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African/Black American history does not begin with slavery. The east African Nile Valley civilization (now known as Ethiopia, Sudan, Egypt and others) was arguably the greatest of all time, this video gives a brief breakdown on how the African ancestors explained the creation of the world in their Metu Neter (Writngs of God).
This is knowledge everyone should already know so share it with anyone who may have ever wondered what the ancestors believed in. Gratitude goes to BlackNine Films for the source content.
Nana Thomas Sankara - Lets Produce, Manufacture, and Consume in Abibiman
Dr Muhammad Arabi, Faruk KA Ghafar and other Black Egyptians break down the Afrikanity of ancient Kemet
Ancient Kemet's legacy is often misrepresented as Eurocentric depictions overshadow its true origins. However, evidence suggests that the ancient Kemites were predominantly of Black African descent. Physical anthropology, art, language, culture, and genetic studies support this claim. Its people exhibited a range of skin tones, including darker shades seen in Black Africans. Challenging colonial narratives, modern research aims to rectify historical inaccuracies. Modern Kemet remains a diverse nation, with a significant population of Black Egyptians continuing their cultural legacy. Acknowledging the Black African roots of ancient Kemet fosters a more inclusive understanding of human history and celebrates the rich diversity of humanity.
Dr. Rebecca Futo Kennedy presents on the Antiquity and Middle Ages Channel on the Black presence in the ancient Mediterranean
Join us on a captivating journey through time as we uncover the evidence of Black people in the Mediterranean region. From ancient civilizations to the present day, the Mediterranean has a rich history of Black presence often overlooked. Explore historical records and archeological findings that showcase their integral role in ancient civilizations and trade networks. Witness fascinating artifacts, burial sites, and artwork that challenge prevailing narratives. Discover how Black individuals held positions of power in the Roman Empire, leaving an indelible mark. Learn about the influence of the Arab slave trade and the establishment of thriving Afro-Mediterranean communities. Through expert interviews and stunning visuals, this video sheds light on the often overlooked diversity of the Mediterranean's cultural tapestry. Prepare to be enlightened and inspired as we explore the evidence for Black people in the Mediterranean. Subscribe now to embark on this illuminating adventure!
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Description:
Scholars Dr. Julius Garvey and Robin Walker continue the discussions on the divineness of many modern religions. How most, despite stemming from an African cultural and philosophical source / and or inspiration, and having profound central messages of love, kindness & compassion are often simply used as vehicles of oppression and forced domination, due to contrived secondary political layers of control utilised and overlayed on top of philosophies of inner reflections and comprehension.
About the Podcast:
In this Revolutionary Podcast series of conversations, the son of the late great Marcus Garvey, the venerable Dr Julius Garvey shares and explores deep thought ideas and concepts with Robin Walker ( The Black History Man ) about the relevance and need for Pan Africanist principles today. How we can utilise and apply them effectively to uplift the Black Diaspora worldwide to bring about the change we need in this modern day and age.
In the Principle of ‘Sankofa’ ( Looking back and Remembering ) the African origins and contributions to History, Politics, cooperative Economics, Religion, Science and Technology and Philosophy are explored in depth to inform the listener about the immense achievements of the Black Diaspora as a collective, and to show how we can apply unique African thought concepts and philosophies to our own lives as individuals and communities and to continually progress and improve ourselves as a ‘People’ in the present and the future for the better.
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Peaches & Herb - Reunited (Edit by CorbiOnn)
Label: Polydor 1978
Producer: Freddie Perren
Written: Dino Fekaris, Freddie Perren
Dizzy Gillespie and his Orchestra performing "Night in Tunisia", featuring Dizzy Gillespie - trumpet, Don Byas - tenor saxophone, Milt Jackson - vibraphone, Al Haig - piano, Bill DeArango - guitar, Ray Brown - bass, and J.C. Heard - drums . Recorded February 22, 1946 in New York.
For lead sheets complete with introductory verses, lyrics, and accurate chord changes, visit
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The JGC History series features specifically curated playlists to help trace the lineage of some of the most influential jazz compositions of all time.
Some notes about the composition from the JGC Real Book,
Composer: Dizzy Gillespie
Year: 1942
Origin: Introduced by Sarah Vaughan in 1944 as "Interlude".
Style: A combination of straight and swing feels, typically played at brighter tempos.
Form: A-A-B-A (32 Bars) [8-8-8-8]
The A sections are played straight with the exception of the final 2 bars, while the B section is swung. This arrangement commonly used for the head only with the solo section entirely swung.
Intro: The bassline that moves from bII7 - Imi6 is usually used to begin the performance, and there is also a counter-melody that goes along with it.
Send-off: After the head in a 12 bar send-off is used to lead into the solos. This is then followed by a solo break which is commonly 4 bars long. It is typically only used the first time around, although it is sometimes used to introduce every new soloist. This section is played entirely swung.
Shout Chorus: After all the melodic soloists are finished a shout chorus is sometimes included. The shout played during the A sections while the B section is left open to the drummer. Sonny rollins offers a concise interpretation of this arrangement on his recording from A Night at the Village Vanguard.
Key: D minor
Harmony/Overview: The harmony of this composition is mainly functional. The main theme revolves around the constant arrival of bII7 - Imi, which is essentially V7alt - Imi (tri-tone substitution). The bridge is identical to that of "Alone Together", taking place in the relative Major and moving from II - V of II before a II - V - I.
Recordings: This song has been recorded over 400 times to date and is a widely popular standard. The first recording comes from Sarah Vaughan in 1944 and was originally entitled "Interlude", featuring lyrics written by Sarah Vaughan and Anita O'Day. One of the earliest instrumental recordings of Dizzy Gillespie performing the piece comes a 1945 session with Boyd Raeburn and his Orchestra. Dizzy would later record and perform this piece many times throughout his career, leaving several particularly legendary recordings behind.
JGC Top Picks:
Sonny Rollins, A Night at the Village Vanguard, 1957
McCoy Tyner, Today and Tomorrow, 1963
Dave Liebman, Besame Mucho and Other Latin Jazz Standards, 1993
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#dizzygillespie #nightintunisia #jazzhistory
#yeza #organic #bullseye #staroftheeast #jamaica #reggae #dancehall #reggaemusic #reggaeinterviews
DJ 745 spoke with the 'Rebel Empress' Yeza about her forthcoming project with Rory Stone Love 'Star Of The East'.
Yeza, whose stage moniker is inspired by the Swahili word Yezambique, meaning Strength and Resilience hails from Bull Bay, St. Andrew JA and she has earned the nicknames “Lyrical Lioness” and “Rebel Empress” for her skillful lyrics, natural melodies, powerful stage charisma, and multifaceted artistry.
Yeza embarked on her musical journey in 2017 with her debut recording Everyting Is Irie on the Hot Milk/Murderer riddim, produced by Calibud Music at the famous Bobby Digital studio in Kingston. Since then, Yeza has consistently released reggae music, demonstrating her skills as a talented singer and songwriter.
She has worked closely with Rory Stone Love since 2018 building up a powerful collection of works embracing the roots of dancehall/ rub a dub music including former singles Bullseye, Organic and Star Of The East.
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The 42 Laws of Ma'at
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