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The Ancient Tichitt culture proves Diop right
The Ancient Tichitt culture proves Diop right Baka Omubo 96 Views • 2 years ago

In this video, we take an in-depth look at the ancient Tichitt culture of West Africa and examine how it supports the groundbreaking theories of historian and anthropologist Cheikh Anta Diop. Diop argued that African civilizations were far more advanced than often recognized, with Africa’s history frequently overlooked or misunderstood. According to his model, many modern West African populations trace their roots back to the Nile Valley (the Hapi River basin), having migrated over millennia. This perspective reshapes our understanding of African civilizations as interconnected and deeply influential in the ancient world.

The Tichitt culture, which flourished around 2000 BCE in what is now Mauritania, provides compelling evidence of an advanced society with organized agriculture, monumental stone settlements, and a structured social order. New archaeological findings reveal how this culture aligns with Diop's theories, not only affirming Africa's role in early civilization but also challenging misconceptions about Africa's historical contributions.

Join us as we explore the connections between the Hapi River basin and Tichitt, uncovering how these migrations shaped West African culture and heritage. Discover why Tichitt’s ancient legacy is essential for understanding Africa's place in global history and how it serves as proof of Diop’s enduring influence on the study of African civilizations.

0:00 Intro
1:44 Pastoral Domesticates
3:00 John Henry Clarke Refutes Christopher Wise
3:52 Yéréré Testimony
5:20 Kobadi Culture
7:37 Post Dynastic Migrations
8:20 Yoro Dyao Testimonies
9:07 Dinga Cissé Testimonies
10:35 Gao Assemblages
12:10 Segambian Glass Beads from Kmt
12:50 Sudanic Tumuli
14:56 Wangara Narratives
16:15 Senegambian Megaliths

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Who is Setting South Africa on Fire ? | The White  Minority  is  Sponsoring Afrophobia-Xenophobia in
Who is Setting South Africa on Fire ? | The White Minority is Sponsoring Afrophobia-Xenophobia in Kwabena Ofori Osei 15 Views • 5 days ago

In this talk, Shahid Bolsen breaks down what is actually behind the manufactured anti-immigrant wave sweeping South Africa — who built it, how it works, and why it is happening right now in this specific moment in history.
He treats it as what it is: not a sociological phenomenon, but a forensic case. An arson. And he names the arsonists.
Starting with the basic fact that South Africa is the only country in the BRICS+ world where the colonial management class never actually left — they lost political power in 1994 but kept the land, the mines, the banks, the media, and the financial system — Shahid maps the full chain of actors producing the xenophobia campaign: from the Oppenheimer family's think tank and AfriForum's Washington lobbying operations, through the Democratic Alliance and the Patriotic Alliance inside the Government of National Unity, all the way down to Leon Schreiber's Home Affairs ministry deporting 51,000 Africans a year under a program literally called "Operation New Broom."
He places all of this within the global transition from unipolarity to multipolarity — arguing that the anational owners of global financialized capital are not trying to stop the transition. They accepted it. They are managing it. The question they are asking is whether they can arrive at the post-transition multipolar world still holding the keys to its most critical continent.
Africa is the last open contest. Every other major region has been claimed. And within Africa, three countries have the mass to anchor continental spheres of influence: Egypt, Nigeria, and South Africa. Egypt is effectively untakeable. Nigeria is under coordinated pressure. South Africa is already under management — and the campaign to keep it that way is running at full speed.
The xenophobia campaign serves three simultaneous objectives: it redirects Black working-class anger away from the colonial structure that produced their poverty; it severs South Africa's solidarity relationships with the African countries it needs as partners in any genuinely independent future; and it justifies a state enforcement apparatus — in DA hands — that is doing the actual work of African removal on the ground.
And it is the same playbook being run in America. Keep the poor fighting the poor, while the people who own the structure watch from behind their walls.
This talk connects it all — the street marches, the parliamentary coalitions, the Trump executive order, the PEPFAR cuts, the ambassador expulsion, the continental power contest — into one coherent picture.

African Fashion: The Sophisticated Craftsmanship Behind West Central African Clothing
African Fashion: The Sophisticated Craftsmanship Behind West Central African Clothing Kwabena Ofori Osei 15 Views • 8 days ago

In the Early Modern Period (around 1500-1800), West Central Africa (modern day Angola, the Congos, and Gabon) was home to a variety of different types of cloth and clothing. In this video, we discuss some of the textiles, jewelry, and other adornment that people in this region wore to cover up or show off status, primarily focusing on the kingdoms of Kongo, Ndongo, and to a lesser extent Loango. Join us as we explore some Central African Fashion History! This video is part of Untold Black History III, a collaboration for Black History Month discussing interesting and positive Black history from around the world. No Generative AI was used in the creation of this video.

Check out the Untold Black History III playlist here: https://www.youtube.com/playlist?list=PLivC9TMdGnL8Nnt6Ra8JPQUzHCPI9tcUE&jct=5s3lCP4eK5V4eiLuTPeFSg

Thank you to the following people for lending their voices to some of the primary source quotes in this video:
@ravinelux
@CivilWarWeekByWeek

Citations:
1. Vansina, 266; Heywood, 12-13
2. Heywood; Fromont
3. Vansina; Gibson and McGurk
4. Vansina, 272; Heywood; Fromont
5. Thornton, 12-13
6. Vansina, 276
7. Vansina, 265
8. Vansina, 267-268
9. Vansina, 263
10. Thornton, 19
11. Fromont, 845
12. Heywood, 22
13. Fromont, 846
14. Heywood, 196
15. Vansina, 272-273

Sources:
Fromont, Cécile. “Common Threads: Cloth, Colour, and the Slave Trade in Early Modern Kongo and Angola.” Art History, Volume 41, Issue 5 (November 2018): 838–867,
https://doi.org/10.1111/1467-8365.12400

Gordon D. Gibson and Cecilia R. McGurk, “High-Status Caps of the Kongo and Mbundu Peoples." Textile Museum Journal, Volume 16 (1977) https://archive.org/details/gi....bson-mc-gurk-high-st

Heywood, Linda M. Njinga of Angola: Africa’s Warrior Queen. Cambridge, MA. Harvard University Press, 2017.

Thornton, John. “Precolonial African Industry and the Atlantic Trade, 1500-1800.” African Economic History, no. 19 (1990): 1–19. https://doi.org/10.2307/3601886.

Vansina, Jan. “Raffia Cloth in West Central Africa, 1500-1800.” Essay. In Textiles: Production, Trade, and Demand, 263–82. Ashgate Publishing Limited, 1998.

Clips used:
https://www.youtube.com/watch?v=uhznFtHhkBo

https://www.youtube.com/watch?v=VCpT-4vctNY

https://www.youtube.com/watch?v=oStCNLZBjUM

https://www.youtube.com/watch?v=Y2ADpO6bau8

https://www.youtube.com/watch?v=ijVfGarTEfc

Other Resources:

https://mavcor.yale.edu/mavcor....-journal/nature-cult

https://mavcor.yale.edu/mavcor....-journal/depicting-k

Patreon: https://www.patreon.com/somasacademy
Twitter: https://twitter.com/somas_academy
BlueSky: https://bsky.app/profile/somasacademy.bsky.social
ArtStation: https://www.artstation.com/kalahsoma

00:00 Intro
00:45 Types of Adornment
01:37 Textiles in West Central Africa
03:44 Making Raffia Fabric
06:38 Class and Clothing
11:59 Decline of West Central African Fashion
12:35 Conclusion

Busy Signal – Hill & Gully (Hill & Gully Riddim) | M.A.D. One Remix | Dancehall 2026
Busy Signal – Hill & Gully (Hill & Gully Riddim) | M.A.D. One Remix | Dancehall 2026 T. Y. Adodo 14 Views • 20 days ago

🔥 BUSY SIGNAL RIDING HIS OWN NAMESAKE RIDDIM AND M.A.D. ONE JUST MADE THIS THE MOST FITTING COMBINATION IN THE DANCE RIGHT NOW! 🔥

M.A.D. One links up with Di Genius Productions to deliver the official remix of Busy Signal's "Hill & Gully"** — now riding the hard-hitting Hill & Gully Riddim — and this combination is as NATURAL and as POWERFUL as it gets! 🔥💯

Busy Signal and the Hill & Gully Riddim together is a pairing that just MAKES PERFECT SENSE — and M.A.D. One made sure the execution was handled with the precision and care this combination truly deserves! 🎵💥

One of dancehall's most consistent and RESPECTED voices stepping onto a riddim that carries his name — remixed and reconstructed by M.A.D. One — this is a moment in the dance that hits with HISTORY, ENERGY and pure AUTHENTIC dancehall culture! 🔥🙌

Smooth. Powerful. Classic Busy Signal energy on a riddim that was practically MADE for him! 💯🔥

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🎵 TRACK INFO:
🎤 Artiste: Busy Signal
🎵 Track: Hill & Gully
🎚️ Riddim: Hill & Gully Riddim
🎹 Riddim Produced by: Di Genius Productions
🎛️ Remix by: M.A.D. One

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━━━━━━━━━━━━━━━━━━━━━━━━
🎚️ Remix: M.A.D. ONE
🎵 Riddim Produced by: Di Genius Productions
━━━━━━━━━━━━━━━━━━━━━━━━

📲 CONNECT WITH M.A.D. ONE:
🎵 Bandcamp → https://madonemusic.bandcamp.com
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📧 Promos & Bookings → bellevuerecord@gmail.com

© All rights reserved by their respective owners. Shared for promotional purposes only.

#busysignal #hillandgully #hillandgullyriddim #madoneremix #digeniusproductions #dancehall2026 #busysignalremix #madonemusic #newdancehall2026 #busysignal2026

AES: Ibrahim Traoré BANS French News Channel For Defending Terrorist Groups
AES: Ibrahim Traoré BANS French News Channel For Defending Terrorist Groups Kwabena Ofori Osei 14 Views • 16 days ago

TV5MONDE Banned In Burkina Faso
"2AM in Venezuela" (OFFICIAL VIDEO):
https://youtu.be/GtvkwgbVKF8BLACK WINTER (Full Album): https://youtube.com/playlist?list=PLJSMFuicKjJ46p1K9TlqZPRGFSd0M5z9U&si=4WG_YXCGJinM6XENJoin the Patreon for exclusive videos that you won't find on Youtube: https://www.patreon.com/NTD1814S U P P O R TCash App - $NelsonAmadeusPayPal- GlobalHitsWorld@gmail.comEMAIL - KingNeferkare@gmail.comTwitter @NTDessalinesInstagram @NelsonAmadeusTURN ON POST NOTIFICATIONS.

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