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Mhenga Amos N. Wilson
The Destruction of Afrikan Civilization
10 September 1989
Heru gives a live session on how he buys stock options. Follow his trades at herutrades.com.
THE BLACK SECRET Join the finest Black History Course Online Learn the true histories of Africa's Great Civilisations With world renowned historian Robin Walker - author of When We Ruled
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April 12th 1959.
Audio of Tom Mboya's appearance on NBC's "Meet The Press".
Tom Mboya (1930-1969), the Kenyan trade union and political leader of international repute, was a key figure in Kenya's transition from a British colony to an independent country. His debating and oratorical skills earned him widespread admiration in his country and abroad, including the United States where he spoke on national TV and addressed civil rights rallies.
He was intrumental in founding Africa's first continental labour organisation.
He worked with both Senator John F. Kennedy and Dr. Martin Luther King jr. to create educational opportunities for African students. Among the beneficiaries were future Nobel Laureate, Wangari Maathai and Barack Hussein Obama Snr., the father of the future U.S. President.
A contemporary of Kwame Nkrumah, Mboya came to public prominence at a relatively young age. He was perceived as a protege of Nkrumah's within the Pan-Africanist movement, and later as a rival.
In Kenya, where he later served as Minister for Economic Planning and Development, he was highly esteemed but was seen as a rival to key figures within the Kikuyu establishment.
His assassin was identified as Nahashon Isaac Njenga Njoroge.
But controversy and conspiracy theories endure over his murder.
Many Luos believed at the time had Mboya's murder was organised by members of Kenya's Kikuyu dominated elite. Many were convinced of Jomo Kenyatta's responsibility on the grounds that Mboya presented a threat to his leadership. Njoroge's words of "Why don't you go after the big man?" helped to fuel this.
An alternate theory lays the blame for Mboya's murder on the supporters of Jaramogi Oginga Odinga who it is claimed feared that Mboya's appeal was taking support away from him among the Luo.
The photograph is dated June 4th 1963.
Photo Credit: Top Foto.
Original Credit for Audio Broadcast: NBC.
DRC army says it stopped attempted coup involving foreigners.
In this video, we discuss the event and we also talk about the proper ways to take power.
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Just got back from Namibia a week ago. Headed over to celebrate my grandmother's 90th birthday. Part 1 is the time we spent in the main cities...part 2 (coming soon) we will finally head up north!
These are completely candid, random videos I slapped together with no real plan/script. Just got caught up in the trip.
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Machel Montano x Tempa x Travis World - Tempa Wine
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Song Credits:
Song Title - Tempa Wine
Artist - Machel Montano x Tempa
Producer - Travis World
Composers/Writers - Machel Montano, Travis Hosein, Rebecca Alexander, Shane Howell, Emmanuel Rudder, Kernal Roberts, Dwain Antrobus, Patrice Roberts
Machel Montano recorded by - 1st Klase at Baby Monster Studio Trinidad
Tempa recorded by - I.Y.K.Y.K Ent at Studio Impact
Mixed & Mastered by - Travis World
Contains a sample of “Tempa Wine” by Patrice Roberts x Machel Montano
Record label - Monk Music / Travis World Music
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IMANI-GIZ Reform Dialogue: Stakeholders assess the meaning of AfCFTA to Ghanaian businesses - The Pulse on JoyNews (10-3-21)
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Buy " THE BLACKEST JOY" Album https://akuanaru.lnk.to/TheBlackestJoy
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"My Mother’s Daughter" is the first single release off Akua Naru’s third and forthcoming studio album "...The Blackest Joy" (Spring 2018). The song, at times dark and mystical, at others bright and full of hope, is a rich narrative of black womanhood, agency, West African spirituality, lineage, and sisterhood. With West African influences, as evidenced by the song's introduction and its additional vocals (spoken & sung completely in Mina), Naru, once again, merges genres along the black music tradition and glides effortlessly between soul, jazz, and hip-hop.
Filmed in Lome, Togo, West Africa and directed by Hamburg based artist Joachim Zunke, the video, to be continued, highlights Akua Naru, the mystic/ the traveler, and documents the marriage of her inner and outer worlds. A visual homage to black womanhood on the African continent and in the diaspora.
