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Gravitas: Revealed: How Pfizer blackmails countries for shots
Gravitas: Revealed: How Pfizer blackmails countries for shots ygrant 28 Views • 5 years ago

Is Pfizer putting profits above lives? Public Citizen, a non-profit organization says that Pfizer can stop countries from speaking about contracts, block vaccine donations, unilaterally change delivery schedules & demand public assets as collateral. Palki Sharma tells you more.

#Pfizer #CovidVaccine #Gravitas

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WION -The World is One News, examines global issues with in-depth analysis. We provide much more than the news of the day. Our aim to empower people to explore their world. With our Global headquarters in New Delhi, we bring you news on the hour, by the hour. We deliver information that is not biased. We are journalists who are neutral to the core and non-partisan when it comes to the politics of the world. People are tired of biased reportage and we stand for a globalised united world. So for us the World is truly One.

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Why you will not matter if you don't do this
Why you will not matter if you don't do this alpha 28 Views • 7 months ago

⁣ #africanunity #unitedstatesofafrika #theunitedstatesofafrika

#africanunity #unitedstatesofafrika #theunitedstatesofafrika #futureofafrica

An African superstate can only affect everyone on the globe. We here present this insight. Drop us your comment and let's keep the conversation going.

Deep rythm and melody, a powerful message to the heads of states of all African countries.

This is not just music.
This is a declaration!

Today, at the heart of a world that is going crazy, where sovereign leaders are being kidnapped right from their sovereign countries and wars being perpetrated through false pretence and condemnations, resulting in innocent human beings loosing their lives, we are taking our responsibility. We are calling for all our African leaders to make The United States of Afrika a reality.

So from today, March 4th (march forth) we are calling on all African consciences, whether at home or abroad to engage and ask our African leaders to STAND UP and DO THE RIGHT THING to save Africa and Africans from the madness and actual real threat to life anywhere on the planet,, let alone Africa.

So we here present an instrumental anthem — a proposed future national anthem for the upcoming United States of Afrika, that is now more than a must. IT IS URGENTLY A MUST!.

We have created an anthem, sound that represents OUR DEMANDS from all our African leaders:

We demand:

• One Nation
• One Economy
• One Passport
• One Army
• One Shared Currency
• One Voice in Global Policy
• One Flag
• One National Anthem
• Free Movement Across All Union States

Africa stands at a historic crossroads. With over 1.4 billion people, the youngest population in the world, and the largest emerging free trade zone under the African Continental Free Trade Area, the structural foundations for continental unity already exist.

The framework is present through the African Union.

What remains is collective will.

This instrumental piece is offered as an example — a sound that could one day represent a united, sovereign, powerful continental federation.

If you believe in:
A borderless Africa.
An economically integrated Africa.
A politically coordinated Africa.
A globally respected Africa.

Subscribe. Share. Participate.

Comment your country and write: ONE AFRICA.

The future is CONTINENTAL.
The time is NOW!

Biography of Black Jazz Musicians 3
Biography of Black Jazz Musicians 3 Nana Kamau Kambon Archives 28 Views • 3 years ago

PART 3 of BIOGRAPHY of Black Jazz Musicians :

Fats Waller:
Thomas Wright "Fats" Waller was an American jazz pianist, organist, composer, singer, and comedic entertainer.Known for his stride piano style, Waller was a masterful improviser and composer, known for songs like "Ain't Misbehavin'" and "Honeysuckle Rose."He was a prominent figure during the Harlem Renaissance and was renowned for his energetic performances and charismatic personality.

Louis Armstrong:
Louis Armstrong, also known as "Satchmo" or "Pops," was a pioneering jazz trumpeter, vocalist, and influential figure in the development of jazz music.His innovative trumpet playing and gravelly voice helped define the jazz genre. He was known for his virtuosic improvisation and innovative use of scat singing.Armstrong's recordings such as "What a Wonderful World" and "Hello, Dolly!" are classics, and his influence on jazz and popular music is immeasurable.

John Coltrane:
John Coltrane was a groundbreaking saxophonist and composer who played a key role in the development of avant-garde jazz and free jazz.His albums such as "A Love Supreme" and "Giant Steps" are considered masterpieces and have had a profound influence on generations of musicians.Coltrane's innovative approach to harmony and improvisation, as well as his spiritual quest, continue to inspire jazz musicians around the world.

Nat King Cole:
Nat King Cole was an American jazz pianist and vocalist who became one of the most popular and successful entertainers of his time.He is best known for his smooth baritone voice and hits like "Unforgettable," "Mona Lisa," and "The Christmas Song."Cole broke barriers as one of the first African American performers to host a television variety show, "The Nat King Cole Show," in the 1950s.

Sarah Vaughan:
Sarah Vaughan was an exceptionally talented jazz vocalist known for her rich, expressive voice and impressive vocal range.Nicknamed "Sassy" and "The Divine One," Vaughan was celebrated for her mastery of both jazz and popular music.Her recordings, including "Misty" and "Lullaby of Birdland," showcase her remarkable vocal technique and emotional depth, solidifying her status as one of the greatest jazz singers of all time.

Marian Anderson:
Marian Anderson was a groundbreaking African American contralto who achieved international acclaim as one of the most distinguished classical singers of the 20th century.Despite facing racial discrimination, Anderson's talent and perseverance led her to become the first African American to perform at the Metropolitan Opera in New York City.She is perhaps best known for her historic concert at the Lincoln Memorial in 1939, after being denied permission to perform at the Daughters of the American Revolution's Constitution Hall, where she sang for an integrated audience of 75,000 people.

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