Dandara refers to Zumbi's Wife. Zumbi was one of the last leaders of Quilombo dos Palmares. Considered one of the great leaders and symbol of resistance to slavery.

Find the english translation and meaning of the song on:
https://www.lalaue.com/capoeira-music/dandara

Why Didn't We Fight Back? - Introduction to Gullah & Black Seminole Wars by Baba Wekesa Madzimoyo of AYA Educational Institute https://www.ayaed.com

Protoje - 80's Wild (Official Music Video)"80's Wild" from The Jamaican Situation: Side A Soundtrack Listen here: https://ineffable.to/protojeth....ejamaicansituationIn Collective under exclusive license to Ineffable Records 2024Directed by SAMO Cinematographer: Fernando Hevia Production Company: Filmaica 1st AC: Dwight “Rocky” TaylorDIT/Cam PA: Meeks ThomasGrip: Jade Brown + Dave Hall Art: Lindsey Lodenquai Stylist: Ayana Rivere PA: Kash Burrell + Lemar GrantProtoje online:http://www.protoje.comhttps://....www.facebook.com/pro Mi nah watch nuh face, noNah watch nuh face, noNah watch nuh face againMi nah watch no faceNah watch no faceNo, no wayWhen me say Blood MoneyDem probably wah fi come fi meSuppose me tell you bout Seaga and the CIAAnd wah them use fi destabilize the economyAnd who did set the order, bring in guns a TivoliApril 22nd ,1978Jacob Miller, Bucky Marshall, Claudie pon a stageMarley call out Manley and Seaga, dem say peaceBut beg you pree dem face and then go check the dateNot even a year after inna ‘79Dem murder Claudia Massop, shot him 40 time1980’s wild, mi tell you inna MarchDem murder Bucky a New YorkJacob dead in a crashNo haffi tell youWha happen May 11From you bless so dem will kill youBut the message we no give up, mi sehNothing no shift upJust lip up, dem a lip upWith di tings weh dem a keep upIs a stick upI know dem nah go teach you this a school, noBut you done know a so Jamaica rule thoughAnd any time you try fi make a move yahIt comin’ like you have sumpin fi prove yahYou coulda graduate and set yuh futureAnd still haffi a look out fi di shootaIf you a woman, you a get abuse tooYou no see nothing no deh fi do, noHow much we owe the IMF, huh? Waa?And wah the benefit we get, huh? Waa?A who did say lock up all RastafariBring dem in dead or aliveAnd never want fi survive, huh?Now everything you hear, you can’t believeEven if the person that said it was meDo a likkle research fi yourself and seeOpen a book or watch a documentaryLife and debtWah the threatWalter Rodney say it bestOnce the masses educated then unstoppable we getSo you see, illiteracy is not an accidentIt’s precisely why we fight amongst we selfI know dem nah go teach you this a school, noBut you done know a so Jamaica rule thoughAnd any time you try fi make a move yahIt comin’ like you have sumpin fi prove yahYou coulda graduate and set yuh futureAnd still haffi a look out fi di shootaIf you a woman, you a get abuse tooYou no see nothing no deh fi do, noNah watch nuh face, no#protoje #indiggnation #ineffablerecords

Burkina Faso Snags West Africa's Biggest Seat!▬▬▬▬▬▬▬▬▬


#blackhistory #africandiaspora #africanamerican

"The question I want to ask is why is Africa the richest continent in the world? I would say in every term, even in terms of water, why is Africa the poorest? Why are our people the wretched of the earth? I think we parliamentarians what we should be asking all the time is why are we seeing to be the Wretched of the Earth? When we should be the richest of the earth, why?"
- Sidia Jatta Gambian Lawmaker, member of PDOIS a Gambian Pan-African Political Party.



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Visit our Website: https://eyegambia.org

#africa

⁣Tamu Mazama - Bakoko (Official Audio)

Las Caras Lindas is a famous song by the ⁣renown Black Boricua singer, Ismael Rivera. It is a song that gave us Abibifo⁣ɔ from the spanish-terrorized regions of the world much pride in our Blackness. The Beautiful Faces of My Black People!

Lyrics translated to english:



A la le, a la le, a
la lee, la la le le

The beautiful faces
of my Black people
Are a parade of
blossoming molasses
That when it passes
in front of me, my heart rejoices
In their Blackness

The beautiful faces
of my dark-skinned race
Hold tears, sorrow,
and pain
They are the truths
that life challenges
But they carry much
love within

We are the molasses
that laughs
The molasses that
cries
We are the molasses
that loves
And in every kiss,
it is moving

That's why I live
proud of their color
We are kind,
dark-skinned people, with clear poetry
They have their
rhythm, they have melody
The beautiful faces
of my Black people

The beautiful faces
(how beautiful, but), the beautiful faces (but look how beautiful
they are)
The beautiful faces
of my Black people
They have, they
have, they have, they have tears, much melody, I tell you
They have beauty and
they also have very beautiful poetry

The beautiful faces,
the beautiful faces
The beautiful faces
of my Black people
Beautiful faces of
Black people, of which I have many in my calm moments
The beautiful faces
of my Black people are a blast

The beautiful faces,
the beautiful faces (how beautiful they are)
The beautiful faces
of my Black people
We are, I tell you,
the molasses that laughs, ha, ha, ha, ha, ha, that sings and that
cries
And in every kiss,
very moving and captivating

The beautiful faces
(beautiful, beautiful), the beautiful faces (beautiful, beautiful,
beautiful, how beautiful they are)
The beautiful faces
of my Black people
I tell you that in
Portobelo, Panama, I saw the most beautiful and pure face
And that's why my
heart rejoices in its Blackness, that one is truly beautiful

