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Watch more reasonings from Baba Kwaw Imana:
Pt.1 https://youtu.be/NBhIVvLA5wM?feature=shared

Baba Kwaw Imana is an executive director of the BaoBab Tree Foundation and the founder and executive director of the Wilson Baker Academy Homeschool collective.

In pt.2 this reasoning, Baba Kwaw Imana shares why he believes parents should not give theri children a smart phone until they have reached the age of 18.

Click link below to make a donation to Wilson Baker Academy:
https://my.onecause.com/event/....organizations/2c8887

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Queen Njinga Ana de Sousa Mbande (also spelled Nzinga, Nzingha, Ginga, and probably some other ways) was a 17th century ruler of the Kingdoms of Ndongo and Matamba, in what is now Angola. Fighting on the battlefield alongside her troops, and adapting to a variety of lifestyles from Mbundu to Imbangala to Christian, she displayed constant resilience in the face of Portuguese colonialism in West Central Africa, and earned herself a reputation as an Amazonian queen and the most formidable opponent the Portuguese had ever faced in Africa. This is her story.I apologize to any Kimbundu speakers who watch this video for my inevitable butchering of your language. If you'd like to help correct my pronunciation in any future videos I make on Njinga or Ndongo, please hit me up!No generative AI was used in any part of the creation of this video.This video is part of Untold Black History II, a collaboration of YouTubers talking about uplifting Black history from around the world. Check out the full playlist here: https://www.youtube.com/playlist?list=PLivC9TMdGnL-rRKRSKSqqVlMYZKrebcip&jct=EiV3t4lJSkssBqcIETHmswUntold Black History II intro and outro made by @KenKwameWrites Untold Black History II logo made by me B)To explain the design for the 3 people reading this, the bird is an Adinkra symbol from the region of modern-day Ghana representing the concept of "Sankofa," which you can find better explanations of online but in brief it represents the idea of going back for something in a metaphorical sense, i.e. recollection; I picked it to represent looking back to history. The symbol behind it is an Nsibidi symbol from the region of what is now southeastern Nigeria, and represents wealth, or in this case a wealth of knowledge. The colors of the symbol in the background are based on the common Pan-African tricolor flag, red, black, and green, while the Sankofa symbol is yellow to represent an alternative set of Pan-Africanist colors that includes yellow instead of black, based on the Ethiopian flag. All four of these colors are commonly used in Pan-Africanist flags and designs.Happy Black History Month y'all :DFootnotes:1. Heywood 2017, 57-60; Thornton and Lee 2011, 1832. Heywood 2017, 44-453. ibid. 614. Thornton and Lee 2011, 1775. Heywood 2017, 120-122; Thornton and Lee 2011, 1816. Heywood 2017, 50-527. ibid. 51-52, 758. ibid. 55, 659. Thornton and Lee 2011, 18110. Heywood 2017, 54-5511. ibid. 64-6512. ibid. 66-7113. ibid. 66-88; 102, 11514. ibid. 114-12515. ibid. 126-127; 140-14416. ibid. 133-15617. ibid. 157-168, 170-17118. ibid. 172-17819. ibid. 188-18920. ibid. 190-205Patreon: https://www.patreon.com/somasacademyTwitter: https://twitter.com/somas_academyBlueSky: https://bsky.app/profile/somas....academy.bsky.socialA https://www.artstation.com/kalahsoma0:00 Intro0:33 Untold Black History Intro0:44 Early Life of Njinga2:15 The Portuguese in West Central Africa3:17 Diplomatic Mission4:42 Rise to Power6:08 Portuguese Advance6:30 Guerilla Campaign7:15 Imbangala Leader8:08 Anti-Portuguese Alliance8:54 Religious Pressure10:20 Diplomacy11:37 Peace Negotiations12:44 Final Years13:04 Conclusion

Shaggy - It Wasn't Me (Lyrics) ft. Ricardo RikRok Ducent

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Lyrics

[Intro: Rikrok & Shaggy]
Yo, man
Yo
Open up, man
Yo, what you want, man?
My girl just caught me
You made her catch you?
I don't know how I let this happen
With who?
The girl next door, ya know?
Man
I don't know what to do
Say it wasn't you
Alright

[Chorus: Rikrok]
Honey came in and she caught me red-handed
Creepin' with the girl next door
Picture this, we were both butt naked
Bangin' on the bathroom floor
How could I forget that I had
Given her an extra key?
All this time she was standin' there
She never took her eyes off me

[Verse 1: Shaggy]
How ya fi give the woman access to your villa?
Trespasser and a witness, all the hacklin' a yuh pillow
You better watch your back before she turn into a killa
Best review the situation that you caught up inna
To be a true player, you haffi know how fi play
If she say, "A night," convince her, say, "A day"
Never admit to a word weh she say
And if she claim a yuh, tell her, "Baby, no way!"

