Las Caras Lindas is a famous song by the ⁣renown Black Boricua singer, Ismael Rivera. It is a song that gave us Abibifo⁣ɔ from the spanish-terrorized regions of the world much pride in our Blackness. The Beautiful Faces of My Black People!

Lyrics translated to english:



A la le, a la le, a
la lee, la la le le

The beautiful faces
of my Black people
Are a parade of
blossoming molasses
That when it passes
in front of me, my heart rejoices
In their Blackness

The beautiful faces
of my dark-skinned race
Hold tears, sorrow,
and pain
They are the truths
that life challenges
But they carry much
love within

We are the molasses
that laughs
The molasses that
cries
We are the molasses
that loves
And in every kiss,
it is moving

That's why I live
proud of their color
We are kind,
dark-skinned people, with clear poetry
They have their
rhythm, they have melody
The beautiful faces
of my Black people

The beautiful faces
(how beautiful, but), the beautiful faces (but look how beautiful
they are)
The beautiful faces
of my Black people
They have, they
have, they have, they have tears, much melody, I tell you
They have beauty and
they also have very beautiful poetry

The beautiful faces,
the beautiful faces
The beautiful faces
of my Black people
Beautiful faces of
Black people, of which I have many in my calm moments
The beautiful faces
of my Black people are a blast

The beautiful faces,
the beautiful faces (how beautiful they are)
The beautiful faces
of my Black people
We are, I tell you,
the molasses that laughs, ha, ha, ha, ha, ha, that sings and that
cries
And in every kiss,
very moving and captivating

The beautiful faces
(beautiful, beautiful), the beautiful faces (beautiful, beautiful,
beautiful, how beautiful they are)
The beautiful faces
of my Black people
I tell you that in
Portobelo, Panama, I saw the most beautiful and pure face
And that's why my
heart rejoices in its Blackness, that one is truly beautiful

The beautiful faces,
the beautiful faces
The beautiful faces
of my Black people (it sounds)

How beau-, how
beau-, how beautiful they are
Pure Blackness
How beau-, how
beau-, how beautiful they are

The beautiful faces,
the beautiful faces (but how beautiful they are)
The beautiful faces
of my Black people

Listen to me, but
how They are beautiful
They are pretty,
they are lovely
They are beautiful,
how pretty they are
Pretty as you'll
see, that's how they are
Pretty faces like
that one that tells you with a playful tease
A sweet, playful
tease with your sweet, melon-like heart

For the pretty faces
of Llorens Torres
Tell them, Mario

How pretty, how
pretty, how pretty, how pretty, how lovely they are
How beautiful they
are, very beautiful, how lovely they are, how pretty they are
Pretty faces,
pretty, pretty they are, take me!

How pretty they are,
they are pretty
But how pretty they
are, but how pretty they are
How pretty they are,
they are pretty

Many pretty faces
But how pretty, how
pretty, how pretty they are, here they come!

For all the pretty
faces of latin america

But how pretty, but
look how pretty the pretty faces are
Of my Black people,
there are so many
The pretty faces,
the pretty faces
The pretty faces of
my Black people

A parade of
Blackness, of the pure kind that comes from down there
The pretty faces of
my Black people, they are a playful tease
The pretty faces,
the pretty faces
The pretty faces of
my Black people

Molasses that
laughs, molasses that laughs, ha, ha, ha, ha, ha, ha
Oh, that sings and
that cries
And in every kiss,
so moving
But how pretty


Original content info:
Provided to YouTube by Universal Music GroupLas Caras Lindas · Ismael RiveraEsto Si Es Lo Mío℗ 1978 Craft Recordings.Released on: 1978-01-01Producer, Vocalist: Ismael RiveraProducer: Javier VázquezRecording Engineer: Irv GreenbaumChorus: Rubén BladesChorus: Adalberto SantiagoChorus: Nestor SanchezChorus: Héctor LavoeComposer Lyricist: Tite Curet AlonsoAuto-generated by YouTube.

The fight for Black liberation lives on within Chairman Fred Hampton's fiancée and former Black Panther Akua Njeri and their son, Chairman Fred Hampton Jr. We’re excited to premiere our new ten-minute short digital film, “A Revolutionary Act'', about the life and work of Illinois Black Panther Party Chairman Fred Hampton, directed by the talented rising star, MALAKAI. Inspired by the film JUDAS AND THE BLACK MESSIAH, this passion project aims to help us unlearn what we were taught about the Black Panther Party in order to truly understand their legacy of love and service to their community.

SAVE THE HAMPTON HOUSE
The #savethehamptonhouse initiative is not just about protecting and restoring Chairman Fred Hampton’s childhood home-- it is a fight for a space to hold important, revolutionary discussions based on real historical context. Let’s help Chairman Fred’s son, Chairman Fred Hampton Jr., #savethehamptonhouse as a crucial first step into reckoning with the true history and legacy of the Black Panther Party and inspiring future leaders in the movement for Black liberation. SaveTheHamptonHouse.org

------

A REVOLUTIONARY ACT | Production Credits
Director: MALAKAI
Executive Producer: Anna Hashmi
Producer: Jessica Miller
Line Producer: Kwame Amoaku
DP: Aiden Chapparone
Editor: Troy Josiah Lewis
Composer: Aaron Shaw
Sound Design + Mix: Greer Vincent Rollier
Graphics/Animation: Mehr Chatterjee, Improper Design and Animation
Production Company: Corner Shop Productions
Brought to you by Participant

Special Thanks:
Chicago Film Archive
Chicago History Museum
Chicago Film Office
Sisters In Cinema
Proviso East High School
Nicole Wilson
Save The Hampton House Organization
https://www.savethehamptonhouse.org/

This is Bullerengue, a rich Black genre made by the Abibifo⁣ɔ of Caribbean 'Colombia' and the Darien province of 'Panama'. It is known for being one of the Diaspora genres for retaining most of its Abibiman heritage.

