On Monsters Who Murder: Serial Killer Confessions podcast, The Serial Killer Whisperer Amanda Howard and TV Producer Robert McKnight discuss and breakdown the interrogations and interviews of killers, kidnappers, cult leaders.

This is for educational and research purposes.

Listen to Monsters Who Murder on your favourite podcast platform.

Listen to older seasons at www.patreon.com/mwmconfessions.

Record numbers of migrants are making the dangerous journey from Africa to the Spanish Canary Islands in order to reach Europe. Many come from the Senegal where the local fishing industry is being decimated by international trawlers from China and Europe.

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Exodus from Senegal | ARTE.tv Documentary
🗓 Available until the 02/11/2026

ARTE.tv Documentary is here to tell you more about what’s going on in the world of culture, news and current affairs with powerful, refreshing and entertaining docs subtitled in English for our international fans.

Discover a whole world on #arte.tv

#migrants #artetvdocumentary #senegal

#thenewblackmind
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D'Guitarman Riddim produced by Golden Era Productions.
Released September 5, 2025

Mad One Presents the ultimate Caribbean party vibes! This mix brings you the hottest Soca tracks perfect for carnival season and year-round celebrations.
🎵 TRACKLIST:
00:00 Ding Dong - Wanna Party
02:14 Kerlz - Medicine
04:24 Salty - In Charge

🎉 WHAT YOU'LL GET:
✅ Carnival ready anthems ✅ Power soca & groovy soca ✅ Crystal clear audio quality ✅ Non-stop party vibes ✅ Trinidad & Caribbean flavor

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Bless up!
#socamusic #carnivalmusic #trinidadsoca #caribbeanmusic #fetemusic #socaplaylist #partymusic #bellevuesound #socamix2025 #tropicalmusic

🚨 DISCLAIMER:
This mix is for promotional purposes only. All rights belong to their respective owners.
⚠️ COPYRIGHT:
If you are the owner of any track and want it removed, please contact us directly.

⁣Akokɔnini, Akokɔ ne Nkokɔmma

Audiobook of Message to the People: The Course of African Philosophy.

Lessons from the BLACK masters.

black game maker,black developer, blackdev,black dev, games by black people, african games,african american games, african american game developers, black people in video games, black video game developers,black devlog, urban games,problack,problack games,unreal games by black people,black artist,black history,new black media,black media,newblackmedia,cutthecheck,b1,ados

#b1 #newblackmedia #marcusgarvey

Provided to YouTube by RCA/Legacy

Manteca · Dizzy Gillespie & his Orchestra

The Greatest of Dizzy Gillespie

℗ Originally Recorded 1947. All rights reserved by BMG Music

Released on: 1961-01-01

Composer, Lyricist: Dizzy Gillespie
Composer, Lyricist: Walter Albert Fuller
Composer, Lyricist: Luciano Chano Pozo Gonzales

Auto-generated by YouTube.

⁣Join us at the International Kiswahili Conference held at the historic Kololo Independence Grounds in 2025! This year's theme, “Embracing Kiswahili: A Political and Economic Imperative for Africa's Renaissance," emphasises the vital role of Kiswahili in uniting Africa and driving socio-economic development.

Discover insightful discussions with leading experts, inspiring speakers, and engaging workshops focused on the importance of Kiswahili in our political landscape and economic growth. Let’s come together to celebrate our rich cultural heritage and explore how embracing this beautiful language can pave the way for a brighter future for Africa.

