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In this video we discuss the necessity of nation building as the solution to the historical and ongoing oppression that Afrikan people face worldwide.
Here is a link to our son's youtube channel: https://www.youtube.com/channe....l/UCbraDbgrSeKY8zb9H
In this video we look at the history of Nubia and we redefine its correct position in African history as well as world history.
This video features materials protected by the Fair Use guidelines of Section 107 of the Copyright Act. All rights reserved to the copyright owners.
* Some YouTube channels worth checking out!
- HAPI Film conversation with Robin Walker:
https://www.youtube.com/watchv=41fyXYc3prM&list=WL&index=11&t=1460s
- HomeTeam History YouTube Channel:
https://www.youtube.com/channe....l/UC12lU5ymIvSpgl8Kn
- Videos of Shomarka Keita and Vanessa Davies on Nubia:
https://www.youtube.com/watch?v=V1T7Tu2v2Ic&t=23s (SOY Keita)
https://www.youtube.com/watch?v=dRL6EDWfqMs (Vanessa Davies)
- Buhen Video: https://www.youtube.com/watch?v=aLamtIke1R4&t=21s
* My references
- The General History of Africa, Chapiter 8, page 226
- Wikipedia article, Nubia: https://en.wikipedia.org/wiki/Nubia
- Wikipedia article, Qustul: https://en.wikipedia.org/wiki/Qustul
- Diodorus Siculus, The Library of History, Books II.35 – IV.58, Translated by C.H. Oldfather, Harvard University Press, 2000
- Civilization or Barbarism, by C.A. Diop – Anteriority of Nubian Civilization, page 103
- The Qustul Incense Burner, by University of Chicago:
https://oi.uchicago.edu/museum....-exhibits/nubia/qust
- Bruce Williams’ article on Qustul: https://www.jstor.org/stable/544188
- Wikipedia article, Napta Playa: https://en.wikipedia.org/wiki/Nabta_Playa
- Evidence of earlier pharaonic symbols at Hierakonpolis??
Here is the link: https://sumerianshakespeare.com/748301/855901.html
ontact me here:
dimbdmc14@gmail.com
The song used in the video was “Lofi beat - Optimistic” by Eric Godlow Beats
The beat used in the Intro was “beautiful Nubia” by dahcadencemaker
The beat used for the Buhen Fortress video was: "LAZY" by LIVID BEATZ
Provided to YouTube by The Orchard Enterprises
Ife Onye Metalu · Chief Stephen Osita Osadebe
Ife Onye Metalu
℗ 2009 Premier Records LTD
Released on: 2009-03-16
Music Publisher: 51 LEX RECORDS LTD
Auto-generated by YouTube.
#afrikanmusic #blackmusic
Hello everyone!
This is the continuation of the story of Afonja. If you haven't watched the first part please do well to search for it on our Youtube page. In the meantime, you can enjoy this 😊
Abibifahodie Adesuabea Ɔfa a Ɛtɔ so Mmienu (Pt. 2)
Different different fever na him dey
Different different fever na him dey
Different different fever na him dey
Different different fever na him dey
Malaria fever nko? (e dey!)
Jaundice fever nko? (e dey!)
Hay fever nko? (e dey!)
Influenza fever nko? (e dey!)
Inflation fever nko? (e dey!)
Freedom fever nko? (e dey!)
Yellow fever nko? (e dey!)
[Chorus]
Na him dey bring the matter now e dey!
Yellow fever nko? (ee dey!)
[Chorus]
Na him dey bring the matter now e dey!
say tell them make them hear (You say!)
All fever na sickness (You say!)
Original sickness (You say!)
Hay fever na sickness (You say!)
Original sickness (You say!)
Malaria na sickness (You say!)
Original sickness (You say!)
Jaundice na sickness (You say!)
Original sickness (You say!)
Influenza na sickness (You say!)
Original sickness (You say!)
Inflation na sickness (You say!)
Original sickness (You say!)
Freedom na sickness (You say!)
Original sickness (You say!)
Yellow fever nko? (You say!)
[Chorus]
Original and artificial e dey!
Yellow fever nko? (You say!)
One more...
[Chorus]
Original and artificial e dey!
Bom bom bom, tell me now...
Original catch you
Your eye go yellow
Your yansh go yellow
Your face go yellow
Your body go weak
I say but later if you no die inside
The yellow go fade away
Artificial catch you
You be man or woman
Na you go catch am yourself
Na your money go do am for you
You go yellow pass yellow
You go catch moustache for face
You go get your double colour
Your yansh go black like coal
You self go think say you dey fine
Who say you fine?
[Chorus]
Na lie, you no fine at all!
At all, na lie!
My sister, who say you fine?
[Chorus]
Na lie, you no fine at all!
At all, na lie!
Yellow fever
[Chorus]
You dey bleach, o you dey bleach!
