⁣Nana Bafoɔ Traditional Medicine Nature Walk

⁣17 Aug 2023 #mzansimagic #dstv #shaka welcome to the official YouTube channel for Shaka Ilembe Soundtrack! 🎶 Immerse yourself in the captivating world of our show with the incredible "Music from and Inspired by Shaka Ilembe" Tv Series. 🔥

Track Title: Nandi's Theme (Njomane)
Artists: Mbuso Khoza, Anne Masina, Phillip Miller, Ludvig Gawell & Hamilton Eklöf
Composer(s): Phillip Miller, Ludvig Gawell & Hamilton Eklöf
Author(s): Mbuso Khoza



Contact: muthalandpr@gmail.com

#shakailembe #shaka #soundtrack #mzansi #mzansimagic #music #lyrics #lyricvideo #muthalandentertainment #bombproduction #dstv


Shorts remixing this video




Super Goal.. #manzanalo #nolimitsmzans #abagxavuli @NeymarJrReal @KylianMbappe
224 views











a full body work with Gogo LuZwide..like & Subscribe. *
72 views











Njomane
5 views



















Shaka iLembe Music
4.33K subscribers

In this engaging interview, ⁣⁣ Ɔbenfo Ọbádélé Kambon discusses the upcoming Abibitumi Conference and Abibifahodie Festival with Carl Nelson


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In this eye-opening video, we delve into the shocking plot to overthrow Ibrahim Traore, revealing the mastermind behind the scheme. Discover the intricate details of this conspiracy and the motivations that drove individuals to attempt such a drastic action against the leader. We examine the political landscape, key players involved, and the implications of this plot on the country’s future. This exposé will leave you questioning the stability of leadership and the lengths some will go to in pursuit of power. Don't miss out on this critical analysis of current events that could change everything! Make sure to like, subscribe, and hit the notification bell for more in-depth investigations!

A male lion named olobor attacked a hyena clan that had surrounded him. Olobor showed the characteristic of a fearless male lion even though he was outnumbered. The hyena clan was trying to defend its territory from the fearless male lion but instead they lost a clan member trying to defend their territory in vain.

Filmed in Masai Mara.
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On this extraordinary episode of The Rock Newman Show 2.0, we are honored to host the esteemed Professor James Small. With a resume that reads like a testament to a lifetime of scholarly dedication and activism, Professor Small is a true legend in his own right.

As a scholar, activist, dynamic speaker, and organizational consultant, Professor Small's impact spans continents. He holds esteemed positions such as CEO of Sanaa Lodge Enterprise, Ghana, Ltd., CEO & President of African-American Management Company, Ghana, Ltd., and serves as International Vice President of both the Organization of Afro-American Unity (O.A.A.U.) and the World African Diaspora Union (WADU). His involvement in various organizations reflects his commitment to uplifting communities and promoting African heritage worldwide.

Professor Small's journey is intertwined with luminaries of African scholarship, having studied extensively with giants like Dr. John Henrik Clarke, Dr. Yosef A. A. ben Jochannan, and Dr. Leonard Jeffries, among others. His close association with figures such as Ella L. Collins, sister of Malcolm X, speaks volumes about his deep-rooted connection to pivotal moments in African-American history.

From serving as a principal bodyguard to Ella L. Collins to being Imam of Muslim Mosque Inc. (founded by Malcolm X), Professor Small's experiences offer a unique perspective on the civil rights era and the legacy of Malcolm X.

Beyond academia, Professor Small's influence extends to the entertainment industry, where he serves as Chief Historical Consultant for MGM+'s Godfather of Harlem TV movie series, featuring Forest Whitaker. His appearances in documentaries and consultation work further cement his status as a leading authority on African spirituality and history.

In this condensed interview, we dive into Professor Small's insights on African spirituality, his encounters with Malcolm X, his experiences with Ella L. Collins, and his perspective on current events, including the situation in Haiti.

Don't miss this extraordinary edition of The Rock Newman Show 2.0 as we engage in a profound conversation with Professor James Small, a true icon of our time.

