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Ogun · Asabioje Afenapa

"Isese L'agba" (Tradition And Culture Is The Best)

℗ 2007 Priest Adewale Bogunmbe

Released on: 2007-01-01

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Sona Jobarteh's debut music video "Gambia" in celebration of the Golden Jubilee of Independence for the Gambia in 2015.

This video features the traditional Mandinka Drum called the 'Seruba', an instrument no longer featured much in Gambian mainstream society. By featuring the drum in this song, Sona aims not only to resonate with the deep history of the Mandinka people, but also to boost and promote awareness of this instrument both in the Gambia and internationally.

Production Team:
Composed and produced by Sona Jobarteh
Camera/Editor/Co-Director: Jacob Bain
Co-Director: Sona Jobarteh
Camera: Robert Frost
Camera - Pascal Pawliszewski / Pascal Production
Mixed by - Femi Temowo
Mastered by - Peter Beckmann
Co-ordinator – Sheriffo Kanuteh

FEATURING:
The Fab Team, Gambia (Dancers)
Musafilly Jobarteh (Percussion)
Mamadou Sarr (Percussion)
Sekouba Bambino
Students of the ABJ Music School, Gambia
Lamin Suso

Here, in almost two hours of recorded material, is the stirring voice of Malcolm X himself in two parallel but very different speeches, one delivered in Harlem's Mosque No. 7, the second at Adam Clayton Powell's Abyssinian Baptist Church.

These speeches were not broadcast but were recorded, on Malcolm's in-structions, by one of his most trusted and faithful lieutenants, then Benjamin 2X, now Benjamin Karim. "Black Man's History" shows Malcolm as minister and teacher, providing his Muslim audience with the cultural roots and lore he knew African-Americans needed in order to recover their pride and dignity.

"The Black Revolution" is a ringing call for black separatism, "a passionate prophecy of judgment on white supremacy" (Booklist). To hear Malcolm's words, in his own voice, is to understand why the New York Times not only called him "a political leader and social analyst" but likened him to "an Old Testament prophet." The End of White World Supremacy is available in paperback from Arcade Publishing.

⁣Mhenga Frances Cress Welsing - Cress Theory of Color Confrontation and Racism - White Supremacy

New York City
[2011]

Channels TV Nigeria Documentary
50 Years After Biafra

Written by jazz singer, composer, pianist and arranger Eunice Waymon (aka Nina Simone), released on the 1966 album ''Wild Is the Wind''.

My skin is black.
My arms are long
my hair is woolly
my back is strong
strong enough to take the pain
inflicted again and again
what do they call me
My name is Aunt Sarah
My name is Aunt Sarah
Aunt Sarah.

My skin is yellow.
My hair is long
between two worlds
I do belong
my father was rich and white
he forced my mother late one night
what do they call me
my name is Saffronia
my name is Saffronia.

My skin is tan.
My hair is fine
my hips invite you
my mouth like wine
whose little girl am I?
anyone who has money to buy
what do they call me
my name is Sweet Thing
my name is Sweet Thing.

My skin is brown.
My manner is tough.
I'll kill the first mother' I see.
My life has been rough.
I'm awfully bitter these days
because my parents were slaves.
What do they call me
My name is
PEACHES!

Serial Verb Nominalization in Akan: A Question of Intervening Elements

https://www.sankofajourney.com
Don't be fooled by imitations. There is only one Sankɔfa Journey: since 1998!

Afrikan children building boats