MK Party formation prophecy

⁣005-Establishment of Borno Empire and Some notable Kings

The guys were really having fun at this concert. You can clearly hear what an impact Lateef had on them. The solos are more daring and soulful. Nat's solo is out of this world.

DISCLAIMER: All music, lyrics, videos and photos, remain copyright of their respective owners. No infringement intended. Used for the Artist's promotional purposes only.
If you like this recording, I strongly recommend you buying the record.

Personnel
Lee Morgan, Trumpet
Wayne Shorter, Tenor Saxophone
Bobby Timmons, Piano; Jymie Merritt, Bass
Art Blakey, Drums

Composers
Disc One
1 Announcement By
Pee Wee Marquette 1:06
2 The Opener 8:29 (Hank Mobley)
3 What Know 10:26 (Lee Morgan)
4 The Theme 1:37
5 Announcement By Art Blakey 0:21
6 Round About Midnight 9:44 (Thelonious Monk)
7 The Breeze And I 10:38 (Lecuona-Camarata-Stillman)

Disc Two
1 Announcement By Pee Wee Marquette & Art Blakey 1:01
2 High Modes 13:09 (Hank Mobley)
3 Night Watch 8:34 (Hank Mobley)
4 The Things I Love 8:26 (H. Barlow-L. Harris)
5 The Summit 9:26 (Wayne Shorter)
6 The Theme 1:35

Recorded by Rudy Van Gelder live at Birdland in New York CB), on September 14, 1960

Malik Zulu Shabazz and Dr. Khalid Muhammad had a close relationship characterized by their shared activism in the African-American community. Shabazz served as Muhammad's personal attorney and was also a prominent member of the Nation of Islam, where both men were involved in advocating for social justice and empowerment of African-Americans.

Shabazz became widely known for his involvement in civil rights issues and his leadership roles within organizations such as the New Black Panther Party. While their specific roles and approaches differed at times, they both shared a commitment to addressing systemic inequalities and advocating for the rights of African-Americans.
© 2001

Presented By Obenfo Baba Kamau Kambon.
© 1993

Le Groupe Bogolan KASOBANE est né à la fin des années 70 quand des jeunes étudiants sortant de l´Institut National des Arts (I.N.A) du Mali à Bamako se sont unis pour la promotion de leur propre culture autour du bogolan, une technique ancestrale de dessin et de peinture, pouvant atténuer l´influence occidentale artistique enseignée à l´I.N.A.

Le nom « KASOBANE » est composé à partir de l’initial du prénom des membres du groupe.
KA pour Kandioura Coulibaly et Klétigui Dembélé ;
SO pour Souleymane Goro ;
BA pour Baba Keita et Boubacar Doumbia ;
NE pour Néné Thiam.

L’objectif principal du Groupe KASOBANE est de promouvoir le Bogolan en créant un nouveau courant artistique pour réaliser des œuvres contemporaines mettant en avant les techniques et valeurs locales.

L’originalité du groupe KASOBANE réside dans son mode d’inspiration et de création commune, sous une signature unique qui n’exclut pas la particularité, ni le génie créateur de chacun, et ce, contrairement à l’individualisme classique propre à l’Artiste. Par ce choix délibéré le groupe perpétue ainsi l’esprit de partage et de communion en hommage aux mères du bogolan.
Grâce à sa persévérance, son travail artistique, ses enquêtes, son enseignement, depuis plus de 45 ans, KASOBANE fut à la fois promoteur de génie et innovateur soucieux de la transmission d’une technique ancestrale malienne qui aurait pu disparaître.

THIS IS PART 2 OF BLACK JAZZ MUSICIANS :

Fats Waller:
Thomas Wright "Fats" Waller was an American jazz pianist, organist, composer, singer, and comedic entertainer.Known for his stride piano style, Waller was a masterful improviser and composer, known for songs like "Ain't Misbehavin'" and "Honeysuckle Rose."He was a prominent figure during the Harlem Renaissance and was renowned for his energetic performances and charismatic personality.

Louis Armstrong:
Louis Armstrong, also known as "Satchmo" or "Pops," was a pioneering jazz trumpeter, vocalist, and influential figure in the development of jazz music.His innovative trumpet playing and gravelly voice helped define the jazz genre. He was known for his virtuosic improvisation and innovative use of scat singing.Armstrong's recordings such as "What a Wonderful World" and "Hello, Dolly!" are classics, and his influence on jazz and popular music is immeasurable.

John Coltrane:
John Coltrane was a groundbreaking saxophonist and composer who played a key role in the development of avant-garde jazz and free jazz.His albums such as "A Love Supreme" and "Giant Steps" are considered masterpieces and have had a profound influence on generations of musicians.Coltrane's innovative approach to harmony and improvisation, as well as his spiritual quest, continue to inspire jazz musicians around the world.

Nat King Cole:
Nat King Cole was an American jazz pianist and vocalist who became one of the most popular and successful entertainers of his time.He is best known for his smooth baritone voice and hits like "Unforgettable," "Mona Lisa," and "The Christmas Song."Cole broke barriers as one of the first African American performers to host a television variety show, "The Nat King Cole Show," in the 1950s.

Sarah Vaughan:
Sarah Vaughan was an exceptionally talented jazz vocalist known for her rich, expressive voice and impressive vocal range.Nicknamed "Sassy" and "The Divine One," Vaughan was celebrated for her mastery of both jazz and popular music.Her recordings, including "Misty" and "Lullaby of Birdland," showcase her remarkable vocal technique and emotional depth, solidifying her status as one of the greatest jazz singers of all time.

Marian Anderson:
Marian Anderson was a groundbreaking African American contralto who achieved international acclaim as one of the most distinguished classical singers of the 20th century.Despite facing racial discrimination, Anderson's talent and perseverance led her to become the first African American to perform at the Metropolitan Opera in New York City.She is perhaps best known for her historic concert at the Lincoln Memorial in 1939, after being denied permission to perform at the Daughters of the American Revolution's Constitution Hall, where she sang for an integrated audience of 75,000 people.