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Africa is rich—rich in copper, oil, gold, diamonds, and people. But its wealth flows out while its people remain in poverty.
Stealing Africa
Release date: November 28, 2012 (Finland)
Director: Christoffer Guldbrandsen
Writer: Niels Borchert Holm
Stars: Christoffer Guldbrandsen, Bernhard Elsener, Ivan Glasenberg
Country of origin: Denmark
Language: English
Also known as: Plundringen av Afrika
Filming locations: Rüschlikon, Horgen, Kanton Zürich, Switzerland
Production companies: Guldbrandsen Film, The Why Foundation
Stealing Africa explores the mechanisms that keep the continent poor long after the end of formal colonial rule—revealing how modern multinational corporations, global tax havens, and unjust trade systems continue to extract resources and wealth on a massive scale.
At the center of the story is Zambia, home to the third largest copper reserves in the world, yet a country where 60% of the population survives on less than $1 a day and 80% are unemployed. Meanwhile, in the idyllic Swiss village of Rüschlikon, local government coffers overflow thanks to one resident: Ivan Glasenberg, CEO of Glencore, a commodities giant whose Zambian copper mines generate billions—but almost no tax revenue for Zambia.
Through extensive research and access to public financial records, the documentary uncovers how multinational corporations legally avoid paying taxes through transfer pricing, offshore shell companies, and favorable tax treaties. The result? For every dollar in aid Africa receives, ten dollars quietly vanish—spirited away through financial flows that benefit corporations and wealthy nations.
Stealing Africa is not just a film about economics—it’s about power, inequality, and accountability. It lays bare the modern architecture of plunder and asks the crucial question: What does it mean to be "post-colonial" when the money still flows in the same direction?
Produced by Steps International, this documentary is part of the “Why Poverty?” series and remains a vital watch for anyone interested in global justice, development, and the real cost of globalization.
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Join the #wearereading family at elywananda.substack.com to get full access to all live stream archives and to help support this African Centred Education project. This is a preview of the full live stream which is available for patrons only.
African Cosmology of the Bantu-Kongo (Fu-Kiau) Chp 3 #wearereading African Philosophy.
Bunseki Fu-Kiau, Ph.D. is one of the great scholars of the African religion, and the leading authority on the Bantu-Kongo civilization. He is also a genuine practitioner of the Kongo spiritual tradition. He is initiated into the three "secret societies" Lemba, Khimba and Kimpasi. Lemba is the foundation for several African based religious practices including Palo Mayombe (Cuba), Vodou Petro (Haiti) and Candomble Angola (Brasil). African cosmology of the Bantu-Kongo explores the Bantu-Kongo religious and philosophical teachings, as well as concepts of law and crime. It connects the reader with one of the most ancient and powerful spiritual traditions-explore "seven-direction walk" of our origin and links to society, nature and the universe.
Check the playlist for all episodes of the book: https://www.youtube.com/playli....st?list=PLb1pL6id3Sn
#wearereading live every weekend reading African Philosophy books. Check my channel playlists tab: https://www.youtube.com/@elywananda/playlists to see our previous in-depth studies covering the likes of Amos Wilson, Marimba Ani and Oyeronke Oyewumi. Upcoming authors include Frantz Fanon and Kwame Nkrumah.
It's been said that Black people don't read. Well, I am building a comprehensive African-centred education library called #wearereading of in-depth and interactive studies into African Philosophy, African Culture and African History.
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African Cosmology of the Bantu-Kongo #wearereading28 African Philosophy [PREVIEW]
#africanphilosophy #africancosmology
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Part 1 of the feature documentary 'A Thousand Years to Tombouctou'.
In the first instalment of the epic 1000km journey from Mali's capital city of Bamako, Onuora stops in the ancient trading city of Djenne to learn about its Great Mosque and Manuscripts.
From there he travels on to Bandiagara to spend time with the Dogon people whose discovery of Sirius B dates back thousands of years.
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They just voted on slavery at the United Nations, and the results should change how every Black American thinks about moving abroad. In this video, we break down what that vote really signals, why “abstaining” is not neutral, and how we’re updating our travel and relocation recommendations for Black Americans based on the countries that stood up for our humanity and the countries that refused to.
We also highlight Ghana’s leadership on this historic resolution and share a practical framework you can use to research destinations through a deeper lens than cost of living and visa options.