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Stellar Malian actress/songstress Fatoumata Diawara performed with her band at The Sanctuary for Independent Media on April 28, 2016 and brought down the house.

www.mediasanctuary.org
www.fatoumatadiawara.com

Here she sings her powerful lament about the ancient city of Timbuktu, under assault by religious fundamentalists:

THIS IS MY LAND
This is Timbuktu, my home land,
Where the children are mourning from gloom,
This is my land, Timbuktu «the Maliba»,
The land of love,
The land of warmth,
The land of dignity,
Here is my Nation…
Why are we crying?
Why are the children crying?
Why are the young crying?
Cause of unfairness,
Cause of violence,
Fearing the future…
Here is my home
Stop crying
Cause no matter what, Timbuktu will remain

VIDEO PRODUCTION CREDITS

Cameras:
Elizabeth Press
Jay Wilcox
Jill Malouf

Camera assistant: Dylan Bodnar

Sound recording: Troy Pohl
Producer/house sound: Steve Pierce
Director/switcher: Branda Miller
Post production editor: James Bohuski

MUSICIANS
John Bashengazie

↓TRACKLIST↓ Vol.1
1. N'na : 00:00
2. Tara : 06:28
3. Mikossaya : 12:02
4. Djoliba : 16:12
5. Conakry : 20:02
6. Fouaba : 26:14
7. Minawa : 32:45
8. Souaressi : 36:37
9. P.D.G. - O.E.R.S. : 41:27
10. Hellaya : 50:38
11. Touyendé : 54:14
12. Namatimbaye : 58:12
13. Tinkisso : 01:02:05
14. Sakhodougou : 01:07:40

↓TRACKLIST↓ Vol.2 ▷▷ http://bit.ly/2x5vpGE
1. Douga
2. Kedo
3. Massane Cissé
4. Toubaka
5. Siiba
6. Kemé Bourema
7. Nina
8. Malisadio
9. Toutou Diarra
10. Djandon

↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté -
The Syliphone Years : La voix de la Révolution Vol.1" : http://smarturl.it/9pxc9o
↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté -
The Syliphone Years : La voix de la Révolution Vol. 2": http://smarturl.it/o2kjcj

Sory Kandia Kouyaté & L'Ensemble National Djoliba & Kélétigui Et Ses Tambourinis
Pays : Guinée
Label : Syliphone
Production : Syllart Records / Sterns Music

The Syliphone Years
Au lendemain de la décolonisation de la Guinée, le nouveau président Sékou Touré s'affirme comme le promoteur d'une réhabilitation de l'authenticité africaine face au déni colonial des cultures colonisées. Dans une perspective d'unité nationale et panafricaine, les artistes obtiennent le statut de fonctionnaire d'état et sont encouragés par le gouvernement à composer et écrire de nouvelles chansons dans un style plus moderne, tout en puisant dans le répertoire des récits historiques et des musiques ancestrales de l'aire Mandingue. Le fer de lance de cette politique n'était autre qu'un label d'état, le label Syliphone, dont les enregistrements sont de formidables témoignages du dynamisme et des richesses culturelles d'un peuple à l'aube de son indépendance qui porte au monde la voix de sa révolution.

► Sory Kandia Kouyaté
Le chanteur guinéen est sans aucun doute celui qui aura permis à la musique mandingue de toucher les coeurs, au-delà des cultures. Fils, petit-fils et arrière-petit-fils de djéli, Sory Kandia a appris les arts du verbe et du ngoni, luth traditionnel. Il a aussi appris tous les contes et légendes, tous les mythes fondateurs des royaumes du Mandé, de Soundiata Keïta l’empereur infirme, à Sadio, la fille à l’hippopotame.
Son prestige, cependant, il l’a tiré de l’outil dont il se sert le mieux : sa voix. Claire, forte, parfaitement maîtrisée. Et aussi de sa capacité à moderniser les chants anciens.
Conteur privilégié du parti de l’indépendance, il se voit confier directement par le président Sékou Touré la direction de l’Ensemble instrumental et choral de la ’’Voix de la Révolution’’ créé le 4 janvier 1961. La mission de l’Ensemble est claire : composer, adapter, orchestrer et interpréter les airs populaires, pour que demeure en mémoire l’histoire de la patrie. L’expérience apparait comme un véritable laboratoire de la musique traditionnelle africaine et Sory Kandia devient la ’’Voix de l’Afrique’’ avant Miriam Makéba !
Sur cet opus de 2 CD, nous présentons deux facettes de sa musique, la contemporaine et la traditionnelle pour expliquer pourquoi aujourd’hui, près de quarante ans après sa mort, il reste un artiste aimé et respecté.
(Texte : J.Dayan / Syllart Records - Source : Jeune Afrique)