Ɔbenfo Obadele Kwame Kambon demonstrates Capoeira Combat Sciences on Sunrise @ TV3 Studios.
...................................................................
⁣Abibifahodie History
Capoeira is an Afrikan=Black combat science.
“Capoeira veio da África; Africano quem a trouxe.”
Capoeira originated as an artform of the Macupe people of Angola where it was known as N’golo due to its similarity to the movements of the Zebras when they fought. It was associated with the male rites of passage whereby a young man who was able to best other youths of his age grade was afforded the opportunity to marry without having to pay the bridewealth. According to pre-eminent scholar of Bantu culture, Dr. Kibwandende kia Bunseki Fu-Kiau the word Capoeira itself is Afrikan and comes from the Kikongo word Kipura – to flutter around like roosters in cockfights.
With the coming of the portuguese and their mandate from the pope to reduce all non-catholics to enslavement, many of the Macupe, Bakôngo, Ovimbundu and other Bantu people were enslaved where they were taken to the then portuguese colony of Brasil. During this time on the continent, during the Maafa (“Middle Passage”) and once in Brasil, the artform took shape as an instrument of liberation as Afrikans relentlessly fought off the portuguese enslavers and established some of the first free (non-slave) republics in the western hemisphere, known in Kikôngo as Kilombos (portuguese Quilombo). One of the best known Kilombos was Palmares led by its legendary leader Zumbi. Here, Afrikans were dreaded by portuguese for using razor blades stuck in between their toes and hopping from trees slashing their enemies as the fell. Much of the malícia, or trickery, associated with Capoeira was deployed in the guerrila warfare struggles waged against an often better-equipped enemy.

In the war of the triple alliance against Paraguay in 1865, Brasil offered Afrikans who would fight in the war their freedom upon returning. Due to the reliance on hand-to-hand combat in trenches, Capoeiristas such as Cezario Alvaro da Costa, Antonio Francisco de Mello and the battallion “Zuavos Bahianos” were able to distinguish themselves. This is enshrined in the Capoeira song Paraná ê.





Despite the heroism of the Capoeiristas on the battle field, capoeira began to get a bad reputation in urban centers. With the abolishment of chattel enslavement, Capoeira flourished as an urban phenomenon in Bahia, Rio de Janeiro, Pernambuco etc., up until its ban due to association with malandros (thugs) in 1890. Oftentimes, politicians would hire capoeiristas to beat up supporters of political rivals. Capoeiristas were also known to use straight razors to slash the throats or enemies and victims. This led Capoeiristas to wear red silk scarves (so that an attacker’s razor blade would not cut through) to protect their own necks. With the state repression of capoeira, many practitioners had to practice underground leading to such toques as “Cavalaria” which would alert Capoeiristas that the police were approaching. Due to repression, Capoeira became almost extinct except for in Bahia in general and Salvador da Bahia in particular. It is worth noting that some practitioners were able to survive repression in other cities and regions.




With the fall of the expansion and decline of the Ọ̀yọ́ empire and the last major wave of enslaved Afrikans coming from the so-called “Slave Coast”, modern-day Nigeria, Capoeira came to be associated with Candomble, a syncretistic spiritual system founded on Yorùbá spirituality which incorporated various aspects of the vestiges of Bantu spirituality (such as Macumba). As such, capoeristas developed a symbiotic relationship where they would go to the practitioners of Candomble for spiritual protection and in turn offer physical protection for the Candomble houses.
In the past Capoeira was practiced with 3 drums rather than the 3 berimbau (also of Afrikan origin) configuration used in Capoeira Angola today. Those drums were known as rum, rumpi, and iê due to the different pitches of sounds they produced. Iê is still the distinctive call announcing the beginning of the opening ladainha and the close of the final corrido songs sung in the capoeira roda.
As Capoeira developed, many other changes were introduced such as those introduced by Mestre Bimba to change the image of Capoeira and also to get it legalized. In a performance for the governor of the state of Bahia, Juracy Magalhães, Mestre Bimba succeeded in convincing authorities of the cultural value of Capoeira and went on to establish the first official capoeira school, Academia-escola de Cultura Regional, in 1932. This is where the Capoeira style known collectively as Regional gets its name and distinctive styles attributed to Mestre Bimba’s introduction of techniques from Batuque, another Afrikan=Black combat science. The legalization led to other schools being established, most notably Mestre Pastinha’s Centro Esportivo de Capoeira Angola, the first school of Capoeira Angola, in 1942 in Pelourinho. A third strand of Capoeira, Capoeira da Rua (Capoeira of the streets) also continued to develop and is still practiced most notably at Mercado Modelo in Bahia.
Capoeira has now spread across the world and Abibifahodie Capoeira marks a milestone in the return of Capoeira to its native land, Afrika, bringing things full-circle. In our capoeira indigenization and re-Afrikanization program, we are working on translating the songs and lessons found in portuguese into one of the primary indigenous languages of Ghana, Twi. Additionally we are incorporating songs from other Afrikan languages such as Yorùbá and Kikongo.
Abibifahodie upholds the tradition of Capoeira as an instrument of Afrikan Liberation and is open to all Afrikan people of the continent and the diaspora. If you live in Ghana or plan on being in Ghana and are interested in training in Capoeira, contact us today!
Dr. Ọbádélé Kwame “Africano” Kambon
+233249195150
info@abibifahodie.com