[Pre-Chorus: Rikrok & Shaggy]
But she caught me on the counter (Wasn't me)
Saw me bangin' on the sofa (Wasn't me)
I even had her in the shower (Wasn't me)
She even caught me on camera (Wasn't me)
She saw the marks on my shoulder (Wasn't me)
Heard the words that I told her (Wasn't me)
Heard the screams gettin' louder (Wasn't me)
She stayed until it was over
[Chorus: Rikrok]
Honey came in and she caught me red-handed
Creepin' with the girl next door
Picture this, we were both butt naked
Bangin' on the bathroom floor
I had tried to keep her from what
She was about to see
Why should she believe me
When I told her it wasn't me?

[Verse 2: Shaggy]
Mek she know say that she really no have right fi vex
A never you she see yah make the gigolo flex
A smaddy else weh favor you inna di complex
Seein' is believin', so you better change your specs
You know she a go bring a whole heap a things up from the past
All the likkle evidence, you betta know fi mask
Quick 'pon yuh answer, know how fi talk
But if she pack a gun, you know you betta run fast

[Pre-Chorus: Rikrok & Shaggy]
But she caught me on the counter (Wasn't me)
Saw me bangin' on the sofa (Wasn't me)
I even had her in the shower (It wasn't me)
She even caught me on camera (Wa-wasn't me)
She saw the marks on my shoulder (Wasn't me)
Heard the words that I told her (Wasn't me)
Heard the screams gettin' louder (Wasn't me)
She stayed until it was over
[Chorus: Rikrok]
Honey came in and she caught me red-handed
Creepin' with the girl next door
Picture this, we were both butt naked
Bangin' on the bathroom floor
How could I forget that I had
Given her an extra key?
All this time she was standin' there
She never took her eyes off me

[Bridge: Rikrok]
Gonna tell her that I'm sorry for the pain that I've caused
I've been listenin' to your reasonin', it makes no sense at all
Need to tell her that I'm sorry for the pain that I've caused
You may think that you're a player, but you're completely lost
That's why I sing

[Chorus: Rikrok]
Honey came in and she caught me red-handed
Creepin' with the girl next door
Picture this, we were both butt naked
Bangin' on the bathroom floor
How could I forget that I had
Given her an extra key?
All this time she was standin' there
She never took her eyes off me

**Ethiopia Shocks the World! Joins Niger for Africa’s Nuclear Rise & Launches Drone Industry**

Ethiopia is making bold moves that are shaking up global geopolitics! The country has officially joined forces with Niger to push Africa toward nuclear power, signaling a major shift in the continent’s energy and defense capabilities. At the same time, Ethiopia has inaugurated its own drone industry, further cementing its position as a rising technological and military power.

What does this mean for Africa and the world? Is this the dawn of a new era where African nations take control of their own energy and defense futures? Stay tuned as we break down the significance of these developments and how they will impact global power dynamics!

🔔 **Subscribe** for more updates on Africa’s rise!
👍 **Like & Share** if you support Africa’s self-reliance!
📝 **Comment below** your thoughts on Ethiopia's latest moves!
Please SUBSCRIBE, LIKE, COMMENT and Share, Thank for Watching
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#africansolutions #nigeria #ethiopia #africaunite

The Magna Carta is often heralded as the foundation of modern democracy, embodying principles that would eventually shape notions of constitutional law and individual liberties in Western societies.
In contrast, the Mande Charter, or the Kouroukan Fouga, crafted in the expansive plains of the Mali Empire under the leadership of Sundiata Keita, also in the early 13th century, serves as a testament to a different kind of legislative history.

Recommended References
Resolutely Modern: Politics and Human Rights in the Mandingue Charter. The Savannah Review. 4. Kwara State University Press: 15–17. By Nick Nesbitt

Manden Charter, Proclaimed in Kurukan Fuga. By UNESCO

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6. New Dimensions in African History by John Henrik Clarke https://amzn.to/4beh1zg
7. Black Athena : Afro-Asiatic Roots of Classical Civilization by Martin Bernal https://amzn.to/42rrx2o
8. 100 Amazing Facts About the Negro with Complete Proof by J. A. Rogers https://amzn.to/3HH2QFg
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Explore one of Africa’s most compelling archaeological mysteries—Nabta Playa. Buried beneath the scorching sands of the Nubian Desert, this ancient site offers a glimpse into a Green Sahara past where innovative cultures thrived well before the rise of Ancient Egypt. Join us as we uncover the origins of these desert dwellers, their prehistoric astronomy aligned to the stars, and stone circles older than some of the world’s most famous monuments.

In this in-depth video, we dive into the cattle burials that highlight a deep-rooted spiritual practice possibly linked to later Egyptian deities, revealing how desert pastoralists contributed to ancient African civilizations. See how expert archaeologists like Fred Wendorf and Romuald Schild pieced together remnants of complex societies that once flourished in the Sahara’s lush, savanna-like environment. From hidden megalithic structures to extensive water management systems, discover the true scope of Nabta Playa’s influence on Ancient Egyptian roots.

0:00 Intro & Overview
1:12 The Green Sahara Era
4:27 Megalithic Stone Circles & Astronomy
7:45 Spiritual & Ritual Practices
10:22 Linking Nabta Playa to Ancient Egypt
12:09 Conclusion & Future Discoveries

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