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I DO NOT OWN THIS!!!


This track is originally from Deniece's album entitled Let's Hear It For the Boy but in 1996 it was released on her The Best of Deniece Williams CD. The song was originally recorded in 1984. Enjoy!! Lyrics Below:
Morning light, silken dream to flight
As the darkness gave way to dawn
You've survived, now your moment has arrived
Now your dream has finally been born

Chorus:
Black Butterfly, sailed across the waters
tell your sons and daughters
what the struggle brings
Black Butterfly, set the skies on fire
rise up even higher
so the ageless winds of time can catch your wings

ooh...ooh

While you slept, the promise was unkept
But your faith was as sure as the stars
Now you're free, and the world has come to see
Just how proud and beautiful you are

Chorus

Let the current lift your heart and send it soaring
Write the timeless message clear across the sky
So that all of can read it and remember when we need it
That a dream conceived in truth can never die
Butterfly

Cause now that you're free and the world has come to see
Just how proud and beautiful you are

Chorus

Fly
Butterfly
Yeah, yeah, yes
Fly

Follow Mc Galaxy on Social Network. @mcgalaxymcg

An exceptional video by Mc Galaxy featuring Davido and he calls this Nek Unek. This video floors all the videos out there and will be played and watched for a long time to come. Enjoy the beat!

Buy Sekem on iTunes - http://bit.ly/1H3yEMV

Brought to you by - www.mcgalaxymusic.com

⁣Yorùbá Tribute to the late Okunini (Dr.) Edward Nanbigne
⁣Ìbà o o o!
Ọlọ́jọ́ òní mo júbà k'íbà mi k’ó máa ṣẹ
Ìbà lọ́wọ́ Olódùmarè a gb'ọ̀tún
Atẹ́ní lẹ́ bẹ́lébẹ́ ṣagbeji ara
Mo júbà k'íbà mi kó máa ṣẹ
Ìbà apẹ́tẹ́ ọwọ́
Ìbà pẹ̀lẹ̀m̀bẹ̀ ẹsẹ̀
Ìbà àpẹ́tẹ́lẹrísẹ̀ tí ò hunrun tó fi dé pọọlọ itan
Ọlọ́jọ́ òní mo júbà k'íbà mi kó máa ṣẹ
Ìbà alájá t’òun t'ògbóró
Ìbà ẹlẹ́ṣin t’òun t'èèkàn lẹ́ sẹ̀
…bí labalábá bá jáko a sì júbà ẹyẹ oko
Àgbẹ̀ jáko a sì júbà kùẹ̀kùẹ̀
Àgbẹ̀ tó jáko tí ò júbà kùẹ̀kùẹ̀
Ọkọ́ á ṣá wọn lójúgun
Ọlọ́jọ́ òní mo júbà k'íbà mi kó máa ṣẹ.
(Àlàbí 1998)
Homage o o o!
The owner of today I pay homage
Let my homage be acknowledged
Homage to Olódùmarè who claims the right path
The one who flatly spread the mat to cover his entire body
I pay homage let my homage be acknowledged
Homage to the palm of the hand
Homage to the sole of the foot
Homage to the sole of the foot which does not grow hair up to the lap
The owner of today I salute let my homage be acknowledged
Homage to the owner of dog and its chain
Homage to the owner of horse and its chain
When butterfly enters farm it acknowledges the birds in the forest
When farmer enters farm he acknowledges kùẹ̀kùẹ̀
The farmer who enters farm without paying homage to kùẹ̀kùẹ̀ gets himself hit on the shin by the hoe.
Ikú tó pa ojúgbà ẹni-í pòwe mọ́ni
⁣‘‘The death that kills one’s age mate speaks to one proverbially’’.
Aláwo á kú; oníṣègùn á rọ̀run; adáhunṣe ò níí gbéle.
The diviner will die; the medicine man will go to heaven; the magician will not remain forever on earth.