Original video info:


Achicanoa presents: El Pescador by El Buda Afro Tambó Written by/ Escrita por: Alexis Castro Gonzales y Luis Alfonso ValenciaVideo directed by Esteban CardonaSound engineer/ingeniero de sonido: Matias Duarte and Esteban Cardona Mixed by/mezclado por: Esteban Cardona Mastered by/ Masterizado por: Luis Bonilla Dop/Dirección de fotografía: Miguel Delgado GPostProducción: Miguel Delgado GRecorded in /grabado en María la Baja, Bolivar, Colombia. 7/12/2019#bullerengue #bailescantados #Tradición #folclor #afrocolombia #tambor

⁣Why have I walled in my Poet's Voice by Jan Carew
Recited by Sister Marika

#thelandofkam #therealankh #maa_aankh what does the Ankh or Aankh cross really mean? In this video, I give a more esoteric explanation about the ankh, how it relates to Kongo Spirituality, the dikenga dia Kongo (Kongo Cross) and how the aankh can be used as a talisman that empowers true Kemetic followers.

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I do not own the copyright of the music.
Song: Sending All My Love by Phonte of Little Brother
https://twitter.com/phontigallo
Foreign Exchange Music: http://www.theforeignexchangemusic.com/

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CashApp: $RauKhu

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About Derric "Rau Khu" Moore
I practice Kamta, a form of Kemetic (Ancient Egyptian) Shamanism that draws from the Kemetic theology and the Kongo-Angolan dikenga (Kongo Cross) philosophy. That has been combined with African American Spiritualism and Afro-Cuban Espiritismo Cruzado (Crossed Spiritism). My goal is to normalize the Kemetic Way of Life by providing practical adaptations to our ancient ancestral way of living.
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Recited by Mama Marika

For the second consecutive year, NPR teamed up with globalFEST in January 2021 for a thrilling online music festival we call Tiny Desk Meets globalFEST: three nights, nine bands, and a world of musical traditions hosted by African pop star Angélique Kidjo. Now, we're posting all the sets from our festival as individual Tiny Desk (home) concerts.Bob Boilen | January 28, 2022Born from the rich musical and historical heritage of San Basilio de Palenque, Colombia (the first free Black town in the Americas), Kombilesa Mí fuses the traditional sounds of the community with urban pop. The band's members experiment with the instruments created by their ancestors (and introduced to them when they were young) by layering them between new sounds.Over traditional percussion, metal handmade drums of their own design, and marímbula, Kombilesa Mí rhymes and raps in Spanish and the traditional Palenquero language, a fusion of African Bantu, Portuguese, French and English. During the performance, you'll hear them call their music "RFP," which means Rap Folklórico Palenquero, a combo of cumbia, son de negro, mapalé and son palenquero. --The globalFEST staffSET LIST"I Tando Pa Palenge""I A Piyá Bó""Kumo Kusa Tá""Los Peinados""Asina Gue""Ma Nduse""Ata Uto Begá"MUSICIANSAndris Padilla Julio: vocalsKeila Regina Miranda Pérez (KR MP): vocalsAlí Fernando Navarro (MCPM): vocals, tambor alegreMartín Elias Maza: tambor llamadorKendri Cassiani: tamborasOrlys Reyes: marímbulaEdwin Valdes: maracasCREDITSProduction: Guillermo CamachoAudio: Fernando ManzurVideo: Guillermo CamachoCamera: Royman Reales MartinezSpecial thanks: Real Films Cartagena, Viviana Benitez, novaproduccionesTiny Desk Meets globalFESTTiny Desk TeamProducer: Bob BoilenVideo Producer: Maia SternAudio Mixing: Josh RogosinTiny Production Team: Bobby Carter, Kara Frame, Joshua Bryant, Sofie Hernandez-SimeonidisExecutive Producer: Keith JenkinsSenior VP, Programming: Anya GrundmannglobalFEST Artistic TeamCo-Directors: Shanta Thake, Isabel Soffer, Bill Bragin2022 Curators: Shanta Thake, Isabel Soffer, Bill Bragin, Gabrielle DavenportglobalFEST Production TeamEvent Producer: Ian ThakeProducer: THE OFFICE performing arts + film*Video Producer: Karim TabbaaSpecial ThanksThe Andrew W. Mellon Foundation, National Endowment for the Arts, NYC Department of Cultural Affairs, NYC Mayor's Office of Media and Entertainment, JanArtsNYC, Valerie French (social media), Yuri Kwon of Pitch Perfect PR (publicity), Tamizdat (legal services) and Duane Morris (legal services)*THE OFFICE performing arts + film consists of Rachel Chanoff, Laurie Cearley, Olli Chanoff, Erica Zielinski, Nadine Goellner, Lynn Koek, Noah Bashevkin, Catherine DeGennaro, Gabrielle Davenport, Chloe Golding, Kyla Gardner, Tess Peppis, Zion Jackson, Scout Eisenberg and Jose Alvarado

America wanted to use spain to kill women and children in Iran they were told to use their own land to do it.

Samora - Suriname Gyal (Official Music Video)

Download/Stream: https://Hapilos.lnk.to/Samora-SurinameGyal

#samora #staudenmann #surinamegyal written by Samora Staudenmann, Ludovic Hoarau & Res Staudenmann

Mixed by Ludovic Hoarau

Mastered by Oli Bösch

Cover Picture by Res Staudenmann

Cover Artwork by Res Staudenmann

Label: Staudenmann

Distributed by 21st Hapilos Digital Distribution

Video directed by Res Staudenmann

Video edited by Kalouk Juste

https://www.youtube.com/@kamjiverse


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