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009-Borno Empire under Shehu Umar
Peaches & Herb - Reunited (Edit by CorbiOnn)
Label: Polydor 1978
Producer: Freddie Perren
Written: Dino Fekaris, Freddie Perren
Freddie Hubbard - flugelhorn
James Spaulding - flute
Albert Dailey - piano
Bob Cunningham - bass
Ray Appleton - drums
Ray Barretto - congas
LP "CARAMBA" BLUE NOTE RECORD 1968
www.grooveaddict.org
credits:
Lee Morgan - trumpet
Bennie Maupin - tenor saxophone
Cedar Walton - piano
Reggie Workman - bass
Billy Higgins - drums
Cal Massey - arranger
Producer – Francis Wolff
Recorded By – Rudy Van Gelder
Released 1968
Recorded May 3, 1968
Van Gelder Studio, Englewood Cliffs
Superb gem from superb gem of an altoist, Eddie Harris. I've loved his version since I heard it.
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An impresario in the broadest and most creative sense of the word, Quincy Jones' career has encompassed the roles of composer, record producer, artist, film producer, arranger, conductor, instrumentalist, TV producer, record company executive, magazine founder and multi-media entrepreneur. As a master inventor of musical hybrids, he has shuffled pop, soul, hip-hop, jazz, classical, African and Brazilian music into many dazzling fusions, traversing virtually every medium, including records, live performance, movies and television.
Celebrating more than 50 years performing and being involved in music, Quincy's creative magic has spanned over six decades, beginning with the music of the post-swing era and continuing through today's high-technology, international multi-media hybrids. In the mid-50′s, he was the first popular conductor-arranger to record with a Fender bass. His theme from the hit TV series Ironside was the first synthesizer-based pop theme song. As the first black composer to be embraced by the Hollywood establishment in the 60′s, he helped refresh movie music with badly needed infusions of jazz and soul. His landmark 1989 album, Back On The Block--named "Album Of The Year" at the 1990 Grammy Awards-- brought such legends as Dizzy Gillespie, Ella Fitzgerald, Sarah Vaughan and Miles Davis together with Ice T, Big Daddy Kane and Melle Mel to create the first fusion of the be bop and hip hop musical traditions; while his 1993 recording of the critically acclaimed Miles and Quincy Live At Montreux, featured Quincy conducting Miles Davis' live performance of the historic Gil Evans arrangements from the Miles Ahead, Porgy and Bess and Sketches of Spain sessions, garnered a Grammy Award for Best Large Jazz Ensemble Performance. As producer and conductor of the historic "We Are The World" recording (the best-selling single of all time) and Michael Jackson's multi-platinum solo albums, Off The Wall, Bad and Thriller (the best selling album of all time, with over 46 million copies sold), Quincy Jones stands as one of the most successful and admired creative artist/executives in the entertainment world.
Dizzy Gillespie and his Orchestra performing "Night in Tunisia", featuring Dizzy Gillespie - trumpet, Don Byas - tenor saxophone, Milt Jackson - vibraphone, Al Haig - piano, Bill DeArango - guitar, Ray Brown - bass, and J.C. Heard - drums . Recorded February 22, 1946 in New York.
For lead sheets complete with introductory verses, lyrics, and accurate chord changes, visit
https://www.jazzguitarcomprehensive.com/
The JGC History series features specifically curated playlists to help trace the lineage of some of the most influential jazz compositions of all time.
Some notes about the composition from the JGC Real Book,
Composer: Dizzy Gillespie
Year: 1942
Origin: Introduced by Sarah Vaughan in 1944 as "Interlude".
Style: A combination of straight and swing feels, typically played at brighter tempos.
Form: A-A-B-A (32 Bars) [8-8-8-8]
The A sections are played straight with the exception of the final 2 bars, while the B section is swung. This arrangement commonly used for the head only with the solo section entirely swung.
Intro: The bassline that moves from bII7 - Imi6 is usually used to begin the performance, and there is also a counter-melody that goes along with it.
Send-off: After the head in a 12 bar send-off is used to lead into the solos. This is then followed by a solo break which is commonly 4 bars long. It is typically only used the first time around, although it is sometimes used to introduce every new soloist. This section is played entirely swung.
Shout Chorus: After all the melodic soloists are finished a shout chorus is sometimes included. The shout played during the A sections while the B section is left open to the drummer. Sonny rollins offers a concise interpretation of this arrangement on his recording from A Night at the Village Vanguard.
Key: D minor
Harmony/Overview: The harmony of this composition is mainly functional. The main theme revolves around the constant arrival of bII7 - Imi, which is essentially V7alt - Imi (tri-tone substitution). The bridge is identical to that of "Alone Together", taking place in the relative Major and moving from II - V of II before a II - V - I.
Recordings: This song has been recorded over 400 times to date and is a widely popular standard. The first recording comes from Sarah Vaughan in 1944 and was originally entitled "Interlude", featuring lyrics written by Sarah Vaughan and Anita O'Day. One of the earliest instrumental recordings of Dizzy Gillespie performing the piece comes a 1945 session with Boyd Raeburn and his Orchestra. Dizzy would later record and perform this piece many times throughout his career, leaving several particularly legendary recordings behind.
JGC Top Picks:
Sonny Rollins, A Night at the Village Vanguard, 1957
McCoy Tyner, Today and Tomorrow, 1963
Dave Liebman, Besame Mucho and Other Latin Jazz Standards, 1993
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#dizzygillespie #nightintunisia #jazzhistory
Mongo Santamaria - Afro Blue
originally released on the album Mongo (Fantasy Records - 1959)
reissued on the album Afro-Roots (Prestige Records - 1972)
If you like the music, support the artists by buying it!
#yeza #organic #bullseye #staroftheeast #jamaica #reggae #dancehall #reggaemusic #reggaeinterviews
DJ 745 spoke with the 'Rebel Empress' Yeza about her forthcoming project with Rory Stone Love 'Star Of The East'.
Yeza, whose stage moniker is inspired by the Swahili word Yezambique, meaning Strength and Resilience hails from Bull Bay, St. Andrew JA and she has earned the nicknames “Lyrical Lioness” and “Rebel Empress” for her skillful lyrics, natural melodies, powerful stage charisma, and multifaceted artistry.
Yeza embarked on her musical journey in 2017 with her debut recording Everyting Is Irie on the Hot Milk/Murderer riddim, produced by Calibud Music at the famous Bobby Digital studio in Kingston. Since then, Yeza has consistently released reggae music, demonstrating her skills as a talented singer and songwriter.
She has worked closely with Rory Stone Love since 2018 building up a powerful collection of works embracing the roots of dancehall/ rub a dub music including former singles Bullseye, Organic and Star Of The East.
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After the death of Wagner leader Yevgeny Prigozhin, Russia is putting a new power structure in place that will take over the group’s sprawling operations in Africa, which has advanced Kremlin influence on the continent for almost a decade.
A Russian military delegation that traveled to Libya, Burkina Faso, Central African Republic and Mali offers clues on the new chain of command.
0:00 Deputy Minister of Defense Yunus-Bek Yevkurov
1:03 Libya
1:55 Burkina Faso
3:35 Central African Republic
4:37 Mali
#russia #africa #wsj