Dizzy Gillespie and his Orchestra performing "Night in Tunisia", featuring Dizzy Gillespie - trumpet, Don Byas - tenor saxophone, Milt Jackson - vibraphone, Al Haig - piano, Bill DeArango - guitar, Ray Brown - bass, and J.C. Heard - drums . Recorded February 22, 1946 in New York.

For lead sheets complete with introductory verses, lyrics, and accurate chord changes, visit
https://www.jazzguitarcomprehensive.com/

The JGC History series features specifically curated playlists to help trace the lineage of some of the most influential jazz compositions of all time.

Some notes about the composition from the JGC Real Book,

Composer: Dizzy Gillespie

Year: 1942

Origin: Introduced by Sarah Vaughan in 1944 as "Interlude".

Style: A combination of straight and swing feels, typically played at brighter tempos.

Form: A-A-B-A (32 Bars) [8-8-8-8]
The A sections are played straight with the exception of the final 2 bars, while the B section is swung. This arrangement commonly used for the head only with the solo section entirely swung.

Intro: The bassline that moves from bII7 - Imi6 is usually used to begin the performance, and there is also a counter-melody that goes along with it.

Send-off: After the head in a 12 bar send-off is used to lead into the solos. This is then followed by a solo break which is commonly 4 bars long. It is typically only used the first time around, although it is sometimes used to introduce every new soloist. This section is played entirely swung.

Shout Chorus: After all the melodic soloists are finished a shout chorus is sometimes included. The shout played during the A sections while the B section is left open to the drummer. Sonny rollins offers a concise interpretation of this arrangement on his recording from A Night at the Village Vanguard.

Key: D minor

Harmony/Overview: The harmony of this composition is mainly functional. The main theme revolves around the constant arrival of bII7 - Imi, which is essentially V7alt - Imi (tri-tone substitution). The bridge is identical to that of "Alone Together", taking place in the relative Major and moving from II - V of II before a II - V - I.

Recordings: This song has been recorded over 400 times to date and is a widely popular standard. The first recording comes from Sarah Vaughan in 1944 and was originally entitled "Interlude", featuring lyrics written by Sarah Vaughan and Anita O'Day. One of the earliest instrumental recordings of Dizzy Gillespie performing the piece comes a 1945 session with Boyd Raeburn and his Orchestra. Dizzy would later record and perform this piece many times throughout his career, leaving several particularly legendary recordings behind.

JGC Top Picks:
Sonny Rollins, A Night at the Village Vanguard, 1957
McCoy Tyner, Today and Tomorrow, 1963
Dave Liebman, Besame Mucho and Other Latin Jazz Standards, 1993

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#dizzygillespie #nightintunisia #jazzhistory

⁣Kanfo, the leader of the Eso Warriors of Elu, brings his inquisitive son Toye along on the hunt for Iyanu; she encounters Mama Sewa, the astute matriarch of the Riverlands Settlement who has secret knowledge of Iyanu's past and powers.

Before ⁣Oxford, before Cambridge—there was Timbuktu.
A city where scholars debated mathematics, ⁣astronomy, and law. Where the librarians were Black, the professors ⁣were Black, and the pursuit of knowledge had no ceiling.
✨ Timbuktu & Youtakes your K-8 scholar on a medieval history adventure through thegolden age of African scholarship.

Imagine your child knowing—reallyknowing—that their people have always been builders of thefuture.

Self-paced. Adventure-driven. Identity-affirming.

Learn. Launch. Lead. with KotokoAcademy.

🔗 ⁣https://kotokoacademy.com/

Chief Linguist Kwame Frimpong Manso Adakabre shares the wisdom and knowledge of the Akan Proverbs. He explains the meanings, origins, and uses of proverbs.
(Contact yenkassa@gmail.com for use.)

In this captivating lecture, Cheikh Anta Diop delves into the true origins of Black people, presenting a groundbreaking perspective on African history. Through a rich exploration, Diop confronts the key questions surrounding the "Out of Africa" theory, tracing the journey of human development from prehistory to late antiquity.

✊🏾The Black Africa Book Store
Buy the hardcover version of this coffee table book on authentic African history.
Thanks for supporting Us : https://blackafricabooks.org

Download a free Ebook version of "Black Africa : An Illustrated History"
https://mailchi.mp/historiaafr....icana/historia-afric

🌍Conserving authentic African history (Join and Share). No ads and No anti-black censorship
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Africans had no say when the Europeans were carving up
Mama Africa among themselves.

