Enjoy the video of Ahmad Jamal - One - at Jazz à Vienne, in HD : https://www.youtube.com/watch?v=yw25ZPVvMo4&list=UUynDWen7sleNWJDZ3MBcHEA

Ahmad Jamal - Poinciana - Olympia
アーマッドジャマル
Produced by Zycopolis Productions
Directed by : Patrick Savey

Artists :
AHMAD JAMAL (piano)
REGINALD VEAL (bass)
MANOLO BADRENA (percussions)
HERLIN RILEY(drums)

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Moody Mood For Love (Fields-Moody-Jefferson) by King Pleasure, with Blossom Dearie and Teacho & Band (sometimes reissued only with the title “I’m In The Mood For Love”).

This vocalese treatment of James Moody’s 1949 improvisation to the 1935 standard “I’m In The Mood For Love,” with lyrics by Eddie Jefferson, spent four months on Billboard’s singles charts, peaking at #2 on the R&B rankings. For Moody's instrumental version, listen here: https://youtu.be/vi9Xv7XO8AY

King Pleasure’s real name of Clarence Beeks will be familiar to fans of the Eddie Murphy-Dan Aykroyd comedy film “Trading Places,” as it was the name that director John Landis gave to the villain character played by Paul Gleason, purportedly in tribute to the jazz artist.

THE 1952 HITS ARCHIVE - here in one place, a good-quality library of original-release-version best-sellers and songs that made an impact that were either released or enjoyed a major chunk of their popularity within the calendar year 1952 (some were recorded in 1951).

Ref: Cosby Show .
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The three* MusicProf channels are home to The HITS ARCHIVES, YouTube’s most comprehensive collection of U.S. ‘popular music’ recordings from 1925 thru 1975. Discover thousands of original hit versions, conveniently arranged in year-by-year playlists and sorted alphabetically in your choice of either song title or artist name. Simply visit this channel’s home page (here: https://www.youtube.com/@the78prof72 ), scroll down the rows of playlist categories, choose a favorite year, click on “view full playlist,” and then pick out the songs that you want to hear. Enjoy the music!

* The78Prof The45Prof AnotherProf

Hey everyone, just a quick video reading off an interesting article on the subject of how Medieval Africans handled Pandemics (though the article says "Ancient Africans" a bunch, medieval is much more appropriate), so that I can meet my 2020 New Year's Resolution of posting 9 videos before 2021! Apologies for my struggles pronouncing some of the words in this article, you wouldn't believe how many tries it took to get some of them even close to right lmao.

Original Article by Shadreck Chirikure: https://theconversation.com/ar....chaeology-shows-how-

Twitter: https://twitter.com/somas_academy

"China is now the world’s sole manufacturing superpower", a mainstream European think think has acknowledged. Ben Norton explains China's historic growth and development model, and how the Chinese socialist market economy works.

Sources and more information here: https://geopoliticaleconomy.co....m/2024/01/31/china-w

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NOTHING TO HIDE (2017) deals with the acceptance of mass surveillance through the "I have nothing to hide" narrative. “Eye-opening” (Forbes) “Fascinating” (Les Inrocks).
Support the Creative Commons Non Derivative Non Commercial licence of the film: leetchi.com/c/project-nothing-to-hide allowing the film to be online for free.

More info about Nothing to Hide and its sequel Disappear: https://deepdocs.eu

The production of the film a cost, we rely on your donations.
*About the Creative Commons license:
The license Creative Commons – Attribution – Non Commercial – No Derivatives (CC-BY-NC-ND) allows you:
- to watch and share the film for free in four languages (English, French, German, Spanish) if you give credit to the authors and share the link of the website (https://deepdocs.eu).
- to organize a public screening without paying any royalties as long as the entrance to the screening is free and open to everyone.
- For commercial screenings (with entrance fee, yearly fee or restricted to certain audiences, i.e. conferences) and for broadcasting, contact the authors on the website (https://deepdocs.eu).
- You are invited to make a donation to contribute paying the production of the film and its upcoming follow-up.