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↻ ÉCOUTEZ / TÉLÉCHARGEZ la compilation "Sory Kandia Kouyaté - The Syliphone Years : La voix de la Révolution Vol. 2": http://smarturl.it/o2kjcj


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M23/CONGO/RWANDA/DRC/EU/
LUXEMBOURG

Film by Sorious Samura and Clive Patterson

How political corruption is turning the country's spiralling youth unemployment into a threat to society.

You can witness the same scene at dawn every morning in Kenya's capital, Nairobi: thousands of young people in search of work are streaming out from the city's slums towards its industrial areas.

Most of them are neatly if simply dressed, many of them are full of optimism, but the vast majority are destined to be disappointed. Those that can afford it will try and cram onto a bus in an attempt to beat the crowds, the rest will weave their way on foot through the heavy morning commuter traffic. But when they arrive, the situation for all of them will invariably be the same as it was on the previous day and the day before that and on all the other preceding days.

They will spend an hour or so packed in their hundreds along the pavements and parking lots outside a factory, warehouse or office block, certificates of education and references from previous employers ready to hand, waiting patiently for something to happen.

The usual rumours pass from person to person, this company is said to need people with computer skills, that one needs fork lift truck drivers or perhaps some just some day laborers. But then a supervisor will step from the building and shout out that he can offer a day's work for four people with experience of working a lathe or two with secretarial skills.

Many step forward, a lucky few are selected at random and make their way inside, then the doors of the building close and the rest drift off to take up station at the next place or to make their long way back home - hopes dashed yet again.

A national disaster in the making?

George, a Kenyan in his early twenties, has graduated from university in December 2012 with a diploma in electrical engineering but so far he has been unable to find work.

"The chance I'm going to be chosen today is limited," he says. "I'm just gambling. You can stand here for as long as half a day, because you never know the time that you can be picked."

It is a story that is all too common. Joblessness among all people of working age is a serious problem in Kenya, but among young people, it is a catastrophe. The country has one of the largest youth populations in Africa, but roughly 70 percent of its working age youth - almost 10 million people - are unemployed, although a surprising number are very well educated and possess the kinds of skills a healthy economy really should be able to put to use.

In a country where almost 80 percent of the population is under the age of 35 some have labelled it a national disaster in the making, that may have serious social consequences and lead to civil unrest.

For a country that is still recovering from the scars of the widespread community violence that followed the 2007 election and which is still reeling from the aftermath of the al-Shabab Westgate mall terrorist attack in September 2013, it is a hint worth taking seriously.

Dr Alex Ezeh of the African Population and Health Research Centre in Nairobi put the significance of this youth population 'bulge' in context.

"It is a demographic event," he says. "It's something that many countries go through at different stages as they move from very high fertility and mortality to very low mortality, it creates this reservoir of people." But this, as he explained, can have positive and negative consequences.

"Generally, what makes it a good thing is our ability to harness the economic potential of such a large proportion of young people going into the labour market … There is a side of it, the more negative part of it, which is, if there are no jobs and no opportunities to engage, then you have a lot of young people understanding what is going on but they're disenfranchised politically, economically, and in many other ways, and this creates a lot of political instability."

The stark reality for the young people from the huge slums at Kibera and Mathare and elsewhere around Kenya's capital is that life without a job is extremely difficult. With no regular income many of them have to turn to crime to make a living. And even if they do not, they are often suspected of involvement in crime, which in turn leads to deadly entanglements with Kenya's notoriously trigger-happy police.

A generation pushed to the edge

When asked who should be doing what about Kenya's youth unemployment, the answer is clear. Successive governments in Kenya have done little to alleviate the plight of the jobless and should be doing more.


