Dive into this riveting exploration of Time as we traverse the vibrant African landscape. Through the eyes of Tariro, a young girl deeply entwined in her African roots, we scrutinize the traditional concept of time.

This video unveils how time in Africa isn't merely a set of ticking hands or a digital display but it is akin to a flowing river, shaped by community events and shared experiences.

We will delve into the fascinating works of African philosophers like E.J. Alagoa and Kanu Ikechukwu Anthony, exploring the harmonic interplay of spirituality, environment, and society in the African concepts of time and causality.

The effect of globalization and the advent of Western time values are also discussed, exhibiting how it subtly fuses with the African rhythm, reshaping societal behavior.

Our journey concludes with a vital introspection: Is life trapped within the divisions of time, or is it time that is framed by life and culture its rhythm?

Was this evolution beneficial or has it steered us away from the heartbeat of life?

Discover how time metamorphosizes from a measurer into a storytelling entity of shared experiences and shifts in realities across African landscapes.

References:

1. African Concept of Time, a Socio-Cultural Reality in the Process of Change.
Sunday Fumilola Babalola* and Olusegun Ayodeji Alokan Ph.D
Department of Religious Studies, Joseph Ayo Babalola University, Ikeji-Arakeji, PM

2. An African Philosophy of Time.
E.J. Alagoa, Port Harcourt

3. Causality in African Ontology.
Kanu, Ikechukwu Anthony (OSA)
Department of Philosophy, Augustinian Institute, Makurdi

⁣005-Establishment of Borno Empire and Some notable Kings

'Round Midnight' is a jazz standard song by pianist Thelonious Monk. It is the most recorded jazz standard composed by a jazz musician.

Provided to YouTube by EG Jazz

Neo · Miles Davis · Miles Davis

Miles plays Miles

℗ EG Jazz

Released on: 2018-09-10

Auto-generated by YouTube.

(F.E. Churchill-L.Morey) Bourne Co.
Album- Someday my prince will come
Miles Davis-Trumpet
John Coltrane-tenor sax
Wynton Kelly-piano
Paul Chambers-bass
Jimmy Cobb, Philly Joe Jones-drums

Recorded March 7, 20, and 21 1961 at Columbia 30th Street studio, New York

”On Green Dolphin Street” by Miles Davis
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#ongreendolphinstreet #milesdavis #jazz lyrics:
Lover, one lovely day
Love came planning to stay
Green Dolphin Street supplied the setting
The setting for nights beyond forgetting
Through these moments apart
Love come here in my heart
When I recall the love I found on
I could kiss the ground on Green Dolphin Street
Lover, one lovely day
A love came planning to stay
Green Dolphin Street supplied the setting
The setting for nights beyond forgetting
And through these moments apart
Love come here in my heart
When I recall the love I found on
Im gonna kiss the ground I found on Green Dolphin Street

”Stella by Starlight” by Miles Davis
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#stellabystarlight #milesdavis #jazz

Remix by Jah-I-Witness Emcee

“This can protect you from losing everything."

CryptoHarlem founder and Mozilla Fellow Matt Mitchell (https://twitter.com/geminiimatt) shares six steps for keeping activists and NGOs safe online.

MozFest is the world's leading festival for the open internet movement. Our speakers address topics like privacy, online harassment, and digital inclusion.

https://mozillafestival.org | https://twitter.com/mozillafestival

FINAL PART OF BIOGRAPHY OF BLACK JAZZ MUSICIANS :
Fats Waller:
Thomas Wright "Fats" Waller was an American jazz pianist, organist, composer, singer, and comedic entertainer.Known for his stride piano style, Waller was a masterful improviser and composer, known for songs like "Ain't Misbehavin'" and "Honeysuckle Rose."He was a prominent figure during the Harlem Renaissance and was renowned for his energetic performances and charismatic personality.

Louis Armstrong:
Louis Armstrong, also known as "Satchmo" or "Pops," was a pioneering jazz trumpeter, vocalist, and influential figure in the development of jazz music.His innovative trumpet playing and gravelly voice helped define the jazz genre. He was known for his virtuosic improvisation and innovative use of scat singing.Armstrong's recordings such as "What a Wonderful World" and "Hello, Dolly!" are classics, and his influence on jazz and popular music is immeasurable.

John Coltrane:
John Coltrane was a groundbreaking saxophonist and composer who played a key role in the development of avant-garde jazz and free jazz.His albums such as "A Love Supreme" and "Giant Steps" are considered masterpieces and have had a profound influence on generations of musicians.Coltrane's innovative approach to harmony and improvisation, as well as his spiritual quest, continue to inspire jazz musicians around the world.

Nat King Cole:
Nat King Cole was an American jazz pianist and vocalist who became one of the most popular and successful entertainers of his time.He is best known for his smooth baritone voice and hits like "Unforgettable," "Mona Lisa," and "The Christmas Song."Cole broke barriers as one of the first African American performers to host a television variety show, "The Nat King Cole Show," in the 1950s.

Sarah Vaughan:
Sarah Vaughan was an exceptionally talented jazz vocalist known for her rich, expressive voice and impressive vocal range.Nicknamed "Sassy" and "The Divine One," Vaughan was celebrated for her mastery of both jazz and popular music.Her recordings, including "Misty" and "Lullaby of Birdland," showcase her remarkable vocal technique and emotional depth, solidifying her status as one of the greatest jazz singers of all time.

Marian Anderson:
Marian Anderson was a groundbreaking African American contralto who achieved international acclaim as one of the most distinguished classical singers of the 20th century.Despite facing racial discrimination, Anderson's talent and perseverance led her to become the first African American to perform at the Metropolitan Opera in New York City.She is perhaps best known for her historic concert at the Lincoln Memorial in 1939, after being denied permission to perform at the Daughters of the American Revolution's Constitution Hall, where she sang for an integrated audience of 75,000 people.