TIMESTAMPS ⏰
0:00 Intro
1:41 What Happened At The UN
2:08 Why It Matters As Expats
6:06 What Countries Are Better Destinations
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In this video we go over the first part of the UNESCO Symposium report on the peopling of Ancient Egypt that took place in Cairo, in 1974. The participants’ statements are read in full, so as to not misrepresent their arguments. References-The Symposium report: https://unesdoc.unesco.org/ark....:/48223/pf0000042573 Shemai article:https://www.livescience.com/58....424-mummy-ancient-eg on Fossil preservation of Melanin: - Study 1: https://pubmed.ncbi.nlm.nih.gov/26290071/- Study 2: https://pubmed.ncbi.nlm.nih.gov/22569368/- Study 3: https://pubmed.ncbi.nlm.nih.gov/29360744/- Study 4: https://pubmed.ncbi.nlm.nih.gov/22615359/-Study on Melanin quantity: https://pubmed.ncbi.nlm.nih.gov/12950732/-Some video worth watching: - Greek Testimonies: https://www.youtube.com/watch?v=slmlhrSvsa4&t=1242s - My video on Jóob: https://www.youtube.com/watch?v=NmXAX0xy2S8&t=122sSome physical anthropologic studies:- Egyptian body plan: https://pubmed.ncbi.nlm.nih.gov/12772210/- Egypt indeginous to Africa: https://pubmed.ncbi.nlm.nih.gov/8893087/- Egypt pre and post dynastic are the same:https://pubmed.ncbi.nlm.nih.gov/16331657/- The Naqada people cluster with Nubians: https://pubmed.ncbi.nlm.nih.gov/8893087/Contact me here: dimbdmc14@gmail.comThe song used in the video was “Deep Space – Ambient lofi” by Prod. Riddiman
Dizzy Gillespie and his Orchestra performing "Night in Tunisia", featuring Dizzy Gillespie - trumpet, Don Byas - tenor saxophone, Milt Jackson - vibraphone, Al Haig - piano, Bill DeArango - guitar, Ray Brown - bass, and J.C. Heard - drums . Recorded February 22, 1946 in New York.
For lead sheets complete with introductory verses, lyrics, and accurate chord changes, visit
https://www.jazzguitarcomprehensive.com/
The JGC History series features specifically curated playlists to help trace the lineage of some of the most influential jazz compositions of all time.
Some notes about the composition from the JGC Real Book,
Composer: Dizzy Gillespie
Year: 1942
Origin: Introduced by Sarah Vaughan in 1944 as "Interlude".
Style: A combination of straight and swing feels, typically played at brighter tempos.
Form: A-A-B-A (32 Bars) [8-8-8-8]
The A sections are played straight with the exception of the final 2 bars, while the B section is swung. This arrangement commonly used for the head only with the solo section entirely swung.
Intro: The bassline that moves from bII7 - Imi6 is usually used to begin the performance, and there is also a counter-melody that goes along with it.
Send-off: After the head in a 12 bar send-off is used to lead into the solos. This is then followed by a solo break which is commonly 4 bars long. It is typically only used the first time around, although it is sometimes used to introduce every new soloist. This section is played entirely swung.
Shout Chorus: After all the melodic soloists are finished a shout chorus is sometimes included. The shout played during the A sections while the B section is left open to the drummer. Sonny rollins offers a concise interpretation of this arrangement on his recording from A Night at the Village Vanguard.
Key: D minor
Harmony/Overview: The harmony of this composition is mainly functional. The main theme revolves around the constant arrival of bII7 - Imi, which is essentially V7alt - Imi (tri-tone substitution). The bridge is identical to that of "Alone Together", taking place in the relative Major and moving from II - V of II before a II - V - I.
Recordings: This song has been recorded over 400 times to date and is a widely popular standard. The first recording comes from Sarah Vaughan in 1944 and was originally entitled "Interlude", featuring lyrics written by Sarah Vaughan and Anita O'Day. One of the earliest instrumental recordings of Dizzy Gillespie performing the piece comes a 1945 session with Boyd Raeburn and his Orchestra. Dizzy would later record and perform this piece many times throughout his career, leaving several particularly legendary recordings behind.
JGC Top Picks:
Sonny Rollins, A Night at the Village Vanguard, 1957
McCoy Tyner, Today and Tomorrow, 1963
Dave Liebman, Besame Mucho and Other Latin Jazz Standards, 1993
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