You dey bleach, o you dey bleach
African mother
You dey bleach, o you dey bleach
Sissi wey dey go
Yellow fever
Stupid thing
Yeye thing
Fucking thing
Ugly thing
Yellow fever
You dey bleach, o you dey bleach
African mother
You dey bleach, o you dey bleach
Sissi wey dey go
Yellow fever
Now to the underground spiritual game
Underground where dey down for school
Over there for school, yes
Where dey go say: teacher
Oya!
[Chorus]
Teacher!
Who steal my bleaching?
My precious bleaching?
I buy am for shopping
For forty naira
How I go yellow?
How I go fine now?
I go die o
I go die o
I go die o
According to complaint
Complaint must get answer
I beg please, help me help teacher
Oya, foolish
Oya!
[Chorus]
Foolish!
Who steal your bleaching?
Your precious bleaching?
You buy am for shopping
For forty naira
You self wan yellow
How you go fine now?
Your face go yellow
Your yansh go black
Your mustache go show
Your skin go scatter
You go die o
You go die o
You go die o
You go die o
[Chorus]
You dey bleach, o you dey bleach!
You dey bleach, o you dey bleach
African mother
You dey bleach, o you dey bleach
Sissi wey dey go
Yellow fever
Stupid thing
Yeye thing
Fucking thing
Ugly thing
Yellow fever
You dey bleach, o you dey bleach
African mother
You dey bleach, o you dey bleach
Sissi wey dey go
Yellow fever
Introduction: the kulunsi, the Kongo cross, named by Kibambuende K. Fu-kiau the Kongo Cosmogram, is in reality the summary of all the teachings of Bukongo, the Kongo religion. In this video we will explore the epistemological meaning of the kulunsi and explain how it relates to the acquisition of new knowledge..
Conclusion: the kulunsi, called by Fu-kiau Kongo Cosmogram, is the summary of all the teachings bequathed by our ancestors. As an epistemological symbol, it teaches us that the highest means of the acquisition of new knowledge is the purification of thoughts. This is the process that allowed ancient Egyptians to reach to their astonishing knowledge. A process that is a must for nowadays Blacks.
The dark side of the world’s fashion addiction. Many of our old clothes, donated
to charities, end up in rotting textile mountains in West Africa. This is a story
about how our waste is creating an environmental disaster.
Have you ever thought about what happens to your old clothes after you drop them off at the
op shop? It might be time to start, because these goodwill gestures are helping to fuel an environmental catastrophe on the other side of the world.
When charities in Australia can’t sell donated clothing, tonnes of it ends up being exported to
countries like Ghana, in West Africa. Ship after ship docks every week with bales from Europe,
the US, China and Australia.
They call them ‘Dead White Man’s Clothes’. Once they arrive in Ghana, they’re taken to the
bustling Kantamanto markets in the capital Accra and from here, they make their way to
villages and towns across the country.
The industry provides jobs for thousands of people, like Asare Asamoah, a successful importer.
He brings in clothes, mainly from the United Kingdom, and if they’re good quality, he can make
a decent living.
But it’s risky business. He has to pay upfront for a bale and never knows whether it’s trash or
treasure. With cheap, fast fashion flooding the world, the quality of the clothes arriving in
Ghana is getting worse and worse.
‘Sometimes you’ve gone and bought something, then you don’t get what you want’, says
Asamoah. ‘Then you lose your money.”
And there’s a dark side to this industry.
Correspondent Linton Besser travels to Ghana to uncover the dirty secret behind the world’s
fashion addiction.
While 60 per cent of imported fashion items are reused and resold, 40 per cent are rubbish,
creating an environmental catastrophe for this poor nation.
With the main dumpsite for textile waste now full, unregulated dumpsites ring the city. These
fetid clothes mountains are often set on fire, filling the skies with acrid smoke.
‘It is totally a disservice to us in this part of the world because we have become sort of the
dumping ground for the textile waste that is produced from Europe, from the Americas”, says
Accra’s waste manager, Solomon Noi.
Emmanuel Ajaab imports used clothes from Australia but he despairs at the poor quality of the
clothes that arrive. From a bale of about 200 garments, he finds only seven he can resell at a
good price.
“In Europe and UK and Australia, America, they think Africa here, sorry to say, we are not like a
human being”, he tells Foreign Correspondent.
The dumped textiles also get swept up in the monsoonal rains and end up choking the city’s
waterways and beaches, posing a danger to fishermen and aquatic life. Liz Ricketts, who runs
an NGO campaigning for awareness of Ghana's textile waste crisis, lays the blame at the feet
of international fashion houses.
“Waste is a part of the business model of fashion. A lot of brands overproduce by up to 40 per
cent”, says Ricketts.
Noi begs the people who donate their clothes to think twice about where they end up.
