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The Image of AFRICA has been DISTORTED around the WORLD & We are CHANGING the NARRATIVES via YOUTUBE videos One Country At Time.Until the HISTORY of AFRICA is told by AFRICANS, the story of GREATNESS will always GLORIFY the IMPERIALISTS!.
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John Coltrane and Johnny Hartman - Autumn Serenade
Ama Mazama (aka Marie-Josée Cérol) is Associate Professor and Director of the Graduate Programs of the Department of Africa American Studies at Temple University. She received her PhD with highest distinction from La Sorbonne Nouvelle, Paris III. After graduating from La Sorbonne with Highest Distinction in Linguistics for her doctorarte, Professor Ama Mazama taught at the University of Texas, Pennsylvania State University, before arriving at Temple University in l993. She established a reputation as the principal exponent of the African origin of the Guadeloupian language. In two books, Langue et Identité en Guadeloupe: Une Perspective Afrocentrique and Une Introduction au Créole Guadeloupéen.She is the Managing Editor of the Journal of Black Studies. Her publications appear in journals in three continents. Well known as an educational consultant for the infusion of African content in American schools Mazama has written several books for teachers in addition to her major scholarly works in Afrocentric philosophy and theory. Two co-edited encyclopedias, the Encyclopedia of Black Studies and the Encyclopedia of African Religion, earned praise for their pioneering work from the National Council of Black Studies. Her scholarly works critique domination and hegemonic philosophies, reveal the cultural, linguistic, and religious bases of Caribbean culture, especially Vodu, and examine cultural and critical methods of establishing an ethic of justice and equity.
Just got back from Namibia a week ago. Headed over to celebrate my grandmother's 90th birthday. Part 1 is the time we spent in the main cities...part 2 (coming soon) we will finally head up north!
These are completely candid, random videos I slapped together with no real plan/script. Just got caught up in the trip.
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Elder Cecil Gutzmore explores how the concept of "Race" has shifted to meet the demands of White Power since the onset of Mass European War II.
The Fula people or Fulani or Fulɓe (Fula: Fulɓe; French: Peul; Hausa: Fulani; Portuguese: Fula; Wolof: Pël; Bambara: Fulaw) numbering approximately 20 million people in total are one of the most widely dispersed and culturally diverse of the peoples of Africa.The Fulani are bound together by the common language of Fulfulde, as well as by some basic elements of Fulbe culture, such as the pulaaku, a code of conduct common to all Fulani groups.
The Fula have a rich musical culture and play a variety of traditional instruments including drums, hoddu (a plucked skin-covered lute similar to a banjo), and riti or riiti (a one-string bowed instrument similar to a violin), in addition to vocal music. The well-known Senegalese Fula musician Baaba Maal sings in Pulaar on his recordings. Zaghareet or ululation is a popular form of vocal music formed by rapidly moving the tongue sideways and making a sharp, high sound.
Fulani music is as varied as its people. The numerous sub-groups all maintain unique repertoires of music and dance. Songs and dances reflect traditional life and are specifically designed for each individual occasion. Music is played at any occasion: when herding cattle, working in the fields, preparing food, or at the temple. Music is extremely important to the village life cycle with field cultivation, harvest and winnowing of millet performed to the rhythm of the songs and drums.
Fulani herders have a special affinity for the flute and violin nianioru. The young Fulani shepherd like to whistle and sing softly as they wander the silent savannah with cattle and goats. The truly Fulani instruments are the one-string viola of the Fulani (nianioru), the flute, the two to five string lute hoddu or molo, and the buuba and bawdi set of drums. But they are also influenced by the other instruments of the region such as the beautiful West African harp, the kora, and the balafon. Entertainment is the role of certain casts. The performance of music is the realm of specialized casts. The Griots or Awlube recite the history of the people, places and events of the community.
A significant proportion of their number, (an estimated 13 million), are nomadic, making them the largest pastoral nomadic group in the world.[6] Spread over many countries, they are found mainly in West Africa and northern parts of Central Africa, but also in Sudan and Egypt.
African countries where they are present include Mauritania, Ghana, Senegal, Guinea, the Gambia, Mali, Nigeria, Sierra Leone, Benin, Burkina Faso, Guinea Bissau, Cameroon, Ivory Coast, Niger, Chad, Togo, Gabon, South Sudan the Central African Republic, Liberia, and as far East as the Red Sea in Sudan and Egypt. With the exception of Guinea, where the Fula make up an ethnic plurality (largest single ethnic group) or approximately 49%+ of the population,[10] and Senegal, Mali, Burkina Faso, Niger and Cameroon, Fulas are minorities in nearly all other countries they live in. Alongside, many also speak other languages of the countries they inhabit, making many Fulani bilingual or even trilingual in nature. Such languages include Hausa, Bambara, Wolof, and Arabic.
Major concentrations of Fulani people exist in the Fouta Djallon highlands of central Guinea and south into the northernmost reaches of Sierra Leone; the Futa Tooro savannah grasslands of Senegal and southern Mauritania; the Macina inland Niger river delta system around Central Mali; and especially in the regions around Mopti and the Nioro Du Sahel in the Kayes region; the Borgu settlements of Benin, Togo and West-Central Nigeria; the northern parts of Burkina Faso in the Sahel region's provinces of Seno, Wadalan, and Soum; and the areas occupied by the Sokoto Caliphate, which includes what is now Southern Niger and Northern Nigeria (such as Tahoua, Katsina, Sokoto, Kebbi, Zinder, Bauchi, Diffa, Yobe, Gombe, and further east, into the Benue river valley systems of North Eastern Nigeria and Northern Cameroon).