Ikú ogun ní ńpa akíkanjú; ikú odò ní ń pa òmùwẹ̀; ikú ara-ríré níí ń pa arẹwà, màjàmàsá ní ń pa onítìjú; òwò tádàá bá mọ̀ níí ń ká àdá léhín.
It is death related to warfare that kills the warrior; it is the death associated with the river that kills the swimmer; it is the death attendant on preening that kills the beautiful person; wondering whether to stand and fight or run kills the easily embarrassed person; the trade that the cutlass knows knocks out its teeth.
Gbèsè nikú; kò sẹ́ni tí kò níí pa.
Death is a debt; there is no one it will not kill.
Ikú lorúkọ àjẹ́pẹ̀kun.
Death is the name one bears at the last.
Àìsàn là ń wò, a kì í wo ikú.
One treats an illness; one does not treat
Ọ̀nà ọ̀fun, ọ̀nà ọ̀run: méjèèjì bákan náà ni wọ́n rí.
The pathway of the throat, the pathway to the skies: the two are very much alike.
Ogún pa ará, odò-ó gbé iyèkan lọ, àjọ̣bí sọnù lọ́nà Ìkòròdú, a ò tún rẹ́ni bá rìn mọ́, àfi ẹni tí ń tanni.
Death took one’s kin; the river carries off one’s siblings; one’s blood relations disappear on the road to Ìkòròdú; one has nobody left to keep one company save those intent on deceiving one. (An expression of the statement that one has lost all those one could rely on.)
Àìdé ikú là ńso ààjà mọ́rùn; bíkú bá dé á já ààjà sílẹ̀ a gbé aláàjà lọ.
It is when death has not come calling that one ties charms around one’s neck; when death comes calling, it rips the charm away and carries its wearer off.

Ó di ọjọ́ tí aláró bá kú ká tó mọ oye aṣọ tó gbà rẹ.
It is on the day of the dyer’s death that one knows how many pieces of cloth she had taken in to dye.
Òmùwẹ̀ lodò ńgbé lọ.
It is the expert swimmer that is carried off by the river. (Whatever one is addicted to doing is likely to be one’s death.)
Àìdé ikú là ḿbọ Ògún; àìdé ikú là ḿbọ òrìṣà; bíkú bá dé ikú ò gbebọ.
It is when death has not called that one sacrifices to Ògún; it is when death has not called that one sacrifices to the òrìṣà; when death comes calling, death does not heed sacrifices.
There is no medicine or sacrifice to stop death when its time comes.
Àwáyé-àìkú ò sí; ẹ̀rù lásán la fi ń dá ba ara wa.
There is no living without dying; we only scare ourselves [with death].
Ikú ńpa aláwọ̣ ẹkùn, káláwọ agílíńtí ó múra.
Death kills the person clothed in leopard skin; the person clothed in lizard skin had better prepare himself or herself.
Ikú tó pa òwè ń pòwe fún ẹdun.
The death that killed the black monkey sends a proverbial message to the colobus monkey.

Ikú tóbi loba; àrà tó wu ikú nikú ń da. Death is a mighty king indeed; whatever it chooses to do, that it does.
Ọjọ́ a bá kú là ń dère, èèyàn ò sunwọ̀n láàyè.
It is on the day one dies that one becomes an idol; no one is appreciated when alive.
Àtisùn ẹ̀dá à ṣẹ̀hìn Olódùmarè.
A human being’s dying is not hidden from the Creator. (Only Olódùmarè determines the time of a person’s death.)
Kí á jìnnà séjò tí a à bẹ́ lórí; ikú tí yóò panni á jìnnà síni.
One should stand far back from a snake that has not been beheaded; the death that would kill deserves a wide berth. (One should recognize dangerous situations and keep away from them.)

Mommy's room is almost complete. It's built sustainably better than most houses in the united snakes. Moving to Gnana Afrika is the best decision I've made. 90 percent of the money that went into this building is made in Ghana or benefited another Afrikan=Black man. Repatriation is a real thing for those who want to reclaim their history, language, and culture. Go to www.repatriatetoghana.com we are help to assist you.

⁣Dr. Yosef Ben Jochannan P2 | 1987

Let's learn about the Akan (Twi) vowels and Consonants. In this lesson, you'll learn about the meaning of vowel, Consonant and their translations in twi. Also, you'll learn how to pronounce the twi vowels and consonants sounds.

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Thank you.