Kwadwo Asare Baffour #Obi nsu mma me___official video* funeral song

⁣Hadithi za Kumekucha - Fatuma

The Western Eurasian Imperialism who call themselves American are still bombing and killing Black women and children.

This video offers a presentation of the concept of religion according to the understanding the Kôngo people had of this notion before their encounter with the Europeans.

Religion was understood as n'kisi nsi, the use of n'kisi as divine spirits to empower human beings in order to enable them to fight the evil effects of demonic spirits.

The kôngo concept of n'kisi means spirit and power. It alludes first to God, the Most High, and to holy ancestors as animating spirits and protecting power surrounding human beings. This implies that the concept of n'kisi is alike the Igbo concept of Chi and the Yoruba concept of Ase.

It is thus anomalous to reduce the meaning of n'kisi to the Western concept of fetish.

The ideas exposed in this video were taken in our book titled BUKÔNGO which can be found at
https://www.amazon.com/dp/B08NY7ZMCT

Ntengalali -⁣Bagwaze mkhonto

⁣Long before Abuja became Nigeria’s capital, the Gbagyi language group thrived with a rich culture, advanced knowledge, and deep connection to the land. In this video, we journey into the ancient civilization of the Gbagyi—exploring their traditions, architecture, beliefs, and how their legacy still shapes the identity of the region today. Discover the untold story of a people whose history runs deep beneath the foundations of modern Abu

Usisahau kutufuatilia katika mitandao yetu ;
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Produced By Vibez Production
Download Promo Mix https://bit.ly/47Q7M7z

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PLAYLIST

Patrice Roberts - Doh Hold Back
Problem Child - All ah Dis Is Yours
Rae - Fire Hose
Arthur Allain - Getting It Good
Marzville - Correction


#highnoonriddim #soca2026

Kaka Highflames X Zizoo Offical music video

"Ackee walk Produced by A-AKEEM876 RECORDS, Collegeboii Didit

Stream/ download
https://onerpm.link/ackeewalk

Shoot/Edit by
Magical studio

Kaka highflames IG
https://instagram.com/kakahigh....flames?igshid=MmJiY2

Zizoo IG
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#ackeewalk #highflames #trending #dance #song #tiktok



http://vevo.ly/H8ERbh

Why are Black people celebrating Euro Folly Days?

⁣⁣Renee Bach was a young American missionary who set up a charity for malnourished children in Jinja, Uganda. But shocking allegations arose that Renee was treating the sick children herself, without any medical qualifications.

S1.E1 ∙ God Doesn't Call the Qualified, He Qualifies the Called

Disturbing allegations are made about an American missionary and her involvement in the medical care of children at her charity in Uganda.

https://www.abibitumi.com

Kente is regarded as a fabric for the royals and is popular worldwide. There are varying accounts of its origin and so the Yenkassa team decided to go to the source, Bonwire, and track down the one true origin story/history of Kente. Listen to Chief Kente Designer, Akwesi Kwarteng, narrate the true story of the Kente fabric as passed down from his ancestors. Akwesi Kwarteng is a direct descendant of the man who designed (added patterns) the Kente cloth.

All rights reserved. Copyrighted content, contact Yenkassa for use.

Contact Akwesi Kwarteng/Bonwire Kente Weaving Center:
(Ask for Akwesi Kwarteng)
Dial from US: +233 24 908 4121
Dial in Ghana: 024 908 4121
Email: ohenbaoseid@gmail.com

Written by jazz singer, composer, pianist and arranger Eunice Waymon (aka Nina Simone), released on the 1966 album ''Wild Is the Wind''.

My skin is black.
My arms are long
my hair is woolly
my back is strong
strong enough to take the pain
inflicted again and again
what do they call me
My name is Aunt Sarah
My name is Aunt Sarah
Aunt Sarah.

My skin is yellow.
My hair is long
between two worlds
I do belong
my father was rich and white
he forced my mother late one night
what do they call me
my name is Saffronia
my name is Saffronia.

My skin is tan.
My hair is fine
my hips invite you
my mouth like wine
whose little girl am I?
anyone who has money to buy
what do they call me
my name is Sweet Thing
my name is Sweet Thing.

My skin is brown.
My manner is tough.
I'll kill the first mother' I see.
My life has been rough.
I'm awfully bitter these days
because my parents were slaves.
What do they call me
My name is
PEACHES!