(source wikipedia)
The Doctrine of Discovery, a forgotten yet impactful concept, shaped colonization and inflicted injustices on indigenous peoples in various parts of the world. The doctrine of discovery originated in Europe and was used to justify the subjugation and dispossession of native populations. Learn more https://www.globalblackhistory.com/
A linguistic shift is underway in Senegal. Wolof is spoken by 80% of the population and has progressively overtaken French, the country’s official language, as the dominant language of communication. Private Wolof classes have flourished as the publishing sector races to meet growing demand for books and other content written in local languages for local readers. Report by Aminatou Diallo, Elimane Ndao and Sam Bradpiece.
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Direct Arene nationale Grand Combat Thianta bou Yoff vs Zinga bou Malika
In this edisode, I sit down with Timothy Kalyegira, a seasoned journalist and political analyst, to unpack the escalating tensions surrounding Gen. Muhoozi Kainerugaba’s controversial actions.
From his provocative tweets threatening EU ambassadors to the detention and alleged torture of Eddie Mutwe, we explore how these incidents are straining Uganda-EU relations.
Will the Patriotic League of Uganda (PLU) party’s planned peaceful demonstration proceed amidst this crackdown?
Timothy offers his sharp analysis on Muhoozi’s basement boast, the military’s role, and the broader implications for Uganda’s democracy.
Professor Amos N. Wilson was a former social case worker, supervising probation officer, psychological counselor, training administrator in the New York City Department of Juvenile Justice and Assistant Professor of Psychology at the City University of New York.
Born in Hattiesburg, Mississippi in 1941, Amos completed his undergraduate degree at the acclaimed Morehouse College in Atlanta, Georgia. He later migrated to New York where he attained his Ph.D. from Fordham University.
Familiarly referred to as Brother Amos, he availed himself for numerous appearances at educational, cultural and political organizations such as the First World Alliance, the Afrikan Poetry Theatre, Afrikan Echoes, House of Our Lord Church, the Patrice Lumumba Coalition, the Slave Theatre and CEMOTAP to name just a few. His travels took him throughout the United States, to Canada and the Caribbean.
Dr. Wilson's activities transcended academia into the field of business, owning and operating various enterprises in the greater New York area.
#corrections #school #youth
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Order the book "KESHO, 13, Stories and Lullabies from Africa" here :
https://www.pumbo.fr/boutique/....livre/kesho-13-stori
MAÏKO is a musical cartoon extract from the audio book for children "KESHO, 13 Stories and Lullabies from Africa"
Order on:
www.kesho-book.com
(Book + USB Audio key containing the stories and 13 popular African nursery rhymes for children and the musical cartoon Maïko + a bookmark)
WRITING, PRODUCTION & SCENARIO
Maud-Salome Ekila
VOICES
Ilyasah Shabazz (English version)
Maïko Lusinde (French version)
Mwene Kwame Lusinde
ANIMATORS
Jonathan kalombo
Gloria Kashama
DECORATORS
Christian Luzele
Arnold makumba
EDITING & FX SOUNDS
Maud-Salome Ekila
MUSIC
"Maikoko"
Hazael Pawentaore Ouedraogo
Djizzo Fokondji Balume
Maud-Salome Ekila
Maïko Lusinde
“ Hey Maiko! "
Djizzo Fokondji Balume
" The ancestors "
Djizzo Fokondji Balume
"Mutuashi"
Djizzo Fokondji Balume
Made with pride in DR Congo
(2021)
Emefa on leg day
Banking on Africa- the bitcoin revolution
Mhenga Malcolm X
Excerpts of Various Speeches
Barry White Greatest Hits 2020 - Best Songs Of Barry White 2020
Barry White Greatest Hits 2020 - Best Songs Of Barry White 2020
Barry White Greatest Hits 2020 - Best Songs Of Barry White 2020
Link: https://youtu.be/Re_f1UOWyNg
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Tracklist1 –Kiko Kids Nimeona Uwa 00:002 –Kiko Kids Sili, Sishibi, Silali 02:443 –Salim Abdullah with Cuban Marimba Band Wanawake Wa Tanzania 05:34 4 –Salim Abdullah with Cuban Marimba Band Ubeberu 08:265 –Kilwa Jazz Band Vilionitendea 11:126 –Nuta Jazz Band Janja Yako 14:007 –Hodi Boys Mapenzi Tu 16:438 –National Jazz Band Nora 19:339 –Western Jazz Band Lipa Kodi Ya Nyumba 22:25 10 –Atomic Jazz Band Dunia Ina Mambo 26:15 11 –Dar Es Salaam Jazz Band Fitina Nyingi 29:1212 –Dar Es Salaam Jazz Band Mpenzi Una Nini 33:0813 –Nuta Jazz Band Safari Ye Nuta 36:2514 –Njohole Jazz Band Naona Ajabu 40:1915 –Atomic Jazz Band Dunia Ina Mambo 43:3616 –Dar Es Salaam Jazz Band Fitina Niyingi 47:5917 –Dar Es Salaam Jazz Band Mpenzi Una Nini 50:5718 –Nuta Jazz Safari Ya Nuta Jazz 54:4719 –Njohole Jazz Band Naona Ajabu 59:371960's Tanzanian pop.Sounds like some songs have been transferred from vinyl, and have some hiss and crackle* All materials presented on this channel are copyrighted by their respective copyright owners, and are subject to use for INFORMATIONAL PURPOSES ONLY!SUPPORT THE MUSICIANS, BUY THEIR MUSIC!** If you (being a musician or a copyright owner) don't approve your music material to be presented on this channel (or would like any additional info to be published), please contact me (via my Youtube channel ) and I'll remove it in seconds (or add necessary info)!Thank you in advance for your understanding!
Okunini Amos Wilson knowledge