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Lucy, the discovery of this 3.2 million-year-old fossil skeleton was such a monumental
breakthrough and what it meant for our understanding of human evolution.
In 1974, a team of researchers led by the renowned paleoanthropologist Dr.
Donald Johanson made a groundbreaking find in the Afar region of Hadar,
Ethiopia. They unearthed an almost complete fossil skeleton belonging to an early
human ancestor of our species, whom they affectionately named Lucy after the
Beatles' song "Lucy in the Sky with Diamonds."

The oldest known religion in Ethiopia is a traditional belief system called "Ethiopian
Traditional Religion" or "Ethiopian indigenous faith." This religious practice
predates the arrival of Christianity and Islam in the region by thousands of years. It encompasses a wide
range of spiritual beliefs and practices that have been passed down through
generations and are deeply rooted in Ethiopian culture and heritage.
Ethiopian Religion is characterized by its strong connection to nature,
ancestral worship, and the belief in supernatural forces and spirits. It incorporates
elements of animism, where various aspects of the natural world, such as rivers,
mountains, and trees, are considered to possess spiritual essence and are revered
accordingly.
The practice of Ethiopian Traditional Religion involves rituals, ceremonies, and
offerings to appease and seek blessings from ancestral spirits and deities. These
rituals often take place in sacred sites, such as forests, mountains, or ancient
stone structures known as "mazgabas."

The Aksumite religion, also known as the Aksumite Polytheism, refers to the
religious practices and beliefs of the Aksumite Empire, an ancient kingdom located
in present-day Ethiopia and Eritrea.
The primary deity of the Aksumite religion was the god Mahrem, also known as
Astar, who was considered the supreme god and the protector of the Aksumite
kingdom. Mahrem was associated with the sky, rain, and fertility. The Aksumite
kings, who held significant religious and political authority, were believed to be
direct descendants of Mahrem, solidifying their divine status and legitimacy.
In addition to Mahrem, the Aksumite pantheon included other gods and

goddesses, such as Astar, Beher, Meder, and Waraqa. Each deity had specific
domains and was worshipped for various purposes, including fertility, protection,
agriculture, and prosperity.
The Aksumites also practiced ancestor worship, believing that deceased ancestors
played a role in the spiritual well-being and guidance of the living. They would
honor and venerate their ancestors through rituals and offerings, seeking their
blessings and assistance.
The Aksumite religion was closely intertwined with the political and cultural
aspects of the empire. Temples and religious structures, such as the famous
Stelae of Aksum, were erected to honor the gods and commemorate the rulers.
Ritual ceremonies, sacrifices, and festivals were held to celebrate important
events, agricultural cycles, and religious observances.
With the spread of Christianity in the 4th century CE, the Aksumite religion began
to decline. Christianity eventually became the dominant religion in the region and
played a significant role in shaping Ethiopian culture and identity.
Today, remnants of the Aksumite religion can still be found in Ethiopian Orthodox
Christianity, which incorporates some elements and practices from the ancient
Aksumite belief system. However, the original Aksumite religion, as a distinct and
separate faith, ceased to exist as Christianity took root in the region. And by the 7th and 8th centuries, Islam would take over as the dominant religion of Africa. Which continues today.

The history of Africa begins with the emergence of hominids, archaic humans and — around 300,000–250,000 years ago — anatomically modern humans (Homo sapiens), in East Africa, and continues unbroken into the present as a patchwork of diverse and politically developing nation states. The earliest known recorded history arose in Ancient Egypt, and later in Nubia, the Sahel, the Maghreb, and the Horn of Africa.
Following the desertification of the Sahara, North African history became entwined with the Middle East and Southern Europe while the Bantu expansion swept from modern day Cameroon (Central West Africa) across much of the sub-Saharan continent in waves between around 1000 BC and 1 AD, creating a linguistic commonality across much of the central and Southern continent.

#gnosticinformant #documentary #africa

Issues concerning the true origin, content, purpose, inner nature and afterlife of the universe (including humanity) have generated a lot of intellectual and emotional arguments, debates and researches for so long.

Kindly join us in our exploration journey aimed at empowering humanity to uproot all forms of ignorance and live life to the fullest in alignment with the inexorable laws of life and it's cycles.


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