Tamu Mazama - Jambaar (feat. Lion F.O.X.) (Official Audio)

Provided to YouTube by Virgin Music Group

Synchro System (Complete Original Version) · King Sunny Ade

The Best of the Classic Years

℗ 2003 Shanachie

Released on: 2003-02-11

Writer: King Sunny Ade

Auto-generated by YouTube.

⁣Flexibility is built into the mission.



While we host one live virtual class, the core of Afrika's Army 2 is asynchronous.


New content drops weekly in our School portal—where scholars access lessons, submit assignments, and learn at their own pace.Your schedule doesn't have to hold you back from awakening.


✊🏿Afrika’s Army 2: An Amos Wilson Awakening


📍Virtual Class

📅Tuesdays Jan 6 - Apr 7 at 4PM EST

👑 Grades 1-6

🔗 kotokoacademy.info/afrikasarmy

On this very special episode, the son of the Black Messiah blesses the trap with some revolutionary knowledge. Fred Hampton was a 21 year old Black Panther leader who was assassinated in his Chicago apartment in 1969. His son, Fred Hampton Jr. continues the struggle today and gives some insight into the making of the film 'Judas and The Black Messiah' which was based on his father's life.

Plus, Chairman Fred Hampton Jr. explains how the revolutionary struggle continues today and gives an update on the many political prisoners still locked up. This is the coldest podcast!


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Currulao is the main traditional genre of Abibifo⁣ɔ music out of the Southern Pacific Coast of 'colombia' and Northern Pacific Coast of 'ecuador'. This group is specifically from Timbiqui, Cauca, a Pacific Coastal town in the biogeographic Choco region. Timbiqui is also the name of the river where the community of Timbiqui is located. This song is about singing to the river asking for a safe passage, to let them go up the river, don't drown us (no me vayas a hogar), don't wet us (no me vayas a mojar), let me go up (dejame subi'). This is a continuation of evidence of our Kmtyu worldview regardless of location and colonial language. Reverence and respect for nature, the oceans, the rivers, and the source of life, water. This can be seen as a libation song for traveling up the Timbiqui river safely. The main instrument is the marimba, made from the palm trees in the Choco rainforest, and said to be a reconstructed descendant of the balafon made by Abibifo⁣ɔ in a new context. We carried Abibiman with us!


original video info:
Provided to YouTube by ONErpmRio Timbiqui · Canalón de TimbiquíDejame Subi℗ Canalon de TimbiquiReleased on: 2004-02-06Auto-generated by YouTube.

Bomba is a traditional Black music genre made by the Abibifo⁣ɔ on the island of Boriken (aka puerto rico).

Original title: ⁣Choco Orta & Chamir Bonano - De Bandazo "Especial Banco Popular de PR (2018), Más De Un Siglo"
Tema: De BandazoVoces: Choco Orta & Chamir BonanoProducción: Más De Un Siglo (BPPR 2018)Poducción (Visual): CinetrixDirector (Visual): Ari ManielProdución Musical: Pasillo Sonoro (Luis Amed Irizarry, Antonio Caraballo, Diego Centeno)Sigueme @https:www.instagram.com/chamirbonano..../https:www.facebook.

Kaka Highflames X Zizoo Offical music video

"Ackee walk Produced by A-AKEEM876 RECORDS, Collegeboii Didit

Stream/ download
https://onerpm.link/ackeewalk

Shoot/Edit by
Magical studio

Kaka highflames IG
https://instagram.com/kakahigh....flames?igshid=MmJiY2

Zizoo IG
https://instagram.com/1_.zizoo....?igshid=MmJiY2I4NDBk


#ackeewalk #highflames #trending #dance #song #tiktok



http://vevo.ly/H8ERbh

Lebron James is no different than Jim Thorpe or Jackie Robinson...Sports is a tool of White Supremacy.

Ghana just made $3 billion in only four months—without discovering a single new gold mine. So how did they pull it off? Here's a hint: Captain Ibrahim Traoré had something to do with it. But what’s the real story behind this unexpected windfall? Let’s dive in.