“If they come here, like you've come, and you see the practicality for yourself, then they will
know that, no, we better take care of these things within our country and not to ship that
problem to cause problems to other people.”
About Foreign Correspondent:
Foreign Correspondent is the prime-time international public affairs program on Australia's national broadcaster, ABC-TV. We produce half-hour duration in-depth reports for broadcast across the ABC's television channels and digital platforms. Since 1992, our teams have journeyed to more than 170 countries to report on war, natural calamity and social and political upheaval – through the eyes of the people at the heart of it all.
Contributions may be removed if they violate ABC’s Online Terms of Use http://www.abc.net.au/conditions.htm (Section 3). This is an official Australian Broadcasting Corporation YouTube channel
This is the Preface and Intro of the book.
#thenewblackmind
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You can watch the Spanish version of this documentary here: https://youtu.be/-5mTYXGTlfkIn southwestern Guinea Bissau there are some islands where a very special people live, the Bissago. What is it that makes them so special? It is not the fact of living in balance and harmony with the spectacular nature that surrounds them, taking from the land or the sea only what they need to survive. Neither is their deep animistic spirituality, which marks their life with rites to acquire the knowledge of their ancestors. What makes them so special is that, in the Bissago society, the woman is the protagonist.Subscribe to the channel: https://goo.gl/5Sp36BFollow us on Facebook: https://www.facebook.com/wocomoThey are the ones who decide how to manage the crops or punish the crimes, they are the priestesses of the temple, those who can communicate with the gods, the forces of nature and the spirits of the deceased. For the Bissago, the woman is feared and respected, since they consider her capable of deciding about life and death. This documentary focuses on the lives of some of the women of Eticoga, the main village on the island of Orango. Through their lives and ways of looking we will know the most outstanding and peculiar aspects of this matriarchal society so different, not only from the Western way of life, but from the rest of Africa and almost all other cultures on the planet.Original title - Queens of OrangoA film by Raúl Bueno Herrera© 2020, Licensed by 3boxmedia#documentary #women #womenempowerment #matriarchy
Introducing the book "Art of Research"
Baba Mkuu Mzee of the RAG interviews Dr. Tdka Maat Kilimanjaro. He introduces his latest of four 1000+ page volumes that covers the techniques of data analysis, research and statistics in full detail and that it gives you much more than a normal book is expected to provide. See what that means.
Also in the spirit of Ma'at and humility Dr. Kilimanjaro announces the revisions of four volumes to include new updated information by the Univ. Kmt Press Peer Review Team and the fine concerned individuals/friends of the Afrikan community. Release dates will be forthcoming.
This brings everything full circle for the University of Kmt Press and their highly praised library of works.
These two Elders chop it up again and almost one year later down in North Carolina they cover many other areas that concern the Afrikan Community.
This recent work "Art of Research" by Dr. Tdka Maat Kilimanjaro and the rest of the great Univ of KMT Press library can be found and purchased here:
https://books-by-ukmt-press.myshopify.com/
Visit our website: www.raisingawarenessgroup.com for more interesting content, articles and community news.
Drop us an email at RaisingAwarenessGrp@gmail.com if you have any questions, concerns or comments. We look forward to hearing from you.
Our question to the Afrikan Community from this point forward will now be:
"What are you building?".
Abibifahodie!
Ɛboɔtire Oguo (Boti falls) family excursion
A Yoruba Cartoon Movie Episode For Children
Provided to YouTube by CDBaby
Ogun · Asabioje Afenapa
"Isese L'agba" (Tradition And Culture Is The Best)
℗ 2007 Priest Adewale Bogunmbe
Released on: 2007-01-01
Auto-generated by YouTube.
Political Structure and the Decline and Fall of Kanem
One of my all time favorite Fela songs and also one of Fela's most strangely bewitching and moving songs.
Chilled song "First Light" is an ethereal soundscape that flows and builds (1971). Features Freddie Hubbard (trumpet, flugelhorn); Jack DeJohnette (drums); Ron Carter (bass); Richard Wyands (piano); George Benson (guitar); Airto Moreira (percussion); Phil Kraus (vibraphone); Hubert Laws (flute); Wally Kane (flute, bassoon); George Marge (flute, clarinet); Romeo Penque (flute, english horn, oboe, clarinet); Jane Taylor (bassoon); Ray Alonge (french horn); James Buffington (french horn); Margaret Ross (harp); David Nadien (violin); Paul Gershman (violin); Emanuel Green (violin); Harold Kohon (violin); Joe Malin (violin); Gene Orloff (violin); Matthew Raimondi (violin); Tosha Samaroff (violin); Irving Spice (violin); Alfred Brown (viola); Emanuel Vardi (viola); Charles McCracken (cello); George Ricci (cello).
Sampled by Souls Of Mischief "Never No More" - 93 'til Infinity (1993)
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