(F.E. Churchill-L.Morey) Bourne Co.
Album- Someday my prince will come
Miles Davis-Trumpet
John Coltrane-tenor sax
Wynton Kelly-piano
Paul Chambers-bass
Jimmy Cobb, Philly Joe Jones-drums

Recorded March 7, 20, and 21 1961 at Columbia 30th Street studio, New York

John Coltrane Quartet - Dear Lord (1965)

Personnel: John Coltrane (tenor sax), McCoy Tyner (piano), Jimmy Garrison (bass), Roy Haynes (drums)

from the album 'TRANSITION' (Impulse! Records)

Barry White Greatest Hits 2020 - Best Songs Of Barry White 2020
Barry White Greatest Hits 2020 - Best Songs Of Barry White 2020
Barry White Greatest Hits 2020 - Best Songs Of Barry White 2020
Link: https://youtu.be/Re_f1UOWyNg
✚ Please share this video in social sites (Facebook, Google +, Twitter.) ✚


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Welcome back to Powered by Nyame! This week's episode focuses on mother's love, being a mother, and mothering--the actions of mother that flows from mother's love. I share personal experiences, along with the anonymous experiences of others, beginning most appropriately with my mom, Elaine! A person's experiences can't speak for others, but it can speak to others. I hope mine will be insightful but also invite discussion around this topic. Let me know what you all think. Stay well.

Le Groupe Bogolan KASOBANE est né à la fin des années 70 quand des jeunes étudiants sortant de l´Institut National des Arts (I.N.A) du Mali à Bamako se sont unis pour la promotion de leur propre culture autour du bogolan, une technique ancestrale de dessin et de peinture, pouvant atténuer l´influence occidentale artistique enseignée à l´I.N.A.

Le nom « KASOBANE » est composé à partir de l’initial du prénom des membres du groupe.
KA pour Kandioura Coulibaly et Klétigui Dembélé ;
SO pour Souleymane Goro ;
BA pour Baba Keita et Boubacar Doumbia ;
NE pour Néné Thiam.

L’objectif principal du Groupe KASOBANE est de promouvoir le Bogolan en créant un nouveau courant artistique pour réaliser des œuvres contemporaines mettant en avant les techniques et valeurs locales.

L’originalité du groupe KASOBANE réside dans son mode d’inspiration et de création commune, sous une signature unique qui n’exclut pas la particularité, ni le génie créateur de chacun, et ce, contrairement à l’individualisme classique propre à l’Artiste. Par ce choix délibéré le groupe perpétue ainsi l’esprit de partage et de communion en hommage aux mères du bogolan.
Grâce à sa persévérance, son travail artistique, ses enquêtes, son enseignement, depuis plus de 45 ans, KASOBANE fut à la fois promoteur de génie et innovateur soucieux de la transmission d’une technique ancestrale malienne qui aurait pu disparaître.

FREE YOUR MIND : RETURN TO THE SOURCE.
AFRICAN ORIGINS.
................................................
BY DR. ASA G. HILLIARD (III)
1970 - 1986
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DR. BEN AND PROF. GEORGE SIMMONS.

Remix by Jah-I-Witness Emcee

NEW HIP HOP - Peace and Blessings Beloved!!!

It's your comrade and word-warrior Jah-I-Witness Emcee reaching out once again to ask for your help in spreading a higher level consciousness in hip hop music and our community. This time I'm tackling a topic that has received much attention, dialogue, and controversy within the black community, as well as American culture (or the lack thereof depending on your perspective) for many years. That topic is NIGGAS, rather the use of the term nigger/nigga to refer to individuals who are descended from black, African ancestry.

Long considered a derogatory term used by the white ruling class to belittle members of the oppressed black populace, the term has been morphed into a term of endearment, which the once ridiculed now use freely and affectionately among each other. Some argue that this is a result of generations of brainwashing and conditioning. Others argue that the adoption and acceptance of the term, somehow decreases the power and negative stigma of the controversial "N-Word".

Recently with the increasing listenership of hip hop music, there has been an observed phenomenon of individuals who have begun to incorporate the "N-Word" into their everyday vernacular, and even go as far as to affectionately refer to each other as "Niggas", worldwide. Once a term exclusively used by the descendants of enslaved African kings, is now uttered from the mouths of white, Latino, Asian, and many other ethnicities worldwide.

Well before things get too out of hand... I wanted to make sure that everyone remembers without question, where it all began (or at least perfected). So after divine inspiration in the wee hours of the morning, I created this video for my song "MADE IN THE USA" to give visual support to this edgy S.L.G track.

The track itself was produced by my bredren St. Paul and is featured on my last project entitled "The Struggle, The Love, The Glory". The track also features verses from my long time Simply Laced collaborator, Kinetic. As stated previously, the video was directed and edited by myself, and was shot on location in my studio, The King's Chamber, with a flip cam and two cigarette lighters (believe it or not...lol!!!).

Take a second to check out and enjoy the video and please do not hesitate to join in the dialogue. Also share this video with those that you know would enjoy it, or those that you know need it.

As always give thanks and praises for supporting the artists that support the culture!!!

For anyone searching for a reason to love Hip Hop again, Simply Laced Music Group is the destination for that Hip Hop fix...

http://simplylaced.com/blog/

The track "Made In The USA" is featured on Jah-I's "The Struggle, The Love, The Glory" which is available for download at the following link:

http://jah-i-witness.bandcamp.....com/album/the-strugg

“This can protect you from losing everything."

CryptoHarlem founder and Mozilla Fellow Matt Mitchell (https://twitter.com/geminiimatt) shares six steps for keeping activists and NGOs safe online.

MozFest is the world's leading festival for the open internet movement. Our speakers address topics like privacy, online harassment, and digital inclusion.

https://mozillafestival.org | https://twitter.com/mozillafestival

Narrated by Morgan Freeman.
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"Follow the Drinking Gourd" is a folk song that originated during the time of slavery in the United States. It served as a coded message to help enslaved people escape to freedom along the Underground Railroad. The "drinking gourd" refers to the Big Dipper constellation, which points towards the North Star, Polaris, a guiding light towards the north and freedom. Morgan Freeman, the acclaimed actor and narrator, has narrated or discussed the song in various contexts due to his interest in history and his involvement in projects related to African American culture and heritage.

© 1992 Rabbit Ears Productions Inc.