[ESPAÑOL]
Los orígenes de la antigua Kush
Tienes que conocer el mundo antiguo para comprender el mundo moderno. Durante años, la historia y las contribuciones de Kush a la civilización mundial fueron en gran parte tergiversadas. Los primeros arqueólogos europeos lo explicaron como un reflejo o colonia de Egipto cuando Egipto se ha explicado durante mucho tiempo como un producto del Cercano Oriente y el Mediterráneo (no de África).
El legendario Reino de Kush, la madre de las civilizaciones africanas, una cultura deslumbrante que floreció en la región conocida como Nubia (que se extiende desde el Alto Nilo hasta el Mar Rojo, lo que hoy es Egipto y Sudán) hace casi 5.000 años y rigió el mundo durante milenios. La región se convirtió en un importante centro comercial de productos del interior africano, el desierto árabe y la cuenca mediterránea. Kush pone de manifiesto el papel que desempeñaron los africanos en un mundo antiguo interconectado.
Durante mucho tiempo, los académicos eurocéntricos no concibieron que una civilización negra fuera tan avanzada. Las antiguas culturas nubias eran sofisticadas y cosmopolitas. Afortunadamente, la verdad sobre esta civilización africana está emergiendo gradualmente a medida que los restos arqueológicos sobrevivientes de Kush revelan un fascinante pueblo antiguo desconocido para el mundo. Ésta es la verdad de la historia africana y debería enseñarse en todas las escuelas. Los europeos ven la antigua Grecia simbólicamente como la madre de su civilización (que también fue influenciada por las civilizaciones africanas clásicas). Los africanos debemos ver a Kush como nuestro gran antepasado. Basándose en sus estudios, viajes, excavaciones y trabajo de campo, Nubia Wardford Polk, nos lo cuenta en "Los origenes de la antigua Kush"

NUBIA WARDFORD-POLK, M.A., Antropóloga / Científica Cultural (Arqueóloga) Nubia Wardford-Polk tiene una maestría en arqueología histórica especializada en arqueología del mundo africano, mundos históricos y prehistóricos. Su participación e investigación primaria en arqueología, antropología e investigación histórica dieron como resultado conclusiones sobre la importancia de la civilización antigua kushita / merolítica (antiguo Sudán) que es anterior a Egipto.
[ENGLISH]
The Cycle of Conferences on African and the African Diaspora Studies [CEADA] invites to the conference “Origins of Ancient Kush” presented by Nubia Wardford-Polk, M.A.
The Cycle of Conferences on African and the African Diaspora Studies has been created to disseminate Afrocentric and Pan-Africanist thought through the experiences and contributions of Africans and their descendants worldwide. It is an open and permanent space where experts in different areas of knowledge are invited. The dialogue revolves around issues of collective interest and from the Afrocentric, Pan-Africanist, and anti-colonialist perspectives.
Origins of Ancient Kush
You have to know the ancient world to understand the modern world. For years, Kush's history and contributions to world civilization were largely misrepresented. Early European archaeologists explained it as a reflection or colony of Egypt when Egypt has long been explained as a product of the Near East and the Mediterranean (not Africa).
The legendary Kingdom of Kush, the mother of African civilizations, a dazzling culture that flourished in the region known as Nubia (stretching from the Upper Nile to the Red Sea, what is now Egypt and Sudan) nearly 5,000 years ago and ruled the world for millennia. The region became an important commercial center for products from the African interior, the Arab desert, and the Mediterranean basin. Kush makes evident the role that Africans played in an interconnected ancient world.
For a long time, Eurocentric scholars did not conceive that a black civilization was so advanced. The ancient Nubian cultures were sophisticated and cosmopolitan. Fortunately, the truth about this African civilization is gradually emerging as the surviving archaeological remains of Kush reveal a fascinating ancient people unknown to the world. This is the truth of African history, and it should be taught in all schools. Europeans see ancient Greece symbolically as the mother of their civilization (which was also influenced by classical African civilizations). We Africans must see Kush as our great ancestor. Based on his studies, travel, excavations, and fieldwork, Nubia Wardford Polk tells us about it in "Origins of ancient Kush."

NUBIA WARDFORD-POLK, M.A., Anthropologist / Cultural Scientist (Archaeologist)
Nubia Wardford-Polk holds an M.A in Historical Archaeology specializing in Archaeology of the African world, Historic, and Prehistoric worlds. Her involvement and primary research in archaeology, anthropology, and historical research resulted in conclusions regarding the importance of the Ancient Kushite/Merolitic (Ancient Sudan) civilization which predates Egypt.

Nubian Archaeological Project
http://www.ancientnubiancities.com/