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Why We Must Break Our Obsession With White Approval
Why We Must Break Our Obsession With White Approval Ọbádélé Kambon 32 Views • 3 months ago

👉🏿 INVEST IN INDEPENDENT BLACK MEDIA → Watch the FULL UNCENSORED interview with Dr. Mawiyah Kambon at https://ineverknewtv.com/premium/📍Missed Pt.2 https://youtu.be/Jo4H_6Qxao4Missed Pt.3 https://youtu.be/0ctKiGvbiMUMissed Pt.4 https://youtu.be/Q0wT5Xfr7J8Missed Pt.5 https://youtu.be/r3BBI4bOTcwIn Part 1 of this powerful reasoning, Dr. Mawiyah Kambon discusses what she describes as an ongoing obsession with white validation and how this mindset can shape the behavior and self-perception of Black people. She explains how this dependency, in her view, creates patterns that undermine collective progress and authentic self-definition.Please click the link below to learn more about Dr. Mawiyah Kambon and her work: https://www.onipa.com/about-dr-mawiyah-kambon/🎧 Catch 'I NEVER KNEW RADIO for Roots, Rock, Reggae Music!Hosted by Jr a.k.a 'The Bald Head' of 'I Never Knew TV'📅 Sundays: 9 - 11 AM EST📅 Wednesdays: 8 - 10 AM EST📅 Thursdays: 10 AM - Noon ESTListen live: https://wloy.org/listen/#ineverknewtv

Prison State | FRONTLINE - 2014
Prison State | FRONTLINE - 2014 Ambakisye-Okang Dukuzumurenyi 32 Views • 5 years ago

This 2014 documentary takes an intimate look at the cycle of incarceration in America, and one state’s effort to reverse the trend.

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More than two years in the making, “Prison State” focuses on one troubled housing project in Louisville, Ky., where a large number of residents have been incarcerated. The film follows the lives of four individuals rotating between custody and freedom. Using deep access to the Louisville jail, the film focuses on the efforts of Mark Bolton, the city’s director of corrections, as he tries to move inmates back into the community.

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#Documentary​ #PrisonState

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Major funding for FRONTLINE is provided by the Ford Foundation. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.

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