The beautiful faces,
the beautiful faces
The beautiful faces
of my Black people (it sounds)

How beau-, how
beau-, how beautiful they are
Pure Blackness
How beau-, how
beau-, how beautiful they are

The beautiful faces,
the beautiful faces (but how beautiful they are)
The beautiful faces
of my Black people

Listen to me, but
how They are beautiful
They are pretty,
they are lovely
They are beautiful,
how pretty they are
Pretty as you'll
see, that's how they are
Pretty faces like
that one that tells you with a playful tease
A sweet, playful
tease with your sweet, melon-like heart

For the pretty faces
of Llorens Torres
Tell them, Mario

How pretty, how
pretty, how pretty, how pretty, how lovely they are
How beautiful they
are, very beautiful, how lovely they are, how pretty they are
Pretty faces,
pretty, pretty they are, take me!

How pretty they are,
they are pretty
But how pretty they
are, but how pretty they are
How pretty they are,
they are pretty

Many pretty faces
But how pretty, how
pretty, how pretty they are, here they come!

For all the pretty
faces of latin america

But how pretty, but
look how pretty the pretty faces are
Of my Black people,
there are so many
The pretty faces,
the pretty faces
The pretty faces of
my Black people

A parade of
Blackness, of the pure kind that comes from down there
The pretty faces of
my Black people, they are a playful tease
The pretty faces,
the pretty faces
The pretty faces of
my Black people

Molasses that
laughs, molasses that laughs, ha, ha, ha, ha, ha, ha
Oh, that sings and
that cries
And in every kiss,
so moving
But how pretty


Original content info:
Provided to YouTube by Universal Music GroupLas Caras Lindas · Ismael RiveraEsto Si Es Lo Mío℗ 1978 Craft Recordings.Released on: 1978-01-01Producer, Vocalist: Ismael RiveraProducer: Javier VázquezRecording Engineer: Irv GreenbaumChorus: Rubén BladesChorus: Adalberto SantiagoChorus: Nestor SanchezChorus: Héctor LavoeComposer Lyricist: Tite Curet AlonsoAuto-generated by YouTube.

The fight for Black liberation lives on within Chairman Fred Hampton's fiancée and former Black Panther Akua Njeri and their son, Chairman Fred Hampton Jr. We’re excited to premiere our new ten-minute short digital film, “A Revolutionary Act'', about the life and work of Illinois Black Panther Party Chairman Fred Hampton, directed by the talented rising star, MALAKAI. Inspired by the film JUDAS AND THE BLACK MESSIAH, this passion project aims to help us unlearn what we were taught about the Black Panther Party in order to truly understand their legacy of love and service to their community.

SAVE THE HAMPTON HOUSE
The #savethehamptonhouse initiative is not just about protecting and restoring Chairman Fred Hampton’s childhood home-- it is a fight for a space to hold important, revolutionary discussions based on real historical context. Let’s help Chairman Fred’s son, Chairman Fred Hampton Jr., #savethehamptonhouse as a crucial first step into reckoning with the true history and legacy of the Black Panther Party and inspiring future leaders in the movement for Black liberation. SaveTheHamptonHouse.org

------

A REVOLUTIONARY ACT | Production Credits
Director: MALAKAI
Executive Producer: Anna Hashmi
Producer: Jessica Miller
Line Producer: Kwame Amoaku
DP: Aiden Chapparone
Editor: Troy Josiah Lewis
Composer: Aaron Shaw
Sound Design + Mix: Greer Vincent Rollier
Graphics/Animation: Mehr Chatterjee, Improper Design and Animation
Production Company: Corner Shop Productions
Brought to you by Participant

Special Thanks:
Chicago Film Archive
Chicago History Museum
Chicago Film Office
Sisters In Cinema
Proviso East High School
Nicole Wilson
Save The Hampton House Organization
https://www.savethehamptonhouse.org/

This is Bullerengue, a rich Black genre made by the Abibifo⁣ɔ of Caribbean 'Colombia' and the Darien province of 'Panama'. It is known for being one of the Diaspora genres for retaining most of its Abibiman heritage.

Original video info:


Achicanoa presents: El Pescador by El Buda Afro Tambó Written by/ Escrita por: Alexis Castro Gonzales y Luis Alfonso ValenciaVideo directed by Esteban CardonaSound engineer/ingeniero de sonido: Matias Duarte and Esteban Cardona Mixed by/mezclado por: Esteban Cardona Mastered by/ Masterizado por: Luis Bonilla Dop/Dirección de fotografía: Miguel Delgado GPostProducción: Miguel Delgado GRecorded in /grabado en María la Baja, Bolivar, Colombia. 7/12/2019#bullerengue #bailescantados #Tradición #folclor #afrocolombia #tambor

Bomba is a traditional Black music genre made by the Abibifo⁣ɔ on the island of Boriken (aka puerto rico).

Original title: ⁣Choco Orta & Chamir Bonano - De Bandazo "Especial Banco Popular de PR (2018), Más De Un Siglo"
Tema: De BandazoVoces: Choco Orta & Chamir BonanoProducción: Más De Un Siglo (BPPR 2018)Poducción (Visual): CinetrixDirector (Visual): Ari ManielProdución Musical: Pasillo Sonoro (Luis Amed Irizarry, Antonio Caraballo, Diego Centeno)Sigueme @https:www.instagram.com/chamirbonano..../https:www.facebook.