Sitting firmly in Africa's Golden Triangle with South Africa and Sudan, it was a top-tier producer. But in spite of this natural wealth, the nation hardly ever benefited from its hidden gems. Year after year, billions of dollars' worth of gold left Ghana, but only remnants returned to the country's economy.

Lack of ownership was the issue, not a shortage of gold. With everything but no control, this has been the silent tragedy of Ghana's mining industry. Foreign multinational corporations with headquarters in Canada, the UK, South Africa, and Australia were primarily in charge of running the nation's gold mines.

Under private contracts, these businesses extracted the gold, processed it abroad, and then sold it to customers throughout the world. The role of Ghana? Take a little cut, supply the dirt, and avoid the boardrooms where the real money is earned. The gold wasn't the only thing that remained.

It leaves behind data, pricing control, and profit transparency. Numerous mining companies underreported their profits, took use of legal loopholes, or just set up their operations in ways that allowed for tax evasion. The riches had already vanished abroad, concealed in offshore accounts and business spreadsheets, by the time government officials became involved.

Ghanaians pondered for years how we could have so many resources and yet face unemployment, debt, and a weak currency. So far, the response has been silence. Silence thereafter became the norm. Early in 2025, however, numbers—rather than a protest or a politician—broke that stillness.

Silent, emotionless figures. Ghana's gold earnings soared to $2.7 billion between January and April. That is more than three times what it made during the same time frame only two years prior.

Furthermore, in just four months, the quantity of gold exported virtually doubled, rising from about 7,500 kilograms in early 2023 to over 30,000 kilograms. These were neither estimations or optimistic forecasts. These were actual transactions that were documented in Ghana's central bank's books and monitored by the country's customs department.

Naturally, people wanted to know where all of this originated. Was there a fresh gold deposit discovered by Ghana? Did the output of mining suddenly increase overnight? The response was much more significant and fascinating. There was always gold. Ghana simply stopped allowing it to disappear.

It was not the mines that changed. Who was in charge of the exits changed. Ghana wasn't allowing private corporations to control what was left on the ground or where it went for the first time.

Now a gatekeeper was present. A fresh idea that wasn't from Accra was standing outside that fence. It originated in Ouagadougou, a nearby capital.

The Ghanaian government had not simply happened onto a fortunate quarter, you see. They were no longer content to be a passive participant in the mining industry after studying something and observing someone. Motivated by fresh leadership on the continent, they had taken a very conscious decision.

However, we must examine the impact that led to that change in order to comprehend how a silent policy decision generated billions of dollars in unexpected revenue. Not even the African Union, not the International Monetary Fund, and not a think tank. It came from Captain Ibrahim Traoré, a man in a green beret, a soldier rather than a scholar, a leader who had seized a nation that was in disarray and dared to defy the laws of international economics.

The new model was not created in Ghana. But they didn't hesitate when they saw it. They modified it.

Today we honor Amos Wilson.🖤

The gears that keep us running. The voice that gives us inspiration, motivation, and charts the path to psychological liberation. We want everyone—young and old—to know Amos and his work.

Not long ago, we were chatting with a few Wilsonians—those of uswho have sat at the feet of his teachings, who have had our minds reorganized by his words. And someone asked the question:"How old were you when you learned about Amos?"

One by one, the answers came. Twenty-five. Thirty-two. Forty.Forty-seven. All of them... too late.

There was a little bit of regret in that room. Not because we found him eventually—but because we wished we had found him sooner. We wished someone had placed his books in our hands when our minds were still forming. We wished his voice had been in our ears beforethe world convinced us of lies about ourselves.

We all wished we had heard his teachings earlier.

And right there, in that moment, something was born. Afrika's Army: An Amos Wilson Awakening.

Because the youngest among us deserve to grow up with Amos. They deserve to learn about the psychology of power before they learn about powerlessness. They deserve to understand that their mind is their wealth, their consciousness is their weapon, and their cultureis their foundation.

Afrika's Army is for our children.

So that one day, when they are asked, "How old were you when you learned about Amos?" — they won't have to say too late.

They'll say, "I grew up with him."

Happy Birthday, Dr. Amos Wilson. Your work lives on in the youngest soldiers of Afrika's Army. ✊🏿📚

✊🏿Join the legacy. Teach the children.
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