---Deutsch---
"My Mother's Daughter" ist die erste Single aus Akua Narus drittem Album "…The Blackest Joy", das im Frühling 2018 erscheint. Der Song ist mystisch und zugleich hell und hoffnungsvoll. Er erzählt eine Geschichte über schwarze Weiblichkeit und westafrikanische Spiritualität. Letztere spiegelt sich auch in der Musik, im Intro und den Vocals, komplett in Mina vorgetragen. Akua Naru’s Hip Hop Musik ist zeitlos und repräsentiert den Reichtum und die Schönheit afro-amerikanischer Tradition und Kultur.
Der Hamburger Regisseur Joachim Zunke hat das Video in Lomé in Togo/Westafrika gedreht. Es stellt Akua Naru als Mystikerin und Wanderin dar und lässt ihre inneren und äußeren Welten verschmelzen: eine visuelle Hommage an afrikanische Weiblichkeit in Afrika und der Diaspora.
---Francais---
"My Mother's Daughter" est le premier single du troisième album d'Akua Naru "... The Blackest Joy" (Printemps 2018). La chanson, tantôt sombre et mystique, tantôt brillante et pleine d'espoir, est un riche récit de féminité noire, de spiritualité d'Afrique de l'Ouest, de lignage et de fraternité. A l’origine, influencé par un chant d'Afrique de l'Ouest, comme en témoigne l'introduction de la chanson et des voix supplémentaires (parlé et chanté complètement en Mina), akua naru fusionne encore les genres de la musique traditionnelle africaine au jazz et au hip-hop. Filmée à Lomé au Togo (Afrique de l'Ouest), réalisée par Joachim Zunke, et produite par Elom 20ce et Jahëna Louisin, cette vidéo est la première d’une série. Elle met en lumière Akua Naru, le mystique / le voyageur : un hommage visuel à la féminité noire sur le continent africain et dans la diaspora.
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Mambo Ama Mazama - Voodoo & The Afrikan Liberation Fight
Powerful Sangoma
https://filmfestival.abibifahodie.org
Everybody is here except those who belong...
A man and his stick movie
In this impactful video, Dr. Amos Wilson presents **"The Seed of Self-Hatred."** In this profound talk, Dr. Wilson examines the psychological roots of self-hatred within marginalized communities and the societal factors that contribute to this pervasive issue. His insights shed light on the importance of self-love, cultural pride, and community resilience in overcoming internalized negative perceptions.**About Dr. Amos Wilson:**Dr. Amos Wilson was a prominent psychologist, educator, and author whose work focused on the psychological dynamics affecting the African diaspora. His groundbreaking contributions emphasize the need for self-awareness and cultural understanding in fostering personal and collective empowerment. Through this presentation, he challenges us to confront the roots of self-hatred and replace it with a narrative of self-affirmation.**Key Takeaways:**- Understanding the origins of self-hatred in cultural contexts.- The impact of societal perceptions on self-identity.- Strategies for cultivating self-love and community pride.Don't miss this opportunity to engage with Dr. Wilson's powerful message and start a journey toward healing and empowerment.**Subscribe** to our channel for more insightful discussions and transformative content!### Hashtags#amoswilson #selfhatred #transatlanticproductions #culturalpride #psychology #communityempowerment #mentalhealth #identity!#thenewblackmind ► Subscribe to Transatlantic Productions 💥Smash The LIKE Button👍🏿 Share↗️ & hit the Notifications Bell 🔔► Donate so we can complete the upload https://www.gofundme.com/tapvideo► Cash App: $Tapvideo $GodKingD91 $BrotherRonn $Moneymark0730► Share on video on all Social Media.► Website https://tapvideo.blogspot.comh....ttps://www.facebook. Back up Channels:https://www.youtube.com/channe....l/UCs9-wRHfFb7v7RQAi
Alex Konadu
Ghana HighLife
ASCAC Midwest 2025 Presentation "Black to Ma'at: The State of Waset (ca. 206-186 BCE)" focuses on a Kmtyw Restoration movement that occured in the isfet period of greek occupation of Kmt.
Egungun
