Africa’s colonial overlords brutally stripped it of countless cultural treasures. Now, the fate of these items is being hotly debated in Europe and Africa as well. Some say the pieces should be returned, while others have reservations.European museums proudly present art and cultural artifacts from all over the world. But until recently, many of them have never considered their own complicity in the brutal ways in which the pieces were acquired. Only slowly are they starting to include the people to whose ancestors these artifacts once belonged in their decisions, although European colonial overlords pillaged and looted them in the first place.The issue of restitution is taking on a new urgency in Germany, last but not least because of the controversy surrounding Berlin's Humboldt Forum, which is home to non-European collections. It's estimated that more than 1.5 million artifacts from all around the world are held in storage at Germany's ethnological museums. The Linden Museum in Stuttgart alone holds 60 thousand pieces from Africa. How many of them were stolen? And how do museums address the fact that their colonialist collectors had blood on their hands? This documentary takes an African perspective on some examples, including valuable bronzes from Nigeria, an ornamental prow of a boat from Cameroon, and what is known as the Witbooi Bible from Namibia. What do the people in the African countries where the pieces originated think about all this? What are the views of researchers, museum directors, artists and curators? What emotions arise when the frequently painful past is stirred up and examined? And how significant is the issue in the context of problems such as poverty, hunger and corruption in former colonies?

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DW Documentary gives you knowledge beyond the headlines. Watch high-class documentaries from German broadcasters and international production companies. Meet intriguing people, travel to distant lands, get a look behind the complexities of daily life and build a deeper understanding of current affairs and global events.

This World Bank/TerrAfrica documentary showcases Ethiopia's success in sustainable land and water management. It highlights how a landscape approach was used to manage land, water and forest resources to meet the goals of food security and inclusive green growth. The lessons drawn are relevant for other countries in the region and other parts of the world fighting land degradation and climate change issues.

The Image of Africa has been distorted around the globe and we are changing the narratives via Youtube videos One Country At Time.Until the history of Africa is told by Africans, the story of greatness will always glorify the imperialists.!It's Time For Africans To Unite, Embrace their Culture and be Proud of their Roots & Tell Their Own Story!-AFRICA TO THE WORLD..Subscribe to unlocked the Real Africa!

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Nearly all of Ethiopia’s old-growth forest has disappeared. This film tells the story of Ethiopia’s church forests–pockets of lush biodiversity that surround hundreds of churches—and the efforts to protect them. Directed by Jeremy Seifert. This film premiered in the seventh issue of Emergence Magazine on "Trees" with an accompanying essay by Fred Bahnson.

Read or listen to the essay here: http://www.emergencemagazine.o....rg/story/the-church-
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Emergence Magazine is a quarterly online publication featuring innovative stories that explore the threads connecting ecology, culture, and spirituality.Subscribe to our newsletter to receive the latest stories from Emergence directly to your inbox: https://emergencemagazine.org/newsletter/

Water is in short supply in much of the world - but what if we use seawater? It's been a dream for many years, but now technology is making it possible. This new seawater greenhouse uses a clever cardboard design to distill fresh water from salt water cheaply and efficiently. It's helping grow crops in Somaliland, and could help stop the water crisis in Africa and other parts of the world that are susceptible to drought. The founder of Seawater Greenhouse, Charlie Paton, explains how unlike traditional greenhouses - which are hothouses - this one is a "cool house" that is ideal for growing temperate crops in deserts or other hot, arid regions. What do you think? Will this succeed at turning desert into farmland? What other projects have caught your eye?

Website: http://www.freethink.com

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In 2006 Robin Walker published the instant classic "When We Ruled" - The most comprehensive text on Afrikan History we have to date.

This made him among the first a prime candidate for our first Black History Month NOMMO in October 2007:

"In this "Afrikan History Month" special, Nommo are proud to welcome one of the world's leading historians, author of one of the most important books of our time - Bro. Robin Walker. He will guide us on an imperious journey of Afrikan glory - WHEN WE RULED! Studying this sweep of history provides the necessary framework to realise that we can and must rule again."

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THE NOMMO SESSIONS

NOMMO is the, monthly interactive session for the Afrikan community, presented by the Alkebu-Lan Revivalist Movement. On the last Friday of every month, you can rap, reason and re-energise with like-minded Sisters and Brothers through film, music and the spoken word in its many forms.

NOMMO can be thought, NOMMO can be played on an instrument, NOMMO can be sung. It is prayer. It is curse. It is incantation! NOMMO is a praise song. NOMMO is our use of the spiritually activating principle. NOMMO is will and intent. NOMMO is consciousness.”

– Marimba Ani, Let The Circle Be

https://alkebulan.org/category/nommo-sessions/

Dr Hastings Banda is one of the most underrated African dictators. During His 33 year rule, the country experienced the worst human rights violations and paternalistic control of the Malawians.

He controlled every aspect of their lives, treating his people as children and addressing his ministers as my boys

He banned televisions, beards, dreadlocks and long hair among men. Any sort of political dissent was ruthlessly dealt with through his secret police and Militia.

Though he never had children, he relied on the support of his official hostess and former secretary Cecilia Kadzamira and Kadzamira's uncle John Tembo, who saw themselves as his successors when he left power.

He is remembered on the continent as the only leader who maintained ties with the Apartheid South Africa and Portuguese regimes; backed Nixon in Vietnam and refused to support an armed struggle against the Ian Smith regime in Southern Rhodesia.

Sand dams are making a big difference in Eastern Kenya.

Tracklist: 0:00 Jarabi | 10:06 Mamamuso | 16:52 Kaira | 24:40 Gainaako | 34:02 Kanu | 44:24 Saya | 49:30 Bannaya
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Sona Jobarteh performed in Weimar on invitation of the University of Music FRANZ LISZT Weimar and its UNESCO Chair of Transcultural Music Studies (TMS). The TMS Chair regularly invites artists to bring the musicology students into contact with various musical cultures for inspiration and exchange. For further information visit https://www.hfm-weimar.de/tms.

Sona Jobarteh is the first female Kora virtuoso to come from a west African Griot family. The Kora is one of the most important instruments belonging to the Manding peoples of West Africa (Gambia, Senegal, Mali, Guinea and Guinea-Bissau). It belongs exclusively to griot families, and usually only men who are born into these families have the right to take up the instrument professionally. Sona Jobarteh combines various genres of African Music and western musical elements.

Sonah Jobarteh – Acoustic Guitar/ Kora/ Vocals
Maurice Brown – Acoustic Guitar
Andi McLean – Electric Bass/ BVs
Mouhamadou Sarr – Djembe/ Congas/ Calabash/ BVs

Recorded on 1 July 2015 at the "mon ami", Weimar.