizoo Offical music video
"Ackee walk Produced by A-AKEEM876 RECORDS, Collegeboii Didit
Stream/ download
https://onerpm.link/ackeewalk
Shoot/Edit by
Magical studio
Kaka highflames IG
https://instagram.com/kakahigh....flames?igshid=MmJiY2
Zizoo IG
https://instagram.com/1_.zizoo....?igshid=MmJiY2I4NDBk
#ackeewalk #highflames #trending #dance #song #tiktok
http://vevo.ly/H8ERbh
Lebron James is a modern day Jim Thorpe, a tool of USA Imperialism and White Racial Global Dominatio
Lebron James is no different than Jim Thorpe or Jackie Robinson...Sports is a tool of White Supremacy.
Museums have long been unwelcoming or intimidating spaces for many, particularly ordinary Africans. In this powerful talk, Kwame Akoto Bamfo reimagines the museum experience through the lens of African heritage and community engagement. By embracing change as a constant force, Kwame demonstrates how interactive art and inclusive spaces can serve as healing, dialogue, and transformation mediums.
Through his work, he challenges traditional perceptions of museums and invites communities to reconnect with their identity and heritage. This talk is a compelling exploration of how art can celebrate cultural freedom and inspire others to embrace their role in shaping change narratives. Kwame Akoto-Bamfo is a Ghanaian sculptor, educator, and activist renowned for his dedication to preserving African history and promoting restorative justice through art. He earned his Bachelor of Fine Arts (BFA) and Master of Fine Arts (MFA) in painting and sculpture from the Kwame Nkrumah University of Science and Technology.
His seminal work, the Nkyinkyim Installation, is an evolving art project comprising over 1,500 portraits of Africans in the diaspora. This installation pays homage to the victims of the Transatlantic slave trade and is prominently featured at the National Memorial for Peace and Justice in Montgomery, Alabama.
In 2017, Akoto-Bamfo gained international attention with his "Faux-Reedom" exhibition, which featured 1,200 sculpted heads representing Ghana's enslaved ancestors. This powerful display questioned Ghana's independence and highlighted neo-colonial legacies.
Beyond his installations, Akoto-Bamfo actively participates in public speaking, research, and lectures, focusing on archiving and promoting African history and cultural heritage. His work has been featured in various documentaries and miniseries, including "Enslaved" (2020) and "The Art of Healing" (2022).
His contributions to art and activism have earned him several accolades, such as the GUBA Influential Artist of the Year in 2019 and the inaugural Kuenyehia Prize for Contemporary Art.
Through his art, Kwame Akoto-Bamfo continues challenging historical narratives, fostering healing, and inspiring restorative justice across the African diaspora. This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at https://www.ted.com/tedx
White people and half White people are nothing but liars and people who are friends or date White people are liars too.