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#AlJazeeraEnglish #KenyaUnemployement

Mhenga Martin Luther King, Jr.⁣
Sermon:
Why I Am Opposed to the War in Vietnam
⁣30 April 1967
Riverside Church
New York

Explore the fascinating world of ancient Egyptian beliefs with Dr. Kara Cooney’s in-depth course on Ancient Egyptian Cosmogony and Cosmology. Delve into the origin stories of one of history’s most influential civilizations, learn about the complex web of gods and goddesses, and understand the deep connections between nature, the universe, and the divine in Egyptian thought.

By interpreting religious texts, art, and ancient rituals, Dr. Cooney will guide you through the rich mythology and spiritual beliefs that shaped daily life, governance, and the cosmic balance of ancient Egypt. This course provides a rare opportunity to journey through ancient Egyptian cosmological concepts, their various creation myths, and how these beliefs compare and contrast with modern spiritual traditions.

Sign up today to learn from Dr. Kara Cooney, a globally recognized Egyptologist, whose research and passion bring ancient Egypt’s mythology, religion, and culture vividly to life.
⁣👉Sign up for Dr. Kara Cooney's course!

https://historyvalley--pursuit....4knowledge.thrivecar

⁣I made this video right after the George Floyd murder! I left for Tanzania 🇹🇿 I was done with USA👎🏾

What are fractals?
A fractal is a never-ending pattern that has self-similarity. This is one of the topics in math in the modern world nature and arts.

⏲️ Timestamps ⏲️
Introduction: (0:00)
What are fractals (9:41)
Self-similarity of Fractals (14:52)
How to compute Fractal dimension (15:41)
Formula of fractal dimension (22:55)
Examples of fractals (28:58)
Fractals in nature (38:12)
Fractals in architecture (39:20)
Fractals in arts (39:30)

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Solar System for Home: On Grid Solar System vs. Off Grid Solar System | Luminous Solar

The world is turning to solar energy - for sustainability and cost effectiveness. In this video, Luminous is talking about the two types of solar system for home - The On Grid solar System & Off Grid Solar System. Both these systems are similar and different in one key aspect, which is whether you want to save excess electricity generated and use it for running electronic appliances or you don't want to use excess electricity. Other than that, basic components like the solar panels, the solar battery and the solar inverter are common in both these systems.

If you were faced with the question of which one is better - that is on-grid vs offgrid solar system, then how would you answer that?

The basic difference between the two is that On-Grid works with the Grid system, while Off-Grid works independently off it. In the On-Grid system, the solar panels convert the solar energy into DC current and the inverter converts the DC current into AC current to power your home or business Any excess current that the solar panels create is fed back into the grid as credit which can be later drawn back in based on the requirement. However, the On-Grid system does not work during power outages so while it is cost effective, it is best used in places where the power cuts are minimum.

So what about places where there is high power outages or there is no power supply at all?
This is where the Off-Grid solar system is effective. This type of Grid system works even when there is no supply from the mains or when the solar panels don’t generate electricity.

For more information on the various types of solar system for home, please visit our website: https://www.luminousindia.com/. This video is a comparison between on grid solar system and off grid solar system. For more tips on purchase, installation and maintenance, subscribe to our YouTube Channel.

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#solarpanels #solarinverter #solarsystemforhome #on-gridvsoffgridsolarsystem #ongridsolarsystem #offgridsolarsystem #solarbattery #Luminous #solarenergy

https://www.solarbyluminous.com/

The murder trial of Thomas Sankara, Burkina Faso’s iconic “father of the revolution”, is due to open 34 years after his assassination. Analysis by Paul Melly, consulting fellow of the Africa Programme at Chatham House - London.

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Dr Khanyisile Litchfield-Tshabalala talks to Ntsiki about the history of colonisation and how it led to the bastardisation of African culture. She also discusses looking at things from the African perspective, including African spirituality and ancestors.

#upstandingcitizens #unpopularopinion #UnpopularOpinion_Za
#slavetradeandcolonisation #panafricanismvsafrocentrism #africanidioms #nubia

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Dr Khanyisile Litchfield-Tshabalala on Twitter - @KhanyisileLt

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