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Ɔbenfo Ọbádélé Kambon is a world-renowned master linguist, multi-award-winning scholar and the architect of Abibitumi the oldest and largest Black social education network on the planet.00:15:12 African origins and contributions to combat sciences 12:58 Talks UFOs and disagrees with theory that aliens made ancient pyramids29:34 Advice for Black men37:00 krakkka Concepts of Right & Wrong 48:36 Ancient Egypt vs Kemet55:34 Power of language1:00:25 Nana Thomas SankaraPlease click link below to learn more about Ɔbenfo Ọbádélé Kambon and his work:
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Slavery: The White Woman's Burden
White Women as Slave Owners
Today we're discussing Stephanie E. Jones-Rogers' work, They Were Her Property: White Women as Slave Owners in the American South. This work delves deep into the realities of white female slave ownerships, demonstrating the ways in which white women leveraged competing systems of oppression, particularly race and gender, to attain power, status, and wealth. ChaptersMistresses of the Market 0:00-12:48I belong to de mistis 12:49-15:39Missus done her own bossing 15:40-16:38She thought she could find a better market 16:39-18:55Wet nurse for hire 18:55-24:21Her slaves have been liberated and lost to her 24:22-25:28A most unprecedented robbery 25:29-26:28Epilogue 26:29-29:00Works CitedGordon, Tiye A. The Fancy Trade and the Commodification of Rape in The ..., scholarcommons.sc.edu/cgi/viewcontent.cgi?article=4647&context=etd. Accessed 5 Mar. 2024.Jones-Rogers, Stephanie E. They Were Her Property. Yale University Press, 2020. Little, Becky. “The Massive, Overlooked Role of Female Slave Owners.” History.Com, A&E Television Networks, www.history.com/news/white-wom....en-slaveowners-they- Accessed 5 Mar. 2024.Lydia Maria Child: Charity Bowery, www.sojust.net/literature/child_charity.html. Accessed 5 Mar. 2024. King, Henrietta. "“Henrietta King”; an excerpt from Weevils in the Wheat (1976)" Encyclopedia Virginia. Virginia Humanities, (07 Dec. 2020). Web. 05 Mar. 2024
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African storytelling is taking center stage once again — not just as entertainment, but as a powerful tool for identity, history, liberation, and global cultural connection.
On this edition of the Morning Show Conversation Segment, Afia TV spotlights the build-up to the 2026 Abibitumi Abibifahodie Film Festival, an international platform dedicated to celebrating authentic African stories, Black identity, cultural memory, and diaspora connection through film and creative expression.
Joining the conversation is Ọnụọra Abuah, Director of the Abibitumi Film Festival & Conference, as we explore the vision behind one of the most culturally significant African-centered film gatherings bringing together filmmakers, storytellers, scholars, creatives, and audiences from across the continent and the global African diaspora.
Organized by Abibitumi and the Decade of Our Repatriation (DOOR) initiative, the festival is more than a showcase of films — it is a movement rooted in reclaiming African narratives and strengthening connections between Africans on the continent and descendants of Africa across the world.
At a time when global media spaces are increasingly questioning representation, ownership of narratives, and cultural authenticity, the Abibitumi Abibifahodie Film Festival seeks to create a platform where African stories are told by Africans, for Africans, and with the fullness of African identity intact.This conversation examines the growing influence of African cinema, the importance of preserving indigenous stories, and the role film can play in reconnecting communities separated by history, migration, and the transatlantic slave trade.
What kinds of stories are shaping the 2026 edition?How is African cinema evolving beyond stereotypes and survival narratives?And why are festivals like this becoming increasingly important in the global cultural conversation?From heritage and spirituality to resistance, identity, language, migration, and liberation, the festival promises to spotlight films that challenge dominant narratives while celebrating the richness and complexity of African experiences.
As Nollywood, independent African cinema, and diaspora storytelling continue gaining international recognition, platforms like Abibitumi are helping redefine what global African storytelling can look like — bold, rooted, unapologetic, and deeply connected to history.This is more than film.It is memory, identity, culture, and connection projected onto the screen.#abibitumifilmfestival
#africanstorytelling #africancinema #diasporaconnection #abibifahodie #nollywood #afiatv #blackculture #africanfilmfestival #door #panafricanism #filmandculture #creativeafrica #globalafrica #africanidentity
Burkina Faso is taking a historic step toward technological sovereignty and industrial transformation. The country is preparing to launch the Faso Technological Academy, a world-class institution dedicated to training the next generation of African engineers, scientists, innovators, and technology leaders.
With programs focused on Nuclear Energy, Metallurgy, Aeronautics, Mining, and Cybersecurity, this academy represents far more than a university—it is a declaration that Africa can develop its own expertise, build its own industries, and shape its own future.
Operating directly under the Presidency of Burkina Faso, the academy reflects a bold vision of self-reliance, innovation, and Pan-African progress. As construction nears completion and the first students prepare to enroll, many Africans are asking: Is this the beginning of a new era where Africa trains the minds that will build its own factories, aircraft, energy systems, and technological infrastructure?
This is not just Burkina Faso's story. It is Africa's story.
🔥 Watch until the end and share your thoughts:
Can the Faso Technological Academy become Africa's answer to MIT?
#burkinafaso #ibrahimtraoré #panafricanism #africarising #technology #innovation #engineering #science #nuclearenergy #CyberSecurity
